Carcanet Press - The Russian Jerusalem

Description
Author
Contents
Awards
Reviews

Beginning in present-day St Petersburg, The Russian Jerusalem explores the landscape of twentieth century Russian literature. In this evocative autobiographical novel, distinguished poet, translator, novelist and biographer Elaine Feinstein moves among the dead poets of Stalin's Russia with the poet Marina Tsvetaeva as her Virgil, mingling with the ghosts of writers such as Anna Akhmatova, Boris Pasternak, Osip Mandelstam and Joseph Brodsky. These imaginary encounters are interspersed with new poems by Feinstein. The author, herself of Russian descent, reconstructs the lives and fates of Russian, often Jewish, writers during the long age of Soviet terror, re-establishing them at the heart of the European tradition.

CONTENTS

1‘They were almost unaware of the poetry they moved in.’
2 St Petersburg 2005
3 The Underworld Opens
4 The Stray Dog
5 The River Station, Moscow 1941
6 Rivers
7 Moscow1934
8 Ilya Ehrenburg in Gehinnom
9 Moscow, December 1937
10 Pasternak on the cinder slopes
11 Peredelkino 1937
12 Nashchokin Lane, Moscow
13 Voronezh
14 The innocence of Isaac Babel
15 Peredelkino, May 1939
16 Cherry brandy, May 1938
17 Barracks No. 11, Vladivostok 1938
18 Strangers
19 Stetl
20 Golden Kiev
21 A Change in the Climate, 1953
22 The fortunate spirit
23 Prizes
24 Joseph
25 Arkangelskoye 1964
26 Farewell
27 St Petersburg 2005
28 Pasternak’s Grave
29 Odessa 2005
30 Brodsky
31 Heaven

Notes
Timeline

Elaine Feinstein was a poet, novelist, and biographer. She received many prizes, including a Cholmondeley Award for Poetry, Society of Authors', Wingate and Arts Council Awards, the Daisy Miller Prize for her experimental novel The Circle, (long-listed for the ‘lost’ Man Booker prize in 2010) and an Honorary D.Litt from ... read more

Awards won by Elaine Feinstein Commended, 2017 The Poetry Book Society Special Commendation (The Clinic, Memory)

Praise for Elaine Feinstein 'She was a unique poet-storyteller whose memories live on with visceral clarity in this collection.'

Bryan Cheyette, Times Higher Education

'There is a wry acceptance of illness, of ageing, change and loss, tethered to a valuing of the richness and rewards of the rocky road that have led to now...It is one of the strengths of Feinstein's work that she does not flinch from engaging with raw emotion and the contradictions entangled with intimacy.'
Jenni Calder, JQ
'Elaine Feinstein's truthfulness, her linguistic clarity and her musicality - above all, the last, for my pleasure - make her poetry a joy to read. The Clinic, Memory, her new and selected, is rich with poems that stay in one's mind.'
Leah Fritz, Acumen
  'One gets a strong sense of the shape of Feinstein's life and her preoccupations throughout this excellent collection. One can't sum up the poetic achievements of a long career in a short review and I won't try; far better for you to just read the book.'
Poetry Salzburg
  'Written with a disarming honesty and directness, an unflinchingly wide-awake clarity. Difficult things - from the death of a husband to insomnia - have seldom seemed quite so beguilingly common to us all.'
The Tablet
'She is an extremely fine poet. She has a sinewy, tenacious way of penetrating and exploring the core of her subject that seems to me unique. Her simple, clean language follows the track of the nerves. There is nothing hit or miss, nothing for effect, nothing false. Reading her poems one feels cleansed and sharpened.'
Ted Hughes
  'Here we have a life, a person in the world opened up with intelligence and tact.'
Martina Evans, The Irish Times
'Like numerous English readers, I owe my discovery of Tsvetaeva to the multi-talented poet and writer, Elaine Feinstein... Feinstein's translations prove that a poem can be re-born in its adoptive language.'
Carol Rumens 'Talking to the Dead is arguably Elaine Feinstein's best collection. Beautifully crafted, deeply felt, totally earned, these poems of love and bereavement, and more, will expand her readership well beyond the readers and writers of contemporary poetry who have long loved and treasured her exemplary contribution to the art.'
Carol Ann Duffy 'Beautiful, generous, wonderfully intense poems ... Anyone who has ever felt comforted in grief by words, or who has lived through that tension between tenderness, longing and guilt, will recognize their precision and their truth.'
Ruth Padel 'These are more than elegies, they are alchemy; the emotional force of the book is so strong that the dead come walking out of the pages.'
Jo Shapcott 'The strangeness of visited cities, with their fearful histories, has been transmuted here by the responses of a truly gifted poet.'
Dannie Abse 'Cities presents itself as the work of old age, but readers expecting regret or renunciation will be surprised by the affirmative character of this book. While Elaine Feinstein revisits Europe in the aftermath of Nazism, she also praises the good fortune of having lived richly in the sphere of literature and travelled widely among remarkable people. The poems here are lit with striking clarity - things retain their outline and solidity to an unusual degree.'
Sean O'Brien 'Elaine Feinstein has made the juncture between poetry and memoir her own. As befits a poet who is also a master of fiction and biography, she writes with casual erudition and an acute storyteller's eye. Her forays into European culture and history are dazzling. Cities is a profoundly humane, intimate exploration of the places and stages by which a life acquires meaning.'
Fiona Sampson 'For more than 40 years, Feinstein has been writing intensely lyrical, finely crafted poems. Those in [Talking to the Dead] are honest and moving, and are among her very best.'
No. 1 in 'The Ten Best New poetry collections' - the Independent, 2007

Quote of the Day If it were not for Carcanet, my library would be unbearably impoverished. Louis de Bernieres Home Events Authors Titles Paperback Hardback Limited Edition Journal CD eBook Audiobook Exact Editions Imprints Anvil Press Poetry Aspects of Portugal Audio CDs Carcanet Classics Carcanet Fiction Carcanet Film Carcanet Poetry FyfieldBooks Lintott Press Little Island Press Lives and Letters Northern House OxfordPoets PN Review Sheep Meadow Press Information About Us Carcanet Celebrates 50 Years! Academic Enquiries Authors for Events Catalogue Contact Us Copyright and Permissions Join Our Mailing List Opportunities at Carcanet Press Enquiries PN Review PN Review Creative Writing Prize Returns Policy Shopping Guide Stocklist Submission Guidelines Trade Information Resources Audio Gallery Reading Group Guides Video
Book Search Search > advanced search Subscribe to our mailing list
The Russian Jerusalem A novel Elaine Feinstein 10% off eBook (EPUB) Needs ADE! 10% off eBook (Kindle) Categories: 20th Century, 21st Century, Jewish, Russian, Women Imprint: Carcanet Fiction Publisher: Carcanet Press Available as: Paperback (164 pages) (Pub. May 2008) 9781857549102 Out of Stock eBook (EPUB) Needs ADE! (Pub. May 2008) 9781847777843 £9.95 £8.96 eBook (Kindle) (Pub. May 2008) 9781847777874 £9.95 £8.96 To use the EPUB version, you will need to have Adobe Digital Editions (ADE) installed on your device. You can find out more at https://www.adobe.com/uk/solutions/ebook/digital-editions.html. Please do not purchase this version if you do not have and are not prepared to install, Adobe Digital Editions. Or, buy the Kindle version directly from Amazon Description Author Contents Awards Reviews Beginning in present-day St Petersburg, The Russian Jerusalem explores the landscape of twentieth century Russian literature. In this evocative autobiographical novel, distinguished poet, translator, novelist and biographer Elaine Feinstein moves among the dead poets of Stalin's Russia with the poet Marina Tsvetaeva as her Virgil, mingling with the ghosts of writers such as Anna Akhmatova, Boris Pasternak, Osip Mandelstam and Joseph Brodsky. These imaginary encounters are interspersed with new poems by Feinstein. The author, herself of Russian descent, reconstructs the lives and fates of Russian, often Jewish, writers during the long age of Soviet terror, re-establishing them at the heart of the European tradition. CONTENTS 1‘They were almost unaware of the poetry they moved in.’ 2 St Petersburg 2005 3 The Underworld Opens 4 The Stray Dog 5 The River Station, Moscow 1941 6 Rivers 7 Moscow1934 8 Ilya Ehrenburg in Gehinnom 9 Moscow, December 1937 10 Pasternak on the cinder slopes 11 Peredelkino 1937 12 Nashchokin Lane, Moscow 13 Voronezh 14 The innocence of Isaac Babel 15 Peredelkino, May 1939 16 Cherry brandy, May 1938 17 Barracks No. 11, Vladivostok 1938 18 Strangers 19 Stetl 20 Golden Kiev 21 A Change in the Climate, 1953 22 The fortunate spirit 23 Prizes 24 Joseph 25 Arkangelskoye 1964 26 Farewell 27 St Petersburg 2005 28 Pasternak’s Grave 29 Odessa 2005 30 Brodsky 31 Heaven Notes Timeline Elaine Feinstein was a poet, novelist, and biographer. She received many prizes, including a Cholmondeley Award for Poetry, Society of Authors', Wingate and Arts Council Awards, the Daisy Miller Prize for her experimental novel The Circle, (long-listed for the ‘lost’ Man Booker prize in 2010) and an Honorary D.Litt from ... read more Awards won by Elaine Feinstein Commended, 2017 The Poetry Book Society Special Commendation (The Clinic, Memory) Praise for Elaine Feinstein 'She was a unique poet-storyteller whose memories live on with visceral clarity in this collection.' Bryan Cheyette, Times Higher Education 'There is a wry acceptance of illness, of ageing, change and loss, tethered to a valuing of the richness and rewards of the rocky road that have led to now...It is one of the strengths of Feinstein's work that she does not flinch from engaging with raw emotion and the contradictions entangled with intimacy.' Jenni Calder, JQ 'Elaine Feinstein's truthfulness, her linguistic clarity and her musicality - above all, the last, for my pleasure - make her poetry a joy to read. The Clinic, Memory, her new and selected, is rich with poems that stay in one's mind.' Leah Fritz, Acumen 'One gets a strong sense of the shape of Feinstein's life and her preoccupations throughout this excellent collection. One can't sum up the poetic achievements of a long career in a short review and I won't try; far better for you to just read the book.' Poetry Salzburg 'Written with a disarming honesty and directness, an unflinchingly wide-awake clarity. Difficult things - from the death of a husband to insomnia - have seldom seemed quite so beguilingly common to us all.' The Tablet 'She is an extremely fine poet. She has a sinewy, tenacious way of penetrating and exploring the core of her subject that seems to me unique. Her simple, clean language follows the track of the nerves. There is nothing hit or miss, nothing for effect, nothing false. Reading her poems one feels cleansed and sharpened.' Ted Hughes 'Here we have a life, a person in the world opened up with intelligence and tact.' Martina Evans, The Irish Times 'Like numerous English readers, I owe my discovery of Tsvetaeva to the multi-talented poet and writer, Elaine Feinstein... Feinstein's translations prove that a poem can be re-born in its adoptive language.' Carol Rumens 'Talking to the Dead is arguably Elaine Feinstein's best collection. Beautifully crafted, deeply felt, totally earned, these poems of love and bereavement, and more, will expand her readership well beyond the readers and writers of contemporary poetry who have long loved and treasured her exemplary contribution to the art.' Carol Ann Duffy 'Beautiful, generous, wonderfully intense poems ... Anyone who has ever felt comforted in grief by words, or who has lived through that tension between tenderness, longing and guilt, will recognize their precision and their truth.' Ruth Padel 'These are more than elegies, they are alchemy; the emotional force of the book is so strong that the dead come walking out of the pages.' Jo Shapcott 'The strangeness of visited cities, with their fearful histories, has been transmuted here by the responses of a truly gifted poet.' Dannie Abse 'Cities presents itself as the work of old age, but readers expecting regret or renunciation will be surprised by the affirmative character of this book. While Elaine Feinstein revisits Europe in the aftermath of Nazism, she also praises the good fortune of having lived richly in the sphere of literature and travelled widely among remarkable people. The poems here are lit with striking clarity - things retain their outline and solidity to an unusual degree.' Sean O'Brien 'Elaine Feinstein has made the juncture between poetry and memoir her own. As befits a poet who is also a master of fiction and biography, she writes with casual erudition and an acute storyteller's eye. Her forays into European culture and history are dazzling. Cities is a profoundly humane, intimate exploration of the places and stages by which a life acquires meaning.' Fiona Sampson 'For more than 40 years, Feinstein has been writing intensely lyrical, finely crafted poems. Those in [Talking to the Dead] are honest and moving, and are among her very best.' No. 1 in *'The Ten Best New poetry collections' - the Independent, 2007*	Share this... Quick Links Carcanet Celebrates 50 Years! Anvil Press Poetry Aspects of Portugal Carcanet Classics Carcanet Fiction Carcanet Film Carcanet Poetry FyfieldBooks Lintott Press Little Island Press Lives and Letters OxfordPoets PN Review Sheep Meadow Press The Carcanet Blog John McAuliffe on Owen Lowery's The Crash Wake Poems read more Winter Recipes from the Collective: Louise Glck read more 100 Days: Gabriel Josipovici read more Stop the clock: 50 Years of Kubrick's A Clockwork Orange read more PN Review 261: Editorial read more Cordially Yours: Tristram Fane Saunders on Edna St Vincent Millay read more
We thank the Arts Council England for their support and assistance in this interactive Project.
Privacy Statement Sitemap RSS Feeds Home Events Authors Titles Imprints Information Resources This website ©2000-2021 Carcanet Press Ltd

The Russian Jerusalem

A novel

Elaine Feinstein