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RRP: GBP 11.99
ISBN: 978 1 847778 15 4
Series: Poetry PlÃ©iade
Categories: 20th Century, 21st Century, Welsh, Women
Imprint: Carcanet Poetry
Published: August 2011
220 pages (print version)
Publisher: Carcanet Press
Also available in: eBook (Kindle), Paperback, eBook (PDF)
The lane narrows and turns between sunburnt fields.
Two hundred miles behind me, you at the door
rising for breakfast, a late dream in your eyes.
The slate's already hot. The bees are in the fuchsia.
A rug of sunlight on the bedroom floor, ours
and the widower's bed spread cool for homecoming.
from 'Coming Home'
The Welsh publishing house Gwasg Gomer published Gillian Clarke's first full collection of poems, The Sundial, in 1978. In the twenty years since then the poet has become one of the best-loved and most widely read writers of Wales, well-known for her readings, for her radio work and her workshops.
'Gillian Clarke's poems ring with lucidity and power . . .her work is both personal and archetypal, built out of language as concrete as it is musical,' the Times Literary Supplement said. She combines traditional skills with an original voice and outlook, and with a history which includes the unwritten stories of Welsh women. Her Selected Poems has proven one of the most popular volumes of modern Welsh poetry, having gone through seven printings in a dozen years. `Her language has a quality both casual and intense, mundane and visionary,' the Listener said of Letter from a Far Country.
`There is no gaudiness in her poetry; instead, the reader is aware of a generosity of spirit which allows the poems' subjects their own unbullied reality.'
Gillian Clarke is a severe critic of her own poems. Collected Poems includes all that she wishes to preserve of her work to date.
Awards won by Gillian Clarke Long-listed, 2020 The Laurel Prize for Ecopoetry (Zoology) Winner, 2011 Queen's Gold Medal for Poetry.
Winner, 2012 Wilfred Owen Award
Praise for Gillian Clarke 'This tug between the factual and the more mystical world beyond is at the heart of the collection. Science can describe the Land but not how love of particular places works within the human spirit...a richly varied and substantial collection'
D A Prince, the North
'Clarke has a direct line to the natural world. She paints the Welsh landscape without idealising or romanticising, and in the process shows that nature doesn't need to be elevated to inspire a quiet awe.'
Financial Times Best Books of 2017
'Always openings. Perceptions never alien to the new. No borders enclose her ideas. They are allowed to roam in her meticulous phrasing. And yet her greatest strength is, paradoxically, her moments of both closure and trapped moments of insight delivered to us grateful readers with faithful intelligence.'
'Clarke is a singer among poets, a celebrant of landscape, trees, insects, dead ewes, a writer whose rhythms and vocabulary seem tenaciously rooted in the traditions of the place of their origin.'
The Tablet 'Gillian Clarke's outer and inner landscapes are the sources from which her poetry draws its strengths.'
Carol Ann Duffy, Guardian
'Gillian Clarke's [poems] ring with lucidity and power... Clarke's work is both personal and archetypal, built out of language as concrete as it is musical.'
Anne Stevenson, Times Literary Supplement 'In Ice Gillian Clarke explores memory and identity through a series of winter landscapes.'
Adam Newey, The Guardian, 1st December 2012
'Clarke's mellifluous new collection [A Recipe for Water] is her first since her appointment as Wales's national poet in 2008. The drop of water on the tongue, she tells us, 'was the first word in the world', and it's through water that these poems give up their stories: history is written into the Arctic's ice; myths well up from river sources; the currents on the ocean wash culture and heritage onto our shores. Watery collections have poured forth from the pens of poets from Sean O'Brien to Maura Dooley in recent years; anticipation is high for Clarke's contribution to the pool'.
Sarah Crown, the Guardian, 3 January 2009
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