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The King of Britain's Daughter
Imprint: Carcanet Poetry
Publisher: Carcanet Press
Paperback (80 pages)
(Pub. Apr 1996)
She calls me, her lace
cuffing the stones below the waterfall,
her pearls beading the air.
Her sheets are out above the field,
tugging for Ireland in a westerly,
and she comes between the trees
to fetch me home,
her apron full of pegs,
and in each hand
is one warm egg, laid wild.
The King of Britain's Daughter was specially commissioned as the text of an oratorio for the 1993 Hay on Wye Festival, and is based on the story in the Mabinogion of Branwen, the daughter of Llŷr. Family legend associated the story with Fforest, the family farm, where the giant's footprint is preserved as a rock pool,and Fforest and Welsh legend have provided the inspiration for this part of the book, which also contains a variety of other vivid and memorable poems.
Awards won by Gillian Clarke Commended, 2024 A Poetry Book Society Spring Recommendation
(The Silence) Short-listed, 2022 The Wales Book of the Year
(Roots Home) Long-listed, 2020 The Laurel Prize for Ecopoetry (Zoology) Winner, 2011 Queen's Gold Medal for Poetry.
Winner, 2012 Wilfred Owen Award
Praise for Gillian Clarke 'The Silence is not concerned only with the pandemic. Gillian Clarke's writing frequently offsets her awareness of the naturalness and depth of her roots in rural Wales with the sense of strangeness which comes from having English as her "mother-tongue". These meditations are delicately handled in the collection, and particularly striking in the context of environmental catastrophe. What now threatens the landscape which Clarke has farmed and nurtured, in life as in verse, are shadows which roll across the globe, turning, for many people, the possibility of belonging anywhere into wishful thinking. The Silence is full of poems which remind us of the importance of place, and the demand of its words and silences to be listened to.'
Carol Rumens, The Guardian Poem of the Week
'There is a numinous quality to this book, a kind of spiritual attention which reveals, by silence and contemplation, the wondrous.'
Stephen Sexton, Irish Times
'This tug between the factual and the more mystical world beyond is at the heart of the collection. Science can describe the Land but not how love of particular places works within the human spirit...a richly varied and substantial collection'
D A Prince, the North
'Clarke has a direct line to the natural world. She paints the Welsh landscape without idealising or romanticising, and in the process shows that nature doesn't need to be elevated to inspire a quiet awe.'
Financial Times Best Books of 2017
'Always openings. Perceptions never alien to the new. No borders enclose her ideas. They are allowed to roam in her meticulous phrasing. And yet her greatest strength is, paradoxically, her moments of both closure and trapped moments of insight delivered to us grateful readers with faithful intelligence.'
'Clarke is a singer among poets, a celebrant of landscape, trees, insects, dead ewes, a writer whose rhythms and vocabulary seem tenaciously rooted in the traditions of the place of their origin.'
The Tablet 'Gillian Clarke's outer and inner landscapes are the sources from which her poetry draws its strengths.'
Carol Ann Duffy, Guardian
'Gillian Clarke's [poems] ring with lucidity and power... Clarke's work is both personal and archetypal, built out of language as concrete as it is musical.'
Anne Stevenson, Times Literary Supplement 'In Ice Gillian Clarke explores memory and identity through a series of winter landscapes.'
Adam Newey, The Guardian, 1st December 2012
'Clarke's mellifluous new collection [A Recipe for Water] is her first since her appointment as Wales's national poet in 2008. The drop of water on the tongue, she tells us, 'was the first word in the world', and it's through water that these poems give up their stories: history is written into the Arctic's ice; myths well up from river sources; the currents on the ocean wash culture and heritage onto our shores. Watery collections have poured forth from the pens of poets from Sean O'Brien to Maura Dooley in recent years; anticipation is high for Clarke's contribution to the pool'.
Sarah Crown, the Guardian, 3 January 2009
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