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I'm filled with admiration for what you've achieved, and particularly for the hard work and the 'cottage industry' aspect of it.
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ISBN: 978 1 857549 20 1
Categories: 21st Century, Scottish
Imprint: Carcanet Poetry
Published: July 2007
216 x 135 x 10 mm
Publisher: Carcanet Press
I'd have called it a 'flitting'
but it was a year before I was born -
to my father it was 'moving house'.
He was Ma's envoy in Scotland:
he'd just chosen a field
that would grow into a bungalow
Greenfields shows how it was, to grow up in a quiet corner of Scotland, fixing the last decades of the twentieth century in its snapshots. The book reclaims suburbia as a place of unexpected poetry and conjures the bittersweet of such hybrid places. Those modern places are superimposed upon much older contours: Price elegises the ancient landscape of Renfrewshire. Geological, dynastic, family, and lovers' time are set against the rapacious speed of modernity.
Like Lucky Day, Price's acclaimed Carcanet collection, Greenfields is alert to the nuances of family relationships. New here are delicate love poems and uncanny evocations of a child's developing perception of friends, siblings and parents. In 'Tube Shelter Perspective', the sequence that binds together many of his concerns, Price demonstrates that he is a writer, in the words of John Kinsella, who 'has given late modernism an injection of humanity it has long required
Awards won by Richard Price Short-listed, 2017 Saltire Society Poetry Book of the Year Award (Moon for Sale) Winner, 2013 Creative Scotland SMIT Poetry Book of the Year
(Small World) Short-listed, 2010 Scottish Arts Council Poetry Book of the Year Award
(Rays) Short-listed, 2008 Scottish Arts Council Poetry Book of the Year Award
(Greenfields) Short-listed, 2005 Jerwood/Aldeburgh First Collection Prize
(Lucky Day) Short-listed, 2005 Whitbread Poetry Book of the Year
(Lucky Day) Short-listed, 2005 Forward Felix Dennis First Collection Prize
(Lucky Day) Runner-up, 1997 Paul Hamlyn Poetry Award, for pamphlet Hand Held Winner, 1988 Winner, STV Creative Writing Prize, Universities of Glasgow and Strathclyde Winner, 1988 Keith Wright Memorial Prize for Poetry, University of Strathclyde, Glasgow Winner, 1987 Keith Wright Memorial Prize for Poetry, University of Strathclyde, Glasgow
'Price's humane intelligence manifests itself in deceptively simple and subtly musical forms of address. Readers who allow themselves the pleasure will not be disappointed.'
Robert Potts, The Guardian
Praise for Richard Price 'He is a poet with a huge range of styles, for whom no subject matter is outlawed... He clusters similar poems so they sing to each other - a group of nature poems, a medley of songs - and the opening, penultimate and final poems are gracious, gentle and pleasing. We're never in any doubt that we're in the company of an unusual intelligence, but he is clever in a generous way.'
Mandy Haggith, Gutter Magazine
'Poets have to be linguistic virtuosi, but I prefer them to be brilliant quietly. Richard Price's poetry is inventive, sometimes dazzling, but never merely showy. I first came to Price's poetry with the publication of Lucky Day (2005) and every subsequent book has delivered fresh weather. Moon for Sale appeared in January 2017, and I'm still rereading it and finding new pleasures.'
Carol Rumens, Best Poetry Books of 2017, The Guardian
'A wryly playful poet...'
'There are also beautiful, intimate love poems which served to remind me that even in sad and dangerous times, human sweetness can prevail. There are also many moments of delicious humour.'
Josephine Corcoran, The North, Issue 58 (Summer 2017)
'Reading the poems you become aware you are in the presence of a mind working much more quickly and sharply than your own.'
The Poetry School 'Richard Price retains an individual voice in which intense feelings of love, or dislocation, are packed into often short, complex lyrics. There is a tension in reading his poems which is created by his care for words, by the integrity of his distillation.'
Carol Ann Duffy '...when you come to such energy combined with impressive inventiveness and lyricism, it is rather hard to pass on by [...] the humour, the wittiness [are] there throughout, as is a boldness of utterance [...] Here, however sorrowful the story, I hope other readers too will feel the energy of language in the making.'
Caroline Clark, Eyewear 'A superb first line, 'No colours can mean more than Lego's' ('Delicate greenery'), leads on to an amazing arc of narrative and imagery and richness. There's playground slang and prejudice. And suddenly a pared-down, lyric directnessâ¦'
Tony Williams, Magma 'Fully alive to our financialized, precarious situation, this poet is also alive to the human sensorium and the revels of languageâits permutations, transmutations. Moon for Sale announces in its very title this poet's mordant wit but also his romanticism. A formidable intelligence powers this work, its whiplashing jingles and ditties, its visual poems, its sonic brilliances, its micro-shifts and micro-tones, its ominous deadpans, dry diagnoses. Yet for all Price's severities, we also encounter 'intimate risks,/a whispered promise.' He is one of our most attentive, delicate, ferocious transmitters, singers, makers.'
Maureen N. McLane 'Richard Price retains an individual voice in which intense feelings of love, or dislocation, are packed into often short, complex lyrics. There is a tension in reading his poems which is created by his care for words, by the integrity of his distillation.'
Carol Ann Duffy
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