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The Hundred Thousand Places

Thomas A. Clark

Thomas A. Clark - The Hundred Thousand Places
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Categories: 21st Century, Scottish
Imprint: Carcanet Poetry
Publisher: Carcanet Press
Available as:
Paperback (80 pages)
(Pub. Nov 2009)
9781847770059
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eBook (EPUB) Needs ADE!
(Pub. Nov 2009)
9781847778178
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(Pub. Nov 2009)
9781847778185
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  • Description
  • Excerpt
  • Author
  • Awards
  • Reviews
  • as you look out
    over the hill shapes
    you feel your way
    over the hill shapes
    your eyes walk
    over the slopes
    To walk through a landscape is to be part of a slow unfolding of time and distance, to commit yourself to an adventure. The Hundred Thousand Places is a single poem that travels across seasons, through a variety of Scottish highland and island landscapes, from dawn to dusk. Make an early start, 'feel your way out / into what might…take form'. It is a long walk, along the coast, over mountain and moorland, through pine and birch forest, ending on a shore where the sea offers 'another knowledge / wild and cold'.

    Attentive and responsive, the unhurried pace of Thomas A. Clark's writing draws the reader into a shared journey, pausing on the possibilities of a phrase, the music of the names of trees and flowers, or turning the page to open new horizons.


    Cover painting: One Thousand Blue Places (detail) by Laurie Clark, reproduced by kind permission of the artist. Cover design by StephenRaw.com.

    Thomas A. Clark lives in the small fishing village of Pittenweem, an the east coast of Scotland. He has published four previous collections of poetry, and numerous small books and cards with his own Moschatel Press. In the summer months, with the artist Laurie Clark, he runs Cairn, a project space ... read more
    Awards won by Thomas A. Clark Short-listed, 2021 The Scottish Poetry Book of the Year (The Threadbare Coat) Long-listed, 2021 The Laurel Prize (The Threadbare Coat) Short-listed, 2017 Saltire Society Poetry Book of the Year Award (Farm by the Shore )
      'The Hundred Thousand Places stands at a tentative and oblique angle to the more established modes of pastoral writing. There is a beautiful moment in George Oppen's 'Psalm' when he exclaims of some deer, 'That they are there!', and the fact of the natural world's being there at all supersedes the need for description. There is plenty of description in these poems, but they too converge on a place of revelation whose name is simply 'there'.'
    The Guardian
    Praise for Thomas A. Clark 'The Threadbare Coat is a beautiful production, and an interesting selection'

    Rupert Loydell, Stride Magazine

    'In short, one-breath clusters of lines, Clark meditates on the details one might observe during a contemplative and solitary walk through remote countryside. His diction is perfectly pitched and his grammar exact...this is about a man's spiritual need for the humblest manifestations of nature.'

    Philip Rush, the North  

    'Meaning is discovered between spaces, silences heard between sound...a vitally alert poet.'
    London Magazine


    'A remarkable portrayal of our contemplative relationship with nature.'
    Church Times Best Books of 2017


      'With radical simplicity, Thomas A Clark's writing gives us the unfussy beauty of the natural world. There's not much that I ask of poetry that isn't present here.'
    Matthew Welton
    'These are love poems to the geography of Scotland and in their own inimitable way bring a clarity and vision to the 'scree slope' that 'tumbles/ into the green lochan.'.'
    Casey Charles, Dundee University Review of the Arts
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