Carcanet Press - The Russian Jerusalem

Description
Author
Contents
Awards
Reviews

Beginning in present-day St Petersburg, The Russian Jerusalem explores the landscape of twentieth century Russian literature. In this evocative autobiographical novel, distinguished poet, translator, novelist and biographer Elaine Feinstein moves among the dead poets of Stalin's Russia with the poet Marina Tsvetaeva as her Virgil, mingling with the ghosts of writers such as Anna Akhmatova, Boris Pasternak, Osip Mandelstam and Joseph Brodsky. These imaginary encounters are interspersed with new poems by Feinstein. The author, herself of Russian descent, reconstructs the lives and fates of Russian, often Jewish, writers during the long age of Soviet terror, re-establishing them at the heart of the European tradition.

CONTENTS

1‘They were almost unaware of the poetry they moved in.’
2 St Petersburg 2005
3 The Underworld Opens
4 The Stray Dog
5 The River Station, Moscow 1941
6 Rivers
7 Moscow1934
8 Ilya Ehrenburg in Gehinnom
9 Moscow, December 1937
10 Pasternak on the cinder slopes
11 Peredelkino 1937
12 Nashchokin Lane, Moscow
13 Voronezh
14 The innocence of Isaac Babel
15 Peredelkino, May 1939
16 Cherry brandy, May 1938
17 Barracks No. 11, Vladivostok 1938
18 Strangers
19 Stetl
20 Golden Kiev
21 A Change in the Climate, 1953
22 The fortunate spirit
23 Prizes
24 Joseph
25 Arkangelskoye 1964
26 Farewell
27 St Petersburg 2005
28 Pasternak’s Grave
29 Odessa 2005
30 Brodsky
31 Heaven

Notes
Timeline

Elaine Feinstein was a poet, novelist, and biographer. She received many prizes, including a Cholmondeley Award for Poetry, Society of Authors', Wingate and Arts Council Awards, the Daisy Miller Prize for her experimental novel The Circle, (long-listed for the ‘lost’ Man Booker prize in 2010) and an Honorary D.Litt from ... read more

Awards won by Elaine Feinstein Commended, 2017 The Poetry Book Society Special Commendation (The Clinic, Memory)

'All poets are Jews, said Marina Tsvetaeva. Elaine Feinstein, Britain's most distinguished Jewish poet, was her first translator into English and has a wonderful wiry lyricism of her own, influenced both by Russian poetry and by Charles Olson and the Black Mountain poets. She has written here a unique blend of poetry, history and personal memoir, a descent into the heartbreaking and ground breaking vistas of Russian Jewry, and Russian literary figures of the twentieth century. The poets of genius whom she did not know alive, she knows equally intimately in the best way in which one poet knows another - by learning, reading, studying, translating. The book opens with her memories of renting a flat in a rundown quarter of St Petersberg in 2005, and also with Marina Tsetaeva accepting, as Virgil accepted for Dante, the role of guide to the underworld of colourful and talented figures Feinstein has known in her rich literary life, both in Russia, London and Cambridge.'
Ruth Padel
'In this fascinating, lyrical meditation on literature, politics, suffering and friendship, Elaine Feinstein - a biographer of poets and a poet of the first rank herself - takes us on a richly imagined journey through a lost literary archipelago, and reconstructs the lives and fates of Russian, often Jewish, writers during the long age of Soviet terror. Combining family history, travels through modern Russia and very personal encounters with famous ghosts, Feinstein evokes, throughpoetry and prose, both the inferno of cruelty and persecutions, and a golden Jerusalem of creativity, talent and intense literary bonds. This is a moving, original work, for which Feinstein has created a selection of poems worthy of the predecessors she admires.'
Eva Hoffman
Praise for Elaine Feinstein 'She was a unique poet-storyteller whose memories live on with visceral clarity in this collection.'

Bryan Cheyette, Times Higher Education

'There is a wry acceptance of illness, of ageing, change and loss, tethered to a valuing of the richness and rewards of the rocky road that have led to now...It is one of the strengths of Feinstein's work that she does not flinch from engaging with raw emotion and the contradictions entangled with intimacy.'
Jenni Calder, JQ
'Elaine Feinstein's truthfulness, her linguistic clarity and her musicality - above all, the last, for my pleasure - make her poetry a joy to read. The Clinic, Memory, her new and selected, is rich with poems that stay in one's mind.'
Leah Fritz, Acumen
  'One gets a strong sense of the shape of Feinstein's life and her preoccupations throughout this excellent collection. One can't sum up the poetic achievements of a long career in a short review and I won't try; far better for you to just read the book.'
Poetry Salzburg
  'Written with a disarming honesty and directness, an unflinchingly wide-awake clarity. Difficult things - from the death of a husband to insomnia - have seldom seemed quite so beguilingly common to us all.'
The Tablet
'She is an extremely fine poet. She has a sinewy, tenacious way of penetrating and exploring the core of her subject that seems to me unique. Her simple, clean language follows the track of the nerves. There is nothing hit or miss, nothing for effect, nothing false. Reading her poems one feels cleansed and sharpened.'
Ted Hughes
  'Here we have a life, a person in the world opened up with intelligence and tact.'
Martina Evans, The Irish Times
'Like numerous English readers, I owe my discovery of Tsvetaeva to the multi-talented poet and writer, Elaine Feinstein... Feinstein's translations prove that a poem can be re-born in its adoptive language.'
Carol Rumens 'Talking to the Dead is arguably Elaine Feinstein's best collection. Beautifully crafted, deeply felt, totally earned, these poems of love and bereavement, and more, will expand her readership well beyond the readers and writers of contemporary poetry who have long loved and treasured her exemplary contribution to the art.'
Carol Ann Duffy 'Beautiful, generous, wonderfully intense poems ... Anyone who has ever felt comforted in grief by words, or who has lived through that tension between tenderness, longing and guilt, will recognize their precision and their truth.'
Ruth Padel 'These are more than elegies, they are alchemy; the emotional force of the book is so strong that the dead come walking out of the pages.'
Jo Shapcott 'The strangeness of visited cities, with their fearful histories, has been transmuted here by the responses of a truly gifted poet.'
Dannie Abse 'Cities presents itself as the work of old age, but readers expecting regret or renunciation will be surprised by the affirmative character of this book. While Elaine Feinstein revisits Europe in the aftermath of Nazism, she also praises the good fortune of having lived richly in the sphere of literature and travelled widely among remarkable people. The poems here are lit with striking clarity - things retain their outline and solidity to an unusual degree.'
Sean O'Brien 'Elaine Feinstein has made the juncture between poetry and memoir her own. As befits a poet who is also a master of fiction and biography, she writes with casual erudition and an acute storyteller's eye. Her forays into European culture and history are dazzling. Cities is a profoundly humane, intimate exploration of the places and stages by which a life acquires meaning.'
Fiona Sampson 'For more than 40 years, Feinstein has been writing intensely lyrical, finely crafted poems. Those in [Talking to the Dead] are honest and moving, and are among her very best.'
No. 1 in 'The Ten Best New poetry collections' - the Independent, 2007

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The Russian Jerusalem A novel Elaine Feinstein RRP: GBP 9.95 Discount: 10% You Save: GBP 0.99 Price: GBP 8.96 Currently Out of Stock Paperback ISBN: 978 1 857549 10 2 Categories: 20th Century, 21st Century, Jewish, Russian, Women Imprint: Carcanet Fiction Published: May 2008 216 x 135 x 15 mm 164 pages Publisher: Carcanet Press Also available in: eBook (EPUB), eBook (Kindle), eBook (PDF) Spend GBP 15 or more and receive a free Carcanet tote bag. Available internationally while stocks last. Find out more. Description Author Contents Awards Reviews Beginning in present-day St Petersburg, The Russian Jerusalem explores the landscape of twentieth century Russian literature. In this evocative autobiographical novel, distinguished poet, translator, novelist and biographer Elaine Feinstein moves among the dead poets of Stalin's Russia with the poet Marina Tsvetaeva as her Virgil, mingling with the ghosts of writers such as Anna Akhmatova, Boris Pasternak, Osip Mandelstam and Joseph Brodsky. These imaginary encounters are interspersed with new poems by Feinstein. The author, herself of Russian descent, reconstructs the lives and fates of Russian, often Jewish, writers during the long age of Soviet terror, re-establishing them at the heart of the European tradition. CONTENTS 1‘They were almost unaware of the poetry they moved in.’ 2 St Petersburg 2005 3 The Underworld Opens 4 The Stray Dog 5 The River Station, Moscow 1941 6 Rivers 7 Moscow1934 8 Ilya Ehrenburg in Gehinnom 9 Moscow, December 1937 10 Pasternak on the cinder slopes 11 Peredelkino 1937 12 Nashchokin Lane, Moscow 13 Voronezh 14 The innocence of Isaac Babel 15 Peredelkino, May 1939 16 Cherry brandy, May 1938 17 Barracks No. 11, Vladivostok 1938 18 Strangers 19 Stetl 20 Golden Kiev 21 A Change in the Climate, 1953 22 The fortunate spirit 23 Prizes 24 Joseph 25 Arkangelskoye 1964 26 Farewell 27 St Petersburg 2005 28 Pasternak’s Grave 29 Odessa 2005 30 Brodsky 31 Heaven Notes Timeline Elaine Feinstein was a poet, novelist, and biographer. She received many prizes, including a Cholmondeley Award for Poetry, Society of Authors', Wingate and Arts Council Awards, the Daisy Miller Prize for her experimental novel The Circle, (long-listed for the ‘lost’ Man Booker prize in 2010) and an Honorary D.Litt from ... read more Awards won by Elaine Feinstein Commended, 2017 The Poetry Book Society Special Commendation (The Clinic, Memory) 'All poets are Jews, said Marina Tsvetaeva. Elaine Feinstein, Britain's most distinguished Jewish poet, was her first translator into English and has a wonderful wiry lyricism of her own, influenced both by Russian poetry and by Charles Olson and the Black Mountain poets. She has written here a unique blend of poetry, history and personal memoir, a descent into the heartbreaking and ground breaking vistas of Russian Jewry, and Russian literary figures of the twentieth century. The poets of genius whom she did not know alive, she knows equally intimately in the best way in which one poet knows another - by learning, reading, studying, translating. The book opens with her memories of renting a flat in a rundown quarter of St Petersberg in 2005, and also with Marina Tsetaeva accepting, as Virgil accepted for Dante, the role of guide to the underworld of colourful and talented figures Feinstein has known in her rich literary life, both in Russia, London and Cambridge.' Ruth Padel 'In this fascinating, lyrical meditation on literature, politics, suffering and friendship, Elaine Feinstein - a biographer of poets and a poet of the first rank herself - takes us on a richly imagined journey through a lost literary archipelago, and reconstructs the lives and fates of Russian, often Jewish, writers during the long age of Soviet terror. Combining family history, travels through modern Russia and very personal encounters with famous ghosts, Feinstein evokes, throughpoetry and prose, both the inferno of cruelty and persecutions, and a golden Jerusalem of creativity, talent and intense literary bonds. This is a moving, original work, for which Feinstein has created a selection of poems worthy of the predecessors she admires.' Eva Hoffman Praise for Elaine Feinstein 'She was a unique poet-storyteller whose memories live on with visceral clarity in this collection.' Bryan Cheyette, Times Higher Education 'There is a wry acceptance of illness, of ageing, change and loss, tethered to a valuing of the richness and rewards of the rocky road that have led to now...It is one of the strengths of Feinstein's work that she does not flinch from engaging with raw emotion and the contradictions entangled with intimacy.' Jenni Calder, JQ 'Elaine Feinstein's truthfulness, her linguistic clarity and her musicality - above all, the last, for my pleasure - make her poetry a joy to read. The Clinic, Memory, her new and selected, is rich with poems that stay in one's mind.' Leah Fritz, Acumen 'One gets a strong sense of the shape of Feinstein's life and her preoccupations throughout this excellent collection. One can't sum up the poetic achievements of a long career in a short review and I won't try; far better for you to just read the book.' Poetry Salzburg 'Written with a disarming honesty and directness, an unflinchingly wide-awake clarity. Difficult things - from the death of a husband to insomnia - have seldom seemed quite so beguilingly common to us all.' The Tablet 'She is an extremely fine poet. She has a sinewy, tenacious way of penetrating and exploring the core of her subject that seems to me unique. Her simple, clean language follows the track of the nerves. There is nothing hit or miss, nothing for effect, nothing false. Reading her poems one feels cleansed and sharpened.' Ted Hughes 'Here we have a life, a person in the world opened up with intelligence and tact.' Martina Evans, The Irish Times 'Like numerous English readers, I owe my discovery of Tsvetaeva to the multi-talented poet and writer, Elaine Feinstein... Feinstein's translations prove that a poem can be re-born in its adoptive language.' Carol Rumens 'Talking to the Dead is arguably Elaine Feinstein's best collection. Beautifully crafted, deeply felt, totally earned, these poems of love and bereavement, and more, will expand her readership well beyond the readers and writers of contemporary poetry who have long loved and treasured her exemplary contribution to the art.' Carol Ann Duffy 'Beautiful, generous, wonderfully intense poems ... Anyone who has ever felt comforted in grief by words, or who has lived through that tension between tenderness, longing and guilt, will recognize their precision and their truth.' Ruth Padel 'These are more than elegies, they are alchemy; the emotional force of the book is so strong that the dead come walking out of the pages.' Jo Shapcott 'The strangeness of visited cities, with their fearful histories, has been transmuted here by the responses of a truly gifted poet.' Dannie Abse 'Cities presents itself as the work of old age, but readers expecting regret or renunciation will be surprised by the affirmative character of this book. While Elaine Feinstein revisits Europe in the aftermath of Nazism, she also praises the good fortune of having lived richly in the sphere of literature and travelled widely among remarkable people. The poems here are lit with striking clarity - things retain their outline and solidity to an unusual degree.' Sean O'Brien 'Elaine Feinstein has made the juncture between poetry and memoir her own. As befits a poet who is also a master of fiction and biography, she writes with casual erudition and an acute storyteller's eye. Her forays into European culture and history are dazzling. Cities is a profoundly humane, intimate exploration of the places and stages by which a life acquires meaning.' Fiona Sampson 'For more than 40 years, Feinstein has been writing intensely lyrical, finely crafted poems. Those in [Talking to the Dead] are honest and moving, and are among her very best.' No. 1 in *'The Ten Best New poetry collections' - the Independent, 2007*	Share this... Quick Links Jubilee Bundles Carcanet Celebrates 50 Years! 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The Russian Jerusalem

A novel

Elaine Feinstein