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Point No Point
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Categories: BAME, Indian, Women
Imprint: Carcanet Poetry
Publisher: Carcanet Press
Paperback (144 pages)
(Pub. Jul 1997)
Out of Stock
eBook (EPUB) Needs ADE!
(Pub. Jul 1997)
(Pub. Jul 1997)
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with my home intact
but always changing
so the windows don't match
the doors anymore - the colours
clash in the garden -
And the ocean lives in bedroom.
I am the one
who always goes
away with my home
which can only stay inside
in my blood - my home which does not fit
with any geography.
from 'The One Who Goes Away'
Sujata Bhatt's first book of poems, the award-winning Brunizem, appeared in 1988. In a very short time she has gained recognition as one of the distinct and reckonable new voices. She has things to say about her native India and her native tongue (Gujarati), about America and Britain, and about Germany where she now lives. She is, the New Statesman declared, 'one of the finest poets alive', and alive in a unique way to language, to issues of politics and gender, to place and history. Hers is a remarkable complete imagination, generous and at the same time unsparingly severe in its quest for the difficult truths of experience.
Awards won by Sujata Bhatt Winner, 2000 Italian Tratti Poetry Prize Winner, 1991 Cholmondeley Award Winner, 1988 Alice Hunt Bartlett Award (Brunizem) Winner, 1991 Commonwealth Poetry Prize (Asia)
Short-listed, 1995 Forward Poetry Prize
Praise for Sujata Bhatt Bhatt's style is refreshingly plain and direct, depending for its lyricism on moments of gentle repitition.
Alan Marshall, The Daily Telegraph. 'An exciting first collection, moving and invigorating.'
Poetry Review 'Sujata Bhatt leads the reader through the bright, familiar world and on into the dark until her words pierce that darkness, offering a light that will challenge and reward. Here are poems that move confidently through that dangerous border-world between the real and the surreal, illuminating both. This book is a treasure-house of modern, magical poems.'
John F. Deane 'Here is a chance to see Sujata Bhatt's favourite themes strengthened by re-gathering. A common theme is language, the very stuff of poetry, given special insight by her travels and her multilingual experience. In India, she says, it is 'a sin to be rude to a book'; 'The Stare' considers two babies, human and monkey, gazing at each other curiously, one with language, the other with' who knows? Elsewhere she considers the loss of her mother tongue, 'dead' in her mouth but returning to her in dreams. A broad-minded, humane, imaginative book.'
Gillian Clarke, National Poet of Wales
The Carcanet Blog Winter Recipes from the Collective: Louise Glck read more 100 Days: Gabriel Josipovici read more Stop the clock: 50 Years of Kubrick's A Clockwork Orange read more PN Review 261: Editorial read more Cordially Yours: Tristram Fane Saunders on Edna St Vincent Millay read more the clarity of distant things: Jane Duran read more
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