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Between Two Windows
RRP: GBP 9.95
You Save: GBP 0.99
Price: GBP 8.96
This title is available for academic inspection (paperback only).
ISBN: 978 1 847771 39 1
Categories: 21st Century, British, First Collections
Imprint: Carcanet Poetry
Published: September 2012
216 x 154 x 5 mm
Publisher: Carcanet Press
Also available in: eBook (EPUB), eBook (Kindle), eBook (PDF)
In Between Two Windows, his first book of poems, Oli Hazzard takes language out to stretch and flex and bend itself into new shapes. Into the formal straits of sestinas, sonnets and pantoums stray palindromes, mirrored poems, anagrams, allusions and curiosities. His lyrics and satires dance in the spaces that open up between intention and expression, the moment when the horse attempts to throw its rider.
The Inability to Recall the Precise Word for Something
Rule of Thumb
Entre Chien et Loup
A Few Precepts
Pantoum in Which Wallace Stevens Gives Me Vertigo
Two Versions of ‘Fabliau of Florida’
A Week in the Life
Are We Not Drawn Onward, We Few, Drawn Onward to New Era?
Prelude to Growth
As Necessity Requires
A Walking Bird
To Comprehend a Nectar
A Later Stage of Discipline
Old-Fashioned Uncouth Measurer
Leaving the City of Acupuncture
'Haunting, hilarious, exquisitely inventive, Between Two Windows is a brilliant first collection by one of the brightest young stars in the poetic firmament.'
Mark Ford 'Oli Hazzard brilliantly conveys the experience of experiencing; although his observations are hyper-real, he seems always to be questioning -- and to be making us question -- whether they are sufficiently 'like' ... His work perfectly exemplifies Touchstone's saying that the truest poetry is the most feigning.'
Jane Griffiths 'Between Two Windows by Oli Hazzard is impressive in its formal assuredness and confidence of tone, all the while questioning what poetry is and does.'
Adam Newey, Guardian
Praise for Oli Hazzard 'For Hazzard, language is not a shield, but a flexible and malleable tool in which new modes of expression are lurking... Blotter draws together many different texts and ideas in unpredictable ways, if not 'making it new' then making it original. It demands the reader's full attention, and is an enjoyable and compelling illustration of the wealth of possibilities inherent in language.'
Chrissy Williams, Poetry London
'He has a musical ear, so there's randomness in the generation, but its composition bears careful listening to.'
Jeremy Noel-Tod, The Sunday Times, Twelve poets to read now
'A beautiful, bracing book of surprising, absorbing itineraries, Blotter takes brilliant soundings of linguistic pools and discursive surrounds. These astonishing, seductive sequences explore "how time is layered / into the paint". Hazzard is a formidably inventive poet; he is also a generous, playful, inviting one. He abolishes the distance between the conceptual and the lyrical, updating Wordsworth's "selection of the real language of men" for our GPS moment. His sequences bespeak their compositional procedures but also something irreducibly else: the poet in and of the hinge, the gap, the step, the scroll, the click, the synapse - a shaping and shaped tender intelligence. Like the most ambitious works of any era, Hazzard's poems create their own occasions and terms. They invite us to enter new fields, to go skying toward new horizons, to sense a lovers touch, to hear both "a lullaby" and "the shocking truth"'.
Maureen N. McLane
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