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There is an Anger That Moves
Categories: 21st Century, Caribbean
Imprint: Carcanet Poetry
Publisher: Carcanet Press
eBook (EPUB) Needs ADE!
(Pub. Jul 2012)
Paperback (96 pages)
(Pub. Oct 2007)
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The page of this poem is a space
on which you may throw rice grains as divination,
use up the magic that only rotted inside you. Between these words
from 'An Allowance for Ula-May'
The six sequences of There Is an Anger that Moves travel from Jamaica to England and back. A mother's heart is broken; men fall in love secretly; people dance until they die. Religion haunts these disbelieving poems which move sometimes to the measure of a hymn, sometimes to the cadence of a Baptist sermon. Each swells with its own conviction, even when that conviction is doubt. Miller makes us believe in the power of unexpected things: the colour orange, broken coffins, ice cream and in the transforming power of poetry.
From this book Kei Miller emerges as one of the most compelling and subtle new voices from the Caribbean.
Awards won by Kei Miller Short-listed, 2020 The Derek Walcott Prize (In Nearby Bushes) Long-listed, 2020 The Polari Prize (In Nearby Bushes) Winner, 2014 Forward Prize for Best Collection (The Cartographer Tries to Map a Way to Zion) Short-listed, 2014 Costa Book Awards for Poetry (The Cartographer Tries to Map a Way to Zion) Short-listed, 2014 International Dylan Thomas Prize (The Cartographer Tries to Map a Way to Zion)
'Some of the most exciting poetry I've read in years. Radiant utterance that speaks of island experiences and gender politics from a deep well of understanding, with empathy, humour and insight. An extraordinary new voice singing with clarity and grace.'
Olive Senior 'Raise high the roofbeams, here comes a strong new presence in poetry...Kei Miller's is a voice we will hear much more of, for it speaks and sings with rare confidence and authority.'
Lorna Goodison 'Miller's charming second collection [There Is an Anger that Moves] is an affectionately jaunty glimpse of a life caught between the cold and baffling England he has adopted and the fiery warmth of his Jamaican home.'
No. 7 in 'The Ten Best New poetry collections' - The Independent, 2007
Praise for Kei Miller This is a book that offers a wise, colourful and unflinching look at contemporary Jamaica - good and bad - and anyone who loves language will find it utterly intoxicating.'
Roger Cox, The Scotsman 'Lyrical contemplation brings to the fore the Jamaican landscape in which the collection is set and its inextricable relationship to racialized violence... The frequency with which these poems deploy the signifier bush but nevertheless find ways to reimagine its social, political, and aesthetic potentials suggests that we may no sooner exhaust our compulsion for clarity than our desire for obscurity.'
Joseph Fritsch, Public Books 'Miller's lush, contemplative poetic style is on full display, as is formal innovation with a boundary-breaking structure setting critical 'micro-essays' in conversation with verse ... This collection is a powerful testament to his acuity as both poet and critic.'
Sarah-Jean Zubair, Magma
'Miller deftly uses caesuras,line breaks and antimetabole to keep the reader pivoting between meanings, between growth and rot.''Kei Miller has always had a distinct relationship to ideas of place, able - as the best cartographers are - to make sense of territory new or previously overlooked, and point us to why we should be looking there, and what we should be looking for: the stories that are being buried, being forgotten... It's also a sharp reminder that crisis - endings - will find us, wherever we are. What are - what could be - beautiful refuges don't exist, and are the real nowhere places.'
Rishi Dastidar, Poetry London
'Miller's formal and linguistic inventiveness are at their best in his lively analysis of patois and etymology... Miller combines reportage, poetry, essay, psalmistry and erasure to show... the book of poems as a site of potential'
Dominic Leonard, Times Literary Supplement
'Kei Miller has always had a distinct relationship to ideas of place, able - as the best cartographers are - to make sense of territory new or previously overlooked, and point us to why we should be looking there, and what we should be looking for: the stories that are being buried, being forgotten... This method of directing us to what we really need to pay attention to, and where it is happening, is at the core of Miller's latest collection'
Rishi Dastidar, Poetry London
'In Kei Miller's case, perceptions of Jamaica play out wittily through dialect and toponym, and are set against violent circumstances, explored with a profound awareness of their cultural and historical causes.'
W. N. Herbert, The Poetry Review
'This grab-you-by-the-collar collection uses the undergrowth as a symbol for Jamaica's dark side.'
Tristram Fane Saunders, The Telegraph
'Miller surpasses expectations for a book to be about something, as if a book's purpose were merely to convey information, or to create an experience. To read In Nearby Bushes is to be guided into thinking through things, however uncomfortable or uncanny.'
'A tremendous range of writing as excellent Jamaican poets rub shoulders with peers from Haiti, Trinidad and the Bahamas. Diverse and stimulating.'
Independent on Sunday 'These captivating poets write from the heart with poems which range from the spare and haunting to the risky and experimental. There are surprises, there is beauty, there are pleasures to be discovered, there is much to be enjoyed.'
Bernardine Evaristo 'The verse movement here, the interplay of sound values in inner rhyme and consonantal pairing, in fact the whole lyrical movement of the text, I find exemplary.'
Peter Riley, Fortnightly Review
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