Carcanet Press - Missel-Child

Description
Excerpt
Author
Contents
Awards
Reviews

Missel-Child

The lady of the moon is in travail,
her white face waxen as the missel-fruit.

The gravelled path gives way to broken angles,
burials of water. Follow it.

Creep into the hospice of the yew,
its pale lying-place. Curl up there. Wait.

According to the seventeenth-century herbarium The Garden of Eden, a ‘missel-child’ is a mysterious being found beneath a mistletoe-covered tree – a changeling, perhaps, ‘whereof many strange things are conceived’. Helen Tookey’s first full collection of poems starts from the missel-child to explore archaeologies of identity, place and language. She is a formally inventive writer, using collage and syllabics, exploring elegy and myth. The poems in this book create a space in which language enables something to be said and also to be shown.

Then is it true

At Burscough, Lancashire

Prints

Estuarine

Shavuot

Cockleshells

Poem for Sabine

Magnolia

Among Alphabets

Fox-Seers

Autumn Child

Missel-Child

Unadopted

Funeral and Fox

At the Castle

Water, its Voicings

Katherine

In a Richer Mine

Shilling Visit

Cedar

Among the Gods (Persephone)

III

Male Nude by R.B. Kitaj

Mono

Portrait of a Young Woman

With Joe on Silver Street

Der Tod in Venedig

The Hardened Criminals of Tomorrow

When I was quite small I would sometimes dream

Miss Yamada Has Gotten Married

America

A long war, and now the returning

Fosse Way

Hollow Meadows

Persephone in Adiyaman

Philadelphus

Rheidol Valley

Priest

Heron

In the dying days of the year we walked

Secret Name

Climbing the Hill at Sunset

Notes

Helen Tookey was born near Leicester in 1969 and now lives in Liverpool. She studied philosophy at university and subsequently worked in publishing. She currently teaches creative writing at Liverpool John Moores University. She has published two previous poetry collections with Carcanet Press, Missel-Chil d (2014, shortlisted for the Seamus Heaney ... read more

Awards won by Helen Tookey Short-listed, 2019 The Forward Prize for Best Collection (City of Departures) Short-listed, 2015 Seamus Heaney Centre for Poetry Prize for First Full Collection (Missel-Child)

'Missel-Child is an exceptional volume. Some of the subject-matter is found, some comes from a powerful and intelligent imagination and from keen observation. All is embodied in a language that is sensuous and strong.'
Jeffrey Wainwright 'The diction is unexpected, apt and deeply satisfying, focusing the reader not only on the words chosen, but also on the ghosts and resonances of those that might have been there.'
Carola Luther 'Her quiet, precise poems have a genuine eeriness. She has interests in both archaeology and psychology, but knows intuitively that they aren't separate -- that when we dig up the past it's our own roots we are looking at.'
Grevel Lindop Praise for Helen Tookey 'Tookey is a deft poet, working with ekphrasis, the graphic qualities of text and lyrical prose to create ecopoetry that is unlike any other.'
Sarah Westcott, ARTEMISpoetry
'Formal variation - itself a kind of textual curiosity - is a source of innovation throughout the book, but it is the 'quiet'-seeming prose blocks that are especially good at holding bolts of unease in their narrative folds.'

Tiffany Atkison, The Poetry Review
'Continually enquiring and observing, Tookey's poetic voice is consistently tentative, aware of precariousnesss and the possibility of disintegration. She can see the world with a painter's eye... a haunting and compelling collection'

D. A. Prince, Orbis

'In the Quaker Hotel will change the way you perceive the world around you; this is ecopoetry with a psychologically effective perspective shift. Tookey liberates us from the boundaries of our humanness.'

Ellora Sutton, MsLexia

'There is an apocalyptic fear coursing through these poems, electrifying them with an often heart-breaking and urgent apprehension of ecological crisis. Through visiting and revisiting, Helen Tookey examines places with a sharp eye, both philosophical and painterly, asking us to attend to their vulnerabilities, their mystery. Behind these carefully made poems, Tookey gives us access to something infinite and disturbing. Delicate, eerie, anxious, prophetic and cinematic, In the Quaker Hotel is a haunting record of our times.'

Seán Hewitt, author of Tongues of Fire

'Narratives describing strange, sometimes dreamlike, episodes from a female protagonist's childhood dominate the second section of Helen Tookey's four-part collection of poems and prose poems, City of Departures ... The narrative is clear and secretive at the same time: it prompts questions.'

Carol Rumens from The Guardian where 'In the Rose Garden' was poem of the week on 3^rd Feb 2020

'For Helen Tookey, place becomes a series of intense encounters with the territories of European artists, in which their settings or personalities - and the poet's - mingle or erode... The book combines poems and prose in a compelling zone of stark atmospheres and richly observed interiors.'

W. N. Herbert, The Poetry Review

'The poems are finely crafted and closely observed, describing somewhat unsettling, dream-like landscapes and places of memory, deserted streets in European cities, or taking artworks and objects as inspiration and points of departure... [The] rejection of borders is a fitting ending to a collection that challenges formal and aesthetic boundaries, and engages with a range of European artistic influences to offer a vision of 'belonging as not-belonging' in the face of certain and chaotic political times.'

Sophie Baldock, The Manchester Review

'Reading this book can feel like sliding into that sunken world. Strange things float beneath its beautiful surfaces'
Tristram Fane Saunders, The Telegraph
'The city in Tookey's City of Departures is full of the excitements of history and chance, and the chances taken to make a kind of radiant sense of the world, in all its breakings-down and might-have-beens, which is exactly what, time and again, these beautiful poems do.'
Jacob Polley

Quote of the Day Your list has always been interesting, idiosyncratic, imaginative and your translations [...] have been a source of pleasure to me. Al Alvarez Home Events Authors Titles Paperback Hardback Limited Edition Journal CD eBook Audiobook Exact Editions Imprints Anvil Press Poetry Aspects of Portugal Carcanet Classics Carcanet Fiction Carcanet Film Carcanet Poetry Fyfield Books Little Island Press Lives and Letters Northern House OxfordPoets PN Review Information About Us PN Review Turns 50 Years Old! Carcanet Celebrates 50 Years! Academic Enquiries Authors for Events Catalogue Contact Us Copyright and Permissions Join Our Mailing List Opportunities at Carcanet Press Enquiries PN Review PN Review Creative Writing Prize Returns Policy Shopping Guide Stocklist Submission Guidelines Trade Information Resources Audio Gallery Reading Group Guides Video
Book Search Search > advanced search Subscribe to our mailing list
Missel-Child Helen Tookey 10% off eBook (EPUB) 10% off Paperback Categories: 21st Century, British, First Collections, Women Imprint: Carcanet Poetry Publisher: Carcanet Press Available as: Paperback (80 pages) (Pub. Jan 2014) 9781847772183 £9.95 £8.96 eBook (EPUB) Needs ADE! (Pub. Jan 2014) 9781847772916 £9.95 £8.96 To use the EPUB version, you will need to have Adobe Digital Editions (ADE) installed on your device. You can find out more at https://www.adobe.com/uk/solutions/ebook/digital-editions.html. Please do not purchase this version if you do not have and are not prepared to install, Adobe Digital Editions. Description Excerpt Author Contents Awards Reviews Missel-Child The lady of the moon is in travail, her white face waxen as the missel-fruit. The gravelled path gives way to broken angles, burials of water. Follow it. Creep into the hospice of the yew, its pale lying-place. Curl up there. Wait. According to the seventeenth-century herbarium The Garden of Eden, a ‘missel-child’ is a mysterious being found beneath a mistletoe-covered tree – a changeling, perhaps, ‘whereof many strange things are conceived’. Helen Tookey’s first full collection of poems starts from the missel-child to explore archaeologies of identity, place and language. She is a formally inventive writer, using collage and syllabics, exploring elegy and myth. The poems in this book create a space in which language enables something to be said and also to be shown. I Then is it true At Burscough, Lancashire Prints Estuarine Shavuot Cockleshells Poem for Sabine Magnolia Among Alphabets Fox-Seers Autumn Child II Missel-Child Unadopted Funeral and Fox At the Castle Water, its Voicings Katherine In a Richer Mine Shilling Visit Cedar Among the Gods (Persephone) III Male Nude by R.B. Kitaj Mono Portrait of a Young Woman With Joe on Silver Street Der Tod in Venedig The Hardened Criminals of Tomorrow When I was quite small I would sometimes dream Miss Yamada Has Gotten Married America A long war, and now the returning IV Fosse Way Hollow Meadows Persephone in Adiyaman Philadelphus Rheidol Valley Priest Heron In the dying days of the year we walked Secret Name Climbing the Hill at Sunset Notes Helen Tookey was born near Leicester in 1969 and now lives in Liverpool. She studied philosophy at university and subsequently worked in publishing. She currently teaches creative writing at Liverpool John Moores University. She has published two previous poetry collections with Carcanet Press, Missel-Chil d (2014, shortlisted for the Seamus Heaney ... read more Awards won by Helen Tookey Short-listed, 2019 The Forward Prize for Best Collection (City of Departures) Short-listed, 2015 Seamus Heaney Centre for Poetry Prize for First Full Collection (Missel-Child) 'Missel-Child is an exceptional volume. Some of the subject-matter is found, some comes from a powerful and intelligent imagination and from keen observation. All is embodied in a language that is sensuous and strong.' Jeffrey Wainwright 'The diction is unexpected, apt and deeply satisfying, focusing the reader not only on the words chosen, but also on the ghosts and resonances of those that might have been there.' Carola Luther 'Her quiet, precise poems have a genuine eeriness. She has interests in both archaeology and psychology, but knows intuitively that they aren't separate -- that when we dig up the past it's our own roots we are looking at.' Grevel Lindop Praise for Helen Tookey 'Tookey is a deft poet, working with ekphrasis, the graphic qualities of text and lyrical prose to create ecopoetry that is unlike any other.' Sarah Westcott, ARTEMISpoetry 'Formal variation - itself a kind of textual curiosity - is a source of innovation throughout the book, but it is the 'quiet'-seeming prose blocks that are especially good at holding bolts of unease in their narrative folds.' Tiffany Atkison, The Poetry Review 'Continually enquiring and observing, Tookey's poetic voice is consistently tentative, aware of precariousnesss and the possibility of disintegration. She can see the world with a painter's eye... a haunting and compelling collection' D. A. Prince, Orbis 'In the Quaker Hotel will change the way you perceive the world around you; this is ecopoetry with a psychologically effective perspective shift. Tookey liberates us from the boundaries of our humanness.' Ellora Sutton, MsLexia 'There is an apocalyptic fear coursing through these poems, electrifying them with an often heart-breaking and urgent apprehension of ecological crisis. Through visiting and revisiting, Helen Tookey examines places with a sharp eye, both philosophical and painterly, asking us to attend to their vulnerabilities, their mystery. Behind these carefully made poems, Tookey gives us access to something infinite and disturbing. Delicate, eerie, anxious, prophetic and cinematic, In the Quaker Hotel is a haunting record of our times.' Seán Hewitt, author of Tongues of Fire 'Narratives describing strange, sometimes dreamlike, episodes from a female protagonist's childhood dominate the second section of Helen Tookey's four-part collection of poems and prose poems, City of Departures ... The narrative is clear and secretive at the same time: it prompts questions.' Carol Rumens from The Guardian where 'In the Rose Garden' was poem of the week on 3^rd Feb 2020 'For Helen Tookey, place becomes a series of intense encounters with the territories of European artists, in which their settings or personalities - and the poet's - mingle or erode... The book combines poems and prose in a compelling zone of stark atmospheres and richly observed interiors.' W. N. Herbert, The Poetry Review 'The poems are finely crafted and closely observed, describing somewhat unsettling, dream-like landscapes and places of memory, deserted streets in European cities, or taking artworks and objects as inspiration and points of departure... [The] rejection of borders is a fitting ending to a collection that challenges formal and aesthetic boundaries, and engages with a range of European artistic influences to offer a vision of 'belonging as not-belonging' in the face of certain and chaotic political times.' Sophie Baldock, The Manchester Review 'Reading this book can feel like sliding into that sunken world. Strange things float beneath its beautiful surfaces' Tristram Fane Saunders, The Telegraph 'The city in Tookey's City of Departures is full of the excitements of history and chance, and the chances taken to make a kind of radiant sense of the world, in all its breakings-down and might-have-beens, which is exactly what, time and again, these beautiful poems do.' Jacob Polley You might also be interested in: The Republic of the Husband Lucy Tunstall Arguing with Malarchy Carola Luther	Share this... Quick Links Carcanet Poetry Carcanet Classics Carcanet Fiction Carcanet Film Lives and Letters PN Review Video Carcanet Celebrates 50 Years! The Carcanet Blog Poems, Stories and Writings: Margaret Tait read more Selected and New Poems: John F. Deane read more Child Ballad: David Wheatley read more Hell, I Love Everybody: James Tate read more PN Review 273: Editorial read more Something, I Forget: Angela Leighton read more
We thank the Arts Council England for their support and assistance in this interactive Project.
Privacy Statement Sitemap RSS Feeds Home Events Authors Titles Imprints Information Resources This website ©2000-2023 Carcanet Press Ltd