Carcanet Press Logo
Quote of the Day
If it were not for Carcanet, my library would be unbearably impoverished.
Louis de Bernieres

January

Peter Sansom

No Text
RRP: GBP 6.95
Discount: 10%
You Save: GBP 0.70

Price: GBP 6.25
Available Add to basket
This title is available for academic inspection (paperback only).
Paperback
ISBN: 978 1 857540 86 4
Imprint: Carcanet Poetry
Published: March 1997
215 x 137 x 4 mm
64 pages
Publisher: Carcanet Press
  • Description
  • Excerpt
  • Author
  • Reviews
  • You stand at the door (you sometimes are
    the door) and, according to tradition, look
    to the past year as well as to the new...


    Peter Sansom's Everything You've Heard is True (Poetry Book Society Recommendation, 1990) was a notable début. The Times declared the poems on his Nottinghamshire childhood 'as good as Tony Harrison's adventures in a similar vein', celebrating 'a promising and unpretentious start'. In the Guardian, Carol Ann Duffy noted his 'mature assurance'. 'His poems are witty, realistic and imaginative,' said Peter Porter (Observer). 'Auden, Haydn and Uccello live in his pages as happily as snooker stars, Tesco and Extra Strong Mints'.

    January is more ambitious. The surrealism of daily life lived inventively and cheerfully at or near the edge comes into its own. Sansom, a voracious reader, has learned his own lessons from the New York School, eastern Europe and his contemporaries. Playfulness is now more serious, though no less amusing, than before. There's candour in his confessions, and a novel particularity in his evocations of Yorkshire town-scapes. The characters that speak in his poems have real voices, complex representative hearts.

    Peter Sansom was born in 1958 in Nottinghamshire. For ten years Peter taught the MA Poetry at Huddersfield University, and more recently he was Fellow in Creative Writing at Leeds University. He is currently Company Poet with Prudential. He is also a director with Ann Sansom of the Poetry Business in ... read more
    Praise for Peter Sansom 'A serious intelligence only lightly disguised as self-mockery and expressed via devastatingly clear-sighted observation.'
    Yorkshire Post
    'His writing gains its vitality from the tension between the desire to remember and the necessity of moving on.'
    Poetry Review
    'A congenial writer, whose usually informal metrical sense is, nevertheless, decisive and intuitively informed.'
    Times Literary Supplement
    'Personal, political, powerful'
    Morning Star 
Share this...
The Carcanet Blog PN Review 247: Editorial read more Jenny Lewis: Recording Gilgamesh read more Closet System: Rowland Bagnall read more Les's Portrait Head: Jonathan Hirschfeld read more Dollhouse on Fire: Sheri Benning read more Rebecca Goss on Alison Watt read more
Arts Council Logo
We thank the Arts Council England for their support and assistance in this interactive Project.
This website ©2000-2019 Carcanet Press Ltd