Carcanet Press - The Night Tree

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Author
Reviews

Poetry Book Society Recommendation

This collection travels many paths and by-ways, beside some of which lie burning cars, or a young man speechless on a forest floor, or girls lost far from home. And there is a lighthouse... Travellers pass along these ways, in the darkness, in transit, hoping for safe passage through unknown territory. All are imagined with what Sean O'Brien describes as Draycott's 'quizzical, exultant, exact music'.

The Night Tree is Jane Draycott's second book of poems, following Prince Rupert's Drop, a Poetry Book Society Recommendation short listed for the Forward Prize in 1999, and two smaller collections, Tideway (Two Rivers Press, 2002, illustrated by Peter Hay) and No Theatre (Smith/Doorstop) short listed for the Forward Prize for Best First Collection 1997.

Jane Draycott was born in London in 1954 and studied at King’s College London and Bristol University. Her first full collection, Prince Rupert’s Drop (Carcanet/Oxford Poets ), was shortlisted for the Forward Prize for Best Collection in 1999. In 2002 she was the winner of the Keats-Shelley Prize for Poetry and ... read more

'I've waited some time to read something this intelligent, this sensuous and this crystalline. In fact The Night Tree is the finest collection I've read for ages.'
Guardian
Praise for Jane Draycott 'Draycott uses the language of dreams to make the quotidian illusionary, like a vapour captured in lexicon. Sleeplessness haunts the collection... Homeliness is pushed, just, over to Freud's unhomely conclusions. The dream world, enticing and enlightening as he might have it to be, proves no more accommodating than our own.'
Lucy Cheseldine, STAND
'Her searching curiosity and wonderful assurance make her an impeccable and central poetic intelligence.'
Penelope Shuttle, Manhattan Review 'When Jane Draycott read, for the first time, sections of her exquisitely modulated translation of the 'Pearl' poem, its echoing character seemed to transport me from one cultural space to another... I came as close to hearing the 'Pearl' poet's voice as I am ever likely to be.' - Stella Halkyard, PN Review 'Draycott's version is compellingly human.'
Lachlan Mackinnon, Times Literary Supplement
'The language is marvellously modulated yet stirringly wild. Draycott has carried over into our tamer, tired world a strong, strange sense of how original, gorgeous and natural this old poem can be.'

David Morley, Poetry Review

'Draycott's version is compellingly human.'
Lachlan Mackinnon, Times Literary Supplement
'Draycott's version is compellingly human.'
Lachlan Mackinnon, Times Literary Supplement
'When Jane Draycott read, for the first time, sections of her exquisitely modulated translation of the 'Pearl' poem, its echoing character seemed to transport me from one cultural space to another... I came as close to hearing the 'Pearl' poet's voice as I am ever likely to be.' - Stella Halkyard, PN Review 'Draycott's version is compellingly human.'
Lachlan Mackinnon, Times Literary Supplement
'The language is marvellously modulated yet stirringly wild. Draycott has carried over into our tamer, tired world a strong, strange sense of how original, gorgeous and natural this old poem can be.' - David Morley, Poetry Review
'When Jane Draycott read, for the first time, sections of her exquisitely modulated translation of the 'Pearl' poem, its echoing character seemed to transport me from one cultural space to another... I came as close to hearing the 'Pearl' poet's voice as I am ever likely to be.' - Stella Halkyard, PN Review 'Draycott's version is compellingly human.'
Lachlan Mackinnon, Times Literary Supplement

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The Night Tree Jane Draycott RRP: GBP 7.95 Discount: 10% You Save: GBP 0.79 Price: GBP 7.16 Available This title is available for academic inspection (paperback only). Paperback ISBN: 978 1 903039 72 4 Imprint: OxfordPoets Published: May 2004 216 x 135 x 5 mm 64 pages Publisher: Carcanet Press Description Author Reviews Poetry Book Society Recommendation This collection travels many paths and by-ways, beside some of which lie burning cars, or a young man speechless on a forest floor, or girls lost far from home. And there is a lighthouse... Travellers pass along these ways, in the darkness, in transit, hoping for safe passage through unknown territory. All are imagined with what Sean O'Brien describes as Draycott's 'quizzical, exultant, exact music'. The Night Tree is Jane Draycott's second book of poems, following Prince Rupert's Drop, a Poetry Book Society Recommendation short listed for the Forward Prize in 1999, and two smaller collections, Tideway (Two Rivers Press, 2002, illustrated by Peter Hay) and No Theatre (Smith/Doorstop) short listed for the Forward Prize for Best First Collection 1997. Jane Draycott was born in London in 1954 and studied at King’s College London and Bristol University. Her first full collection, Prince Rupert’s Drop (Carcanet/Oxford Poets ), was shortlisted for the Forward Prize for Best Collection in 1999. In 2002 she was the winner of the Keats-Shelley Prize for Poetry and ... read more 'I've waited some time to read something this intelligent, this sensuous and this crystalline. In fact The Night Tree is the finest collection I've read for ages.' Guardian Praise for Jane Draycott 'Draycott uses the language of dreams to make the quotidian illusionary, like a vapour captured in lexicon. Sleeplessness haunts the collection... Homeliness is pushed, just, over to Freud's unhomely conclusions. The dream world, enticing and enlightening as he might have it to be, proves no more accommodating than our own.' Lucy Cheseldine, STAND 'Her searching curiosity and wonderful assurance make her an impeccable and central poetic intelligence.' Penelope Shuttle, Manhattan Review 'When Jane Draycott read, for the first time, sections of her exquisitely modulated translation of the 'Pearl' poem, its echoing character seemed to transport me from one cultural space to another... I came as close to hearing the 'Pearl' poet's voice as I am ever likely to be.' - Stella Halkyard, PN Review 'Draycott's version is compellingly human.' Lachlan Mackinnon, Times Literary Supplement 'The language is marvellously modulated yet stirringly wild. Draycott has carried over into our tamer, tired world a strong, strange sense of how original, gorgeous and natural this old poem can be.' David Morley, Poetry Review 'Draycott's version is compellingly human.' Lachlan Mackinnon, Times Literary Supplement 'Draycott's version is compellingly human.' Lachlan Mackinnon, Times Literary Supplement 'When Jane Draycott read, for the first time, sections of her exquisitely modulated translation of the 'Pearl' poem, its echoing character seemed to transport me from one cultural space to another... I came as close to hearing the 'Pearl' poet's voice as I am ever likely to be.' - Stella Halkyard, PN Review 'Draycott's version is compellingly human.' Lachlan Mackinnon, Times Literary Supplement 'The language is marvellously modulated yet stirringly wild. Draycott has carried over into our tamer, tired world a strong, strange sense of how original, gorgeous and natural this old poem can be.' - David Morley, Poetry Review 'When Jane Draycott read, for the first time, sections of her exquisitely modulated translation of the 'Pearl' poem, its echoing character seemed to transport me from one cultural space to another... I came as close to hearing the 'Pearl' poet's voice as I am ever likely to be.' - Stella Halkyard, PN Review 'Draycott's version is compellingly human.' Lachlan Mackinnon, Times Literary Supplement	Share this... Quick Links Anvil Press Poetry Aspects of Portugal Audio Books Carcanet Classics Carcanet Fiction Carcanet Film Carcanet Poetry FyfieldBooks Lintott Press Lives and Letters OxfordPoets PN Review Sheep Meadow Press The Carcanet Blog Les's Portrait Head: Jonathan Hirschfeld read more Dollhouse on Fire: Sheri Benning read more Rebecca Goss on Alison Watt read more Jane Yeh: On Misfits, Outsiders and Klaus Nomi read more 'We can love our past not because it was easy, but simply because it was ours': Thomas McCarthy read more PN Review 246: Editorial read more
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