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I'm filled with admiration for what you've achieved, and particularly for the hard work and the 'cottage industry' aspect of it.
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Categories: 21st Century, BAME, British, Caribbean
Imprint: Carcanet Poetry
Publisher: Carcanet Press
Paperback (80 pages)
(Pub. May 2009)
Demerara whose east coast raised me
From a mere stalk to stand straight
To stand tall no matter what current
Help me find your grain your flow
And Demerara sweeten me
So my art keeps your river's caveat
Your sense of cane fields bathed in sweat
from 'Demerara Sugar' by Fred D'Aguiar
Continental Shelf traces a journey, across continents and from youth to maturity. It moves from memories of childhood in Guyana, through a long elegiac exploration of the shootings at Virginia Tech University in 2006, to the reflective closing section which gives its title to the book. Fred D'Aguiar celebrates individuals and the histories embedded in places. He conjures up a sensuous childhood world of characters, stories, a loved particularity - a smell of bitumen, the local hero who comes last in a National Cycle Championship, a distant train's incantation of 'greenheart, mora, baromalli' - impressions so distinct and powerful that 'fumes... spin my head / Back whenever I catch a whiff from a car'. In D'Aguiar's Elegies for the thirty-three people who died in Virginia, that loss of unique and particular individuals is mourned, in a scrutiny of what civil and private life has become, and how, alongside grief, we may recover delight in the world. In his first full-length collection since Bill of Rights (1998), D'Aguiar celebrates how imagination and memory enable us to cope with violence and death. Love, above all, is the mainstay.
Bring Back, Bring Back
A Clean Slate
R O Y G B I V
Snake and Ladder
The Shell Pond
National Cycle Championship
Houses not Homes
Guyana Dreaming Wilson Harris
'D'Aguiar interrogates and reassesses whatever he sees in a poetry that is flexible and fast paced, every action, every relationship thrown into fierce relief by a sense of threat and insecurity...'
Charles Bainbridge, The Guardian
Praise for Fred D'Aguiar 'D'Aguiar's electric prose vividly recounts a cancer diagnosis and treatment in the Covid year, a private suffering amid a collective one.'
Sandeep Parmar, New Statesman
'Nothing in this book is sentimental or simple... Reading Year of Plagues is a contradictory experience. Both its language and the experience it conveys are too complex and rich to skim over, and yet the prose has an ongoing urgency, speed and impatience that hustle the reader along. Time passes both slowly and quickly... Yet when he breaks into song or waxes rhapsodic, time stops.'
Rachel Hadas, Times Literary Supplement
'I've long admired D'Aguiar's poetry for its musicality, which rarely has anything less than perfect pitch, even when taking on extended narrative or dramatic monologue... Still, there's a shift in these Letters, even more swing and dare in the language and an unflinching political activism. Put simply, D'Aguiar is writing the most accomplished and interesting work of his life.'
James Byrne, The Poetry Review
'sharply observed...Part of [D'Aguiar's] defiance in the face of cancer is to throw everything he has onto the page. The result is weird and articulate and angry... his rage to live shivers in every sentence... I'm happy to report that Year of Plagues ends on a cautiously upbeat note. Cancer's had to pipe down.'
Dwight Garner, New York Times'A visceral account of personal illness and social ills'
'Throughout, the author's resilience inspires. This makes the fragility of life devastatingly palpable.'
'In parts of Letters to America, Fred D'Aguiar comes to seem like Walcott's true twenty-first-century heir ... Fred D'Aguiar has written 'a canticle of water', a book for the individual bowed, imperilled, under the wave of history - monarchical and imperial - and crying out for collective action to stop it from consuming further shores. Letters to America is emphatically worth reading.'
Camille Ralphs, Ambit
'There are some exceptional poems, including the title poem Letters to America (An Abecedary) [...] The poetry is vibrant and musical''An array of sublime poems that unfold unsettling accounts of 'black' identity and the horrors of slavery...written with refreshing candour.'
Adrian B. Earle, Poetry Birmingham Literary Journal
Mohammad Fahran, Wasafiri
'Translations from Memory everywhere suggests the vital necessity of continually revisiting and revising our cultural past... It asserts the presence of those who have been written out of it and shows how the complex legacies of slavery and colonialism remain under-explored and undigested.'
Sarala Estruch, The Times Literary Supplement
'D'Aguiar manages to weave together memoir, history and critical race theory in ways that deepen our understanding of his poetics...Translations from Memory [...] will no doubt cement his standing as one of the most important Guyanese writers of the twentieth century.'
Leo Boix, Poetry London
'D'Aguiar is not generally concerned with textual translation in this collection: he applies the word in a broader sense... abbreviations seem part of the serious trans-cultural game, inviting recognition, but also making the outsider notice the limits and exclusions their own education has entailed. Whether the planet's human creatures might coexist without radically mistranslating each other is one of the vigorously posed questions.'
'Reformation' was The Guardian's Poem of the Week, September 24th 2018
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