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Categories: 21st Century, British, Women
Imprint: Carcanet Poetry
Publisher: Carcanet Press
Paperback (96 pages)
(Due Feb 2021)
This second collection, following her 2017 debut Crossing the Mirror Line, explores absences, migrations and elusive histories.
Praise for Judith Willson 'These poems glitter and intrigue, with a high strike-rate, a sophisticated polish on words.'
Dilys Wood, Artemis Poetry
'It is a poetry of settlement, of attending to the artistic voices including your own, and contemplating their artefacts as is only possible in a civilised condition. How it might view such things as governmental cruelty or the history of brutality, is suggested through the careful development of figurative language.'
Peter Riley, Fortnightly Review
'She gets everything right: beautiful, fulsome vocabulary, arresting images, and perfect control of tone and metre. She is thoughtful and exact. These poems have clearly seen many reworkings. I'm reading this book greedily...I know I'll come back to it again.'
Charlotte Wetton, The Kindling Journal
'Judith Willson's taut, meditative, richly imagined debut collection ... is an on-going interplay between a speaking us and a silent them, between multiple artworks and their multiple subjects: not just one single crossing of the mirror line, but several.'
Stephen Grace, Eborakon
Judith's poem 'A Bone Flute' from her debut collection Crossing the Mirror Line was Guardian Poem of the Week on 8th January 2018
'Judith Willson's poetry takes us, in a dazzling flow of images, to lives which have the solidity of Central European fairytale with all the frightening reality of history behind them. Richly inventive in form and precise in tone, this is an amazingly assured debut collection.'
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