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The Rash Act

Ford Madox Ford

Edited by C.H. Sisson

Cover Picture of The Rash Act
RRP: GBP 9.95
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Price: GBP 8.96
Out of Print
Paperback
ISBN: 978 1 857542 85 1
Imprint: Carcanet Fiction
Published: September 1996
215 x 135 x 25 mm
640 pages
Publisher: Carcanet Press
Also available in: Hardback
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  • When Henry Martin, 'the typical man of the period' - the Great Depression - attempts suicide, he finds himself a new identity as the casual Hugh Monckton he would like to have been. Writing to Ezra Pound in 1933, Ford declared that The Rash Act 'is more like what I wanted to write than anything I have done for years'. He 'put more into it' than he could well afford.

    FORD MADOX FORD (1873-1939), one of the shaping spirits of modern literature, was a great editor, essayist, critic, advocate, and above all a great novelist. The Good Soldier and the Tietjens trilogy are acknowledged masterpieces. The Rash Act has been hailed as a major addition to the Ford canon.
    C.H. Sisson
    Born in Bristol in 1914, C. H. Sisson was noted as a poet, novelist, essayist and an important translator. He was a great friend of the critic and writer Donald Davie, with whom he corresponded regularly. Sisson was a student at the University of Bristol where he read English and Philosophy. ... read more
    'It displays Ford's dedication to his art; it demonstrates, also, the possibilities of English prose in the hands of a master.'
    Peter Ackroyd, The Sunday Times
    'The Rash Act ought to be bought and read by all interested in the novel as an art form... The action takes place in the French South which Ford loved, but man no longer sustains the tradition of myth and history which that region once represented... Here in The Rash Act we have the death of morality and responsibility - a forbidding theme, but, in the paradox of art, it is made to serve a tapestry of rich colour and galloping vivacity.'
    Anthony Burgess, Observer
    Praise for Ford Madox Ford 'what Ford conveys above all is less his particular preference than his radical passion for the novel as an instrument and what can be done with it.'
    C.H. Sisson
    'No Enemy is Ford Madox Ford's little-known First World War novel, musing and reflective, published for the first time in Britain by Carcanet and ably edited by Paul Skinner. Congratulations to them both.'
    Alan Judd, Sunday Telegraph, Sunday 30th June 2002
    'Of the various demands... that he show us the way in which a society works, that he show an understanding of the human heart, that he create characters in whose reality we believe and for whose fate we care, that he describe things and people so that we feel their physical presence, that he illuminate our moral consciousness, that he make us laugh and cry, that he delight us by his craftmanship, there is not one, it seems to me, that Ford does not completely satisfy.'
    W. H. Auden
    'Ford Madox Ford's Parad'€™s End, arguably the most sophisticated British fiction to come out of that war. Carcanet's reissue of the first volume, Some Do Not (£18.95), is the first reliable text, reconstructing Ford's dramatic original ending. Brilliantly edited by Max Saunders and now to be filmed (scripted by Tom Stoppard), it deserves to be€” and will be€” better known.'
    Alan Judd, Books of the Year 2010, The Spectator.
    'Of the various demands one can make of the novelist, that he show us the way in which a society works, that he show an understanding of the human heart, that he create characters whose reality we believe and for whose fate we care, that he describe things and people so that we feel their physical presence, that he illuminate our moral consciousness, that he make us laugh and cry, that he delight us by his craftsmanship, there is not one, it seems to me, that Ford does not completely satisfy. There are not many English novels which deserve to be called great: Parade's End is one of them.'
    W.H.Auden, 1961
    Praise for C.H. Sisson `His poems move in service of the loved landscapes of England and France; they sing (and growl) in love of argument, in love of seeing through, in love of the firm descriptions of moral self-disgust; they move in love of the old lost life by which the new life is condemned.'
    Donald Hall, New York Times Book Review
    'I think he is worth a place on the short shelf reserved for the finest twentieth-century poets, with Eliot and Rilke and MacDiarmid.'
    Robert Nye, the Scotsman
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