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The Shark NurseryMary O'Malley
Categories: 21st Century, Ecopoetry, Irish, Women
Imprint: Carcanet Poetry Publisher: Carcanet Press Available as: Paperback (86 pages) (Pub. Jun 2024) 9781800174146 £11.99 £10.79 eBook (EPUB) Needs ADE! (Pub. Jun 2024) 9781800174153 £9.59 £8.63 To use the EPUB version, you will need to have Adobe Digital Editions (ADE) installed on your device. You can find out more at https://www.adobe.com/uk/solutions/ebook/digital-editions.html. Please do not purchase this version if you do not have and are not prepared to install, Adobe Digital Editions.
The poems of The Shark Nursery respond to a disturbed world. The experience of lockdown, of lives lived in an online reality, and of the animal world are the interlocking parts of the poems' world. The animal poems draw on the tradition of animals in Irish poetry and myth. From the wolf's touch to the rat's tweet, animals and fish refuse the roles human beings impose on them. O'Malley's animals find new language in the face of contemporary perils.
In fusing mythic with modern elements, The Shark Nursery is marked by rigorous attention to language and tone. Its poems weave between human, animal and metaphysical realms. In a space before noise begins, tigers visit cities and a white leopard sits on a lawn in Suburbia. In the strange, sealed off world portrayed in the 'The Ballad of Googletown' – an eerie, genuine ballad, where the familiar tropes and refrains of ballad are hung out to dry – lives are lived online and social interaction is unnecessary: The cars are in the drive And the bees are in the hive They say the kids are safe inside In Googletown This new book promises, as Joseph O'Connor has written, all those things 'we go to Mary O'Malley for: truthfulness, seriousness, playfulness, too, and then a particular sort of hesitating and hard-won wisdom, a pushback against nonsense or sentiment or fakery, the beauty of plain words placed in careful order, carefully – and always, the bliss of musicality.'
Awards won by Mary O'Malley
Joint winner, 2018 Michael Hartnett Poetry Award
(Playing the Octopus)
'There are many memorable poems in The Shark Nursery, a book that speaks eloquently to our place in the natural world as well as to the challenges posed by the current political landscape. Overall, it is a rich and stimulating collection that cements O'Malley's reputation as one of Ireland's most important contemporary poets.
Tim Murphy, The Friday Poem 'The Shark Nursery brings a fine lyric sensibility to subjects as diverse as Greek mythology, marine biology and the time/space continuum. ... Other poems push all the way into a lyrical surrealism rare in Irish poetry, harnessing metaphor's capacity to rough up our sense of the world as fixed and predictable.' Vona Groarke, The Irish Times Praise for Mary O'Malley 'Gaudent Angeli is a significant addition to the opus of a poet serious about her art... O'Malley excels when she combines the high with the low, such as in 'Little Dazzler' which manages to include Odysseus, a sorceress, condoms, smartphones, and a "supermodel in a green tube dress".' Kevin Higgins, Galway Advertiser 'very fine and hugely varied collection of poetry' Colette Sheridan, Irish Examiner 'O'Malley is a true artist in sketching the beautiful, small details without which the essence of place, and the identity dependent on it, can be all too easily erased.' Eavan Boland 'This new collection by one of Ireland's most respected and radical poets is as exhilarating a read as the title promises. Sampling through levels of irony from the neolithic to the neon lights of the lonely cities, from east to west, and indeed the hackneyed wesht (with a characteristically wicked eye), O'Malley offers us lyrics of the salvific quotidian woven together with the surreal elements of surviving our island paradoxes. Insouciant as the pirate queen Grace O'Malley who downfaced Elizabeth the First, Mary O'Malley steps into a zone of power and mastery with these new poems.' Paula Meehan 'Mary O'Malley's seascapes [...] are suffused with such beauty and sonorous mystery and rhythmic care that they lift us above ourselves and the time we inhabit.' Colm Tóibín, Irish Times, 8th December 2012
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