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Selected Poems (2e)
Edited by Max Saunders
10% off all versions
Categories: 20th Century
Imprint: Fyfield Books
Publisher: Carcanet Press
Paperback 2e (230 pages)
(Pub. Aug 2003)
Paperback 1e (360 pages)
(Pub. Aug 2003)
... An endless trackless, heather forest
And so, between whiles,
When my mind's all reeling with Modern Movements
And my eyes are weary, my head at its sorest
And the best of beer has lost its zest,
I go up there to get a rest
And think of the dead...
from 'To All the Dead'
Ford Madox Ford (1873-1939) published thirteen volumes of poetry between 1893 and 1936, crucial transitional years in the evolution of modern poetry. His early poems were written under the shadow of the Rossettis, Swinburne and William Morris, but Ford outgrew their heady late-Victorian lyricism, developing a voice that was natural, impressionistic, and ironic.
This selection of his verse traces his development from the haunting poignancy of his early poems to his later style, which was to be so influential in the development of Modernism. Ezra Pound considered him to be the best lyric poet in England, and it was Ford who taught Pound that 'poetry should be as well written as prose'. He transformed Pound's style and, through Pound, the styles of Yeats and Eliot.
Praise for Ford Madox Ford 'what Ford conveys above all is less his particular preference than his radical passion for the novel as an instrument and what can be done with it.'
C.H. Sisson 'It displays Ford's dedication to his art; it demonstrates, also, the possibilities of English prose in the hands of a master.'
Peter Ackroyd, The Sunday Times 'The Rash Act ought to be bought and read by all interested in the novel as an art form... The action takes place in the French South which Ford loved, but man no longer sustains the tradition of myth and history which that region once represented... Here in The Rash Act we have the death of morality and responsibility - a forbidding theme, but, in the paradox of art, it is made to serve a tapestry of rich colour and galloping vivacity.'
Anthony Burgess, Observer 'No Enemy is Ford Madox Ford's little-known First World War novel, musing and reflective, published for the first time in Britain by Carcanet and ably edited by Paul Skinner. Congratulations to them both.'
Alan Judd, Sunday Telegraph, Sunday 30th June 2002 'Of the various demands... that he show us the way in which a society works, that he show an understanding of the human heart, that he create characters in whose reality we believe and for whose fate we care, that he describe things and people so that we feel their physical presence, that he illuminate our moral consciousness, that he make us laugh and cry, that he delight us by his craftmanship, there is not one, it seems to me, that Ford does not completely satisfy.'
W. H. Auden
'Ford Madox Ford's Parad's End, arguably the most sophisticated British fiction to come out of that war. Carcanet's reissue of the first volume, Some Do Not (£18.95), is the first reliable text, reconstructing Ford's dramatic original ending. Brilliantly edited by Max Saunders and now to be filmed (scripted by Tom Stoppard), it deserves to be and will be better known.'
Alan Judd, Books of the Year 2010, The Spectator.'Of the various demands one can make of the novelist, that he show us the way in which a society works, that he show an understanding of the human heart, that he create characters whose reality we believe and for whose fate we care, that he describe things and people so that we feel their physical presence, that he illuminate our moral consciousness, that he make us laugh and cry, that he delight us by his craftsmanship, there is not one, it seems to me, that Ford does not completely satisfy. There are not many English novels which deserve to be called great: Parade's End is one of them.'
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