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Overlord

Jorie Graham

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Paperback
ISBN: 978 1 857548 20 4
Categories: American, Women
Imprint: Carcanet Poetry
Published: October 2005
216 x 135 x 7 mm
128 pages
Publisher: Carcanet Press
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  • Come here. Open your eyes. Open your mouth.
    The years that enter us are also visitors.
    For the host we must make extra accommodations.
    As in open your mouth. Become an actor. Act.

    from 'Communion'

    What does it mean to be fully present in a human life? How - in the face of the carnage of war, the destruction of the natural world, spiritual oversimplification and reactive fear - does one retain a capacity to be present and responsive? How far does our capacity to be present, to be fully ourselves, depend on our relationship to an 'other' and our understanding of and engagement with otherness itself? What powers lord over us and what do we, as a species, and as souls, lord over?

    Jorie Graham, in this her most personal and urgent collection to date, undertakes to explore these questions, often from vantage points geographically and historically 'other'. Many of the poems occur along the coastline known as Omaha Beach in Normandy, and move between visions of that beach during the Allied invasion of Europe (whose code name was Operation Overlord) and the Normandy landscape of beaches, fields, and hedgerows as it is known to the speaker today. This work meditates on our new world, ghosted and threatened by competing descriptions of the past, the future, and what it means to be, as individuals, and as a people, 'free'.

    Table of Contents

    OTHER

    DAWN DAY ONE

    PRAYING (Attempt of June 8 '03)

    SOLDATENFRIEDHOF

    PRAYING (Attempt of June 6 '03)

    UPON EMERGENCE

    LITTLE EXERCISE

    PRAYING (Attempt of May 9 '03)

    OMAHA

    PRAYING (Attempt of June 14 '03)

    SPOKEN FROM THE HEDGEROWS

    SPOKEN FROM THE HEDGEROWS

    SPOKEN FROM THE HEDGEROWS

    DISENCHANTMENT

    EUROPE (Omaha Beach 2003)

    IMPRESSIONISM

    PHYSICIAN

    DISENCHANTMENT

    PRAYING (Attempt of Feb 6 '04)

    PASSENGER

    COMMUTE SENTENCE

    COPY

    PRAYING (Attempt of April 19 '04)

    COMMUNION

    POSTERITY



    NOTES

    Jorie Graham was born in New York City in 1950, the daughter of a journalist and a sculptor. She was raised in Rome, Italy and educated in French schools. She studied philosophy at the Sorbonne in Paris before attending New York University as an undergraduate, where she studied filmmaking. She received ... read more
    Awards won by Jorie Graham Winner, 2012 Forward Prize for Best Collection  (PLACE) Winner, 2017 Wallace Stevens Award for Lifetime Achievement  Commended, 2017 Poetry Book Society Recommendation.
    (Fast)
    Winner, 1996 Pulitzer Prize
    (The Dream of the Unified Field)
    Short-listed, 2012 T S Eliot Prize () Short-listed, 2012 Forward Poetry Prize for Best Collection ()
    'Graham's best book in at least a decade.'
    Publishers Weekly
    Praise for Jorie Graham 'Even when these poems are at their darkest and most purposefully incoherent in terms of voice and tone, there remains a trace of language's ability to seek out, transmit and make visible the impact of the world on the self for others to experience.'
    Oxonian Review


    'The reason that poets are addicted to poetry and they write it for a lifetime, is because a poem will permit you to go through life and have an experience you can't have by any other means.'
    Jorie Graham talking to Ian McMillan on Radio 3's The Verb, 15 December 2017


     'Another striking book from Jorie Graham, and one that frequently reaches fever-pitch in its frantic explosion of the lyric mode. Graham's themes in these poems -ranging through sickness, death and environmental crises -would rattle any reader, and her long lines, clamouring fragments and sprawling chorus of voices increase this effect to a dramatic extent. These are urgent, stressed and stressful poems that produce a panicked motion-sickness as you spiral through them. This is an important, desperate and, at times, frightening, book that truly captures the tone of contemporary times.'
    The Poetry School Books of the Year 2017


     'In FAST, [Graham's] subject is mortality - her own (she was diagnosed with cancer five years ago), her parents', that of intellect and culture (in dementia, in digital overwhelm), that of the planet. It is a collection of sensual poems so urgent that, by the end, they have abandoned traditional beginnings and are physically bunched up on the right-hand side of the page. And through it all, an unwavering, serious belief in the power of poetry, a repeatedly inhabited rejection of Auden's assertion that poetry makes nothing happen.'
    The Guardian


     'Fast might immerse us in monstrous acts of environmental and political violence, our obsession with progress, money, and our own individualistic, virtual worlds, but what still succeeds is the wish to live on. Perhaps if we were to listen to that wish we might, amongst all the acceleration, stop and think again.'
    - The London Magazine


    'We should be grateful to Jorie Graham for her own heroics of perception, even if they show up our ordinary insight. If we can't see, with Graham, "the spots where the birds must eventually land", at least we know now where we should be looking.'
    Gwyneth Lewis, Times Literary Supplement.
     'The poems in Jorie Graham's Sea Change might look unapproachable but they are models of clarity and purity.'
    Nicola Smyth, 'Books of the Year', the Independent, 28 December 2008
     'There are erotic poems, elegiac poems, and there are dauntingly difficult, allusive and even impenetrable poems. Throughout there is a powerful, engaging intelligence and an affirming lyric grace.'
    Stephen Matterson on The Errancy, in Poetry Ireland Review, vol. 62
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The Carcanet Blog W.S Graham: Lives & Letters read more Vahni Capildeo: Honouring the Water Dragon: A Walk in Shiga Prefecture read more Jane Draycott: Translating 'Pearl' read more Patrick Worsnip: A Journey Through Translation read more Notes on Language and Poetry read more Gabriel Levin: By Way of a Preface read more
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