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A Survey of Modernist Poetry
Edited by Patrick McGuinness and Charles Mundye
Imprint: Lives and Letters
Publisher: Carcanet Press
Paperback (258 pages)
(Pub. Sep 2002)
Out of Stock
The books paired here make up the first collaborative study of 'Modernist' poetry by two of the twentieth century's most important and original poets. In A Survey of Modernist Poetry, Laura Riding and Robert Graves produce a contemporary reaction to the early experimentation of writers such as Eliot, Pound and e.e.cummings. Their close critical readings are deployed, along the way, in an engagement with Shakespeare's punctuation, issues of populism and elitism and an attempt to define - perhaps to invent - that elusive creature known as 'the common reader'.
The Survey contains groundbreaking readings of modern poems and movements and is an illuminating and polemical account of the beginnings of modernism. It is an important resource but also a valuable critical text in the reception and development of modernist poetry in English. A Pamphlet Against Anthologies is an entertaining tirade against the perceived iniquities of the trade anthology. A statement of poetic integrity, it poses awkward questions about the production and consumption of art in the mass markets of twentieth and twenty-first centuries.
Awards won by Patrick McGuinness Long-listed, 2011 Wales Book of the Year, English Language Category in The Western Mail (Jilted City)
Praise for Patrick McGuinness 'When T.E. Hulme was killed in Flanders in 1917, he was known to a few people as a brilliant talker, a brilliant amateur of metaphysics, and the author of two or three of the most beautiful poems in the English language... he appears as the forerunner of a new attitude of mind...'
T.S. Eliot, The Criterion, 1924 'There is a huge amount to savor, learn from and enjoy here. Anyone with pretensions to know British writing of the 1940s should read it.'
Paul St John Mackintosh, TeleRead 'Patrick McGuinness has constructed a rough guide to a lonely planet, full of unquenchable cultural curiosity and irresistible ironies... Alive to every undulation of the linguistic landscapes in which he moves, McGuinnessâs poems often pivot on the cross-cultural possibilities of a single isolated word.'
New Welsh Review
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