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A Colour For Solitude (2e)
RRP: GBP 9.95
You Save: GBP 0.99
Price: GBP 8.96
This title is available for academic inspection (paperback only).
ISBN: 978 1 857545 89 0
Categories: BAME, Indian, Women
Imprint: Carcanet Poetry
Published: April 2002
217 x 135 x 14 mm
Publisher: Carcanet Press
Also available in: Hardback
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Revolving around the public and private lives of the great modern painter Paula Modersohn-Becker, this collection explores the artist's relationship with her craft and her friendship with poet Rainer Maria Rilke and his wife, sculptor Clara Westhoff. Inspired by the artist's numerous self-portraits, Bhatt transports the image of Modersohn-Becker to present-day Germany. This book-length sequence of poems presents a rich and fully conceived history of the inner and outer worlds of one of the century's great modern painters.
Awards won by Sujata Bhatt Winner, 2000 Italian Tratti Poetry Prize Winner, 1991 Cholmondeley Award Winner, 1988 Alice Hunt Bartlett Award (Brunizem) Winner, 1991 Commonwealth Poetry Prize (Asia)
Short-listed, 1995 Forward Poetry Prize
Bhatt's style is refreshingly plain and direct, depending for its lyricism on moments of gentle repitition.
Alan Marshall, The Daily Telegraph. Praise for Sujata Bhatt 'a substantial collection of poems, one that allows us to travel, dream and learn, but one that ultimately moves us by the quietude of its stance and its impeccable articulation.'
Times Literary Supplement
'An exciting first collection, moving and invigorating.'
Poetry Review 'Sujata Bhatt leads the reader through the bright, familiar world and on into the dark until her words pierce that darkness, offering a light that will challenge and reward. Here are poems that move confidently through that dangerous border-world between the real and the surreal, illuminating both. This book is a treasure-house of modern, magical poems.'
John F. Deane 'Here is a chance to see Sujata Bhatt's favourite themes strengthened by re-gathering. A common theme is language, the very stuff of poetry, given special insight by her travels and her multilingual experience. In India, she says, it is 'a sin to be rude to a book'; 'The Stare' considers two babies, human and monkey, gazing at each other curiously, one with language, the other with' who knows? Elsewhere she considers the loss of her mother tongue, 'dead' in her mouth but returning to her in dreams. A broad-minded, humane, imaginative book.'
Gillian Clarke, National Poet of Wales
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