Carcanet Press - Making the Beds for the Dead

Description
Excerpt
Author
Awards
Reviews

1657. The house in Delft.
Windfalls in a bowl.
I see her wake, take an apple
in one hand, a knife in the other.

The apple has fallen from the tree in Eden.
They are mapping the round earth,
discovering geography, astronomy,
She holds the world in her hand...

from 'A Woman Sleeping at a Table, by Vermeer'

The title sequence of Making the Beds for the Dead charts the journey of a virus in 'the plague year'. Come from outer space, it travels - on a fox's paw, the beak of a kite and a crow and a buzzard - into the very heart of our lives. The poet includes personal, verses and stories from farmers in her family and neighbourhood.

The open structure allows the Gillian Clarke to include her seven rock poems, written for the National Botanic Garden of Wales; her poems based in archaeology; and her poems about war, and urban violence. There is an instinctive and a deliberate unity of theme and idiom in this book. The poet remains true to her landscapes and her nation. The sequence 'The Physicians of Myddfai', nine sonnets for Aberglasne, and much else is included in this characteristically generous and engaging volume by Wales' best-loved poet.

Born in Cardiff, Gillian Clarke is a poet, playwright, editor, broadcaster, lecturer and translator (from Welsh). She edited the Anglo-Welsh Review from 1975 to 1984, and has taught creative writing in primary and secondary schools and at university level. She is president of Ty Newydd, the writers' centre in North Wales ... read more

Awards won by Gillian Clarke Long-listed, 2020 The Laurel Prize for Ecopoetry (Zoology) Winner, 2011 Queen's Gold Medal for Poetry.
Winner, 2012 Wilfred Owen Award

Praise for Gillian Clarke 'This tug between the factual and the more mystical world beyond is at the heart of the collection. Science can describe the Land but not how love of particular places works within the human spirit...a richly varied and substantial collection'

D A Prince, the North

'Clarke has a direct line to the natural world. She paints the Welsh landscape without idealising or romanticising, and in the process shows that nature doesn't need to be elevated to inspire a quiet awe.'
Financial Times Best Books of 2017

'Always openings. Perceptions never alien to the new. No borders enclose her ideas. They are allowed to roam in her meticulous phrasing. And yet her greatest strength is, paradoxically, her moments of both closure and trapped moments of insight delivered to us grateful readers with faithful intelligence.'
Herald Scotland

'Clarke is a singer among poets, a celebrant of landscape, trees, insects, dead ewes, a writer whose rhythms and vocabulary seem tenaciously rooted in the traditions of the place of their origin.'
The Tablet 'Gillian Clarke's outer and inner landscapes are the sources from which her poetry draws its strengths.'
Carol Ann Duffy, Guardian
'Gillian Clarke's [poems] ring with lucidity and power... Clarke's work is both personal and archetypal, built out of language as concrete as it is musical.'
Anne Stevenson, Times Literary Supplement 'In Ice Gillian Clarke explores memory and identity through a series of winter landscapes.'
Adam Newey, The Guardian, 1st December 2012
'Clarke's mellifluous new collection [A Recipe for Water] is her first since her appointment as Wales's national poet in 2008. The drop of water on the tongue, she tells us, 'was the first word in the world', and it's through water that these poems give up their stories: history is written into the Arctic's ice; myths well up from river sources; the currents on the ocean wash culture and heritage onto our shores. Watery collections have poured forth from the pens of poets from Sean O'Brien to Maura Dooley in recent years; anticipation is high for Clarke's contribution to the pool'.
Sarah Crown, the Guardian, 3 January 2009

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Making the Beds for the Dead Gillian Clarke 10% off all versions Categories: Welsh Imprint: Carcanet Poetry Publisher: Carcanet Press Available as: Paperback (77 pages) (Pub. Apr 2004) 9781857547375 £9.99 £8.99 eBook (EPUB) Needs ADE! (Pub. Apr 2004) 9781847775801 £9.95 £8.96 eBook (Kindle) (Pub. Apr 2004) 9781847775818 £9.95 £8.96 To use the EPUB version, you will need to have Adobe Digital Editions (ADE) installed on your device. You can find out more at https://www.adobe.com/uk/solutions/ebook/digital-editions.html. Please do not purchase this version if you do not have, or are prepared to install, Adobe Digital Editions. Or, buy the Kindle version directly from Amazon Description Excerpt Author Awards Reviews 1657. The house in Delft. Windfalls in a bowl. I see her wake, take an apple in one hand, a knife in the other. The apple has fallen from the tree in Eden. They are mapping the round earth, discovering geography, astronomy, She holds the world in her hand... from 'A Woman Sleeping at a Table, by Vermeer' The title sequence of Making the Beds for the Dead charts the journey of a virus in 'the plague year'. Come from outer space, it travels - on a fox's paw, the beak of a kite and a crow and a buzzard - into the very heart of our lives. The poet includes personal, verses and stories from farmers in her family and neighbourhood. The open structure allows the Gillian Clarke to include her seven rock poems, written for the National Botanic Garden of Wales; her poems based in archaeology; and her poems about war, and urban violence. There is an instinctive and a deliberate unity of theme and idiom in this book. The poet remains true to her landscapes and her nation. The sequence 'The Physicians of Myddfai', nine sonnets for Aberglasne, and much else is included in this characteristically generous and engaging volume by Wales' best-loved poet. Born in Cardiff, Gillian Clarke is a poet, playwright, editor, broadcaster, lecturer and translator (from Welsh). She edited the Anglo-Welsh Review from 1975 to 1984, and has taught creative writing in primary and secondary schools and at university level. She is president of Ty Newydd, the writers' centre in North Wales ... read more Awards won by Gillian Clarke Long-listed, 2020 The Laurel Prize for Ecopoetry (Zoology) Winner, 2011 Queen's Gold Medal for Poetry. Winner, 2012 Wilfred Owen Award Praise for Gillian Clarke 'This tug between the factual and the more mystical world beyond is at the heart of the collection. Science can describe the Land but not how love of particular places works within the human spirit...a richly varied and substantial collection' D A Prince, the North 'Clarke has a direct line to the natural world. She paints the Welsh landscape without idealising or romanticising, and in the process shows that nature doesn't need to be elevated to inspire a quiet awe.' Financial Times Best Books of 2017 'Always openings. Perceptions never alien to the new. No borders enclose her ideas. They are allowed to roam in her meticulous phrasing. And yet her greatest strength is, paradoxically, her moments of both closure and trapped moments of insight delivered to us grateful readers with faithful intelligence.' Herald Scotland 'Clarke is a singer among poets, a celebrant of landscape, trees, insects, dead ewes, a writer whose rhythms and vocabulary seem tenaciously rooted in the traditions of the place of their origin.' The Tablet 'Gillian Clarke's outer and inner landscapes are the sources from which her poetry draws its strengths.' Carol Ann Duffy, Guardian 'Gillian Clarke's [poems] ring with lucidity and power... Clarke's work is both personal and archetypal, built out of language as concrete as it is musical.' Anne Stevenson, Times Literary Supplement 'In Ice Gillian Clarke explores memory and identity through a series of winter landscapes.' *Adam Newey, The Guardian, 1st December 2012* 'Clarke's mellifluous new collection [A Recipe for Water] is her first since her appointment as Wales's national poet in 2008. The drop of water on the tongue, she tells us, 'was the first word in the world', and it's through water that these poems give up their stories: history is written into the Arctic's ice; myths well up from river sources; the currents on the ocean wash culture and heritage onto our shores. Watery collections have poured forth from the pens of poets from Sean O'Brien to Maura Dooley in recent years; anticipation is high for Clarke's contribution to the pool'. Sarah Crown, the Guardian, 3 January 2009	Share this... Quick Links Carcanet Celebrates 50 Years! 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