Quote of the Day
an admirable concern to keep lines open to writing in Ireland, Scotland, Wales and America.
Subscribe to our mailing list
A. D. a Trilogy of Plays
RRP: GBP 14.95
You Save: GBP 1.50
Price: GBP 13.45
Currently Out of Stock
ISBN: 978 1 857544 98 5
Imprint: Carcanet Poetry
Published: September 2000
216 x 135 x 19 mm
Publisher: Carcanet Press
Spend GBP 15 or more and receive a free Carcanet tote bag. Available internationally while stocks last.
Find out more.
'I'm not really a believer, but I'm well up on the
Bible, and I was brought up in a Church of
Scotland church-going family... I really enjoyed
getting into what I imagined might be the character
of Jesus. He's a man - perhaps He was the
Son of God, but He was a man. I haven't
shirked the idea of sex, for example. That has to
come in. I've got lots of things that are not Biblical,
that would possibly offend some believers,
but they are necessary to create a real character.'
Edwin Morgan interview, Herald, 31 August 1999
Edwin Morgan, Scotland's best-loved poet, returns to the stage after his celebrated Phaedra with a powerful and shocking millennial examination of the life of Jesus Christ as a man among men.
Jesus, a human figure in an inhuman time, experiences all that a man can experience; Morgan departs from the Gospels in his exploration of how this Person came to know His world. His love affair with an unmarried woman, Helen, and a declaration of love from John,
'the disciple whom Jesus loved', are in the larger character of Jesus that Morgan discovers.
'My ambition is to tell a good story.'
The year 2000 has been a triumphant annus mirabilis for Morgan, and A.D. is a fitting culmination; honest, candid and experimental in spiritual and linguistic terms.
Awards won by Edwin Morgan Winner, 2000 Queen's Gold Medal for Poetry
Praise for Edwin Morgan 'Edwin Morgan's translation of twent-five poems into Scots, now reissued after almost half a century, finesses one difficulty by substituting another. Wi Haill Voice gives Mayakovsky a shout from the streets without making him a Dickensian exercised in dialect - Scots provides the necessary sense of estrangement.'
William Logan, The New Criterion
We thank the Arts Council England for their support and assistance in this interactive Project.
This website ©2000-2020 Carcanet Press Ltd