Carcanet Press - Growlery

Description
Author
Awards
Reviews

Shortlisted for the Seamus Heaney First Collection Poetry Prize 2021

Growlery conjures a place haunted by flooded villages, broken ankles, ovarian health and factories. It dwells on a world of civic tensions, in the twilit zone between city and country, the human and the natural. Here, Brexit is a city with streets 'worn into themselves like grafted skin', corpse flowers bloom in America, and urban foundations crumble into cisterns.

Horrex - whose poems found an enthusiastic readership via Carcanet's New Poetries series - unpicks the illusion that order upholds society and reveals the true ramshackle complexion of things. Her debut collection reimagines the 'growlery' of Dickens' Bleak House by looking at the concept of internal space in a twenty-first century which is both connected and disjointed.

Katherine Horrex has worked as a processing clerk in a bank, a mail sorter, a book reviewer, an assistant editor, and a proof reader of forms filled out by mystery shoppers.� She now runs a small business making and selling ceramics, online and at markets.� Her poems have appeared in PN ... read more

Awards won by Katherine Horrex Short-listed, 2021 The Seamus Heaney First Collection Poetry Prize
(Growlery)

'Growlery shows a unique poet whose imagination can go anywhere. There is a darkness under dailiness and Horrex exposes it in unexpected but impeccable diction and brilliant imagery. Her muses include quarries, power plants, steel works. Her stringent perception and tonal confidence are rare to find in a debut collection.'

Nick Laird, Chair of the Seamus Heaney Centre First Collection Poetry Prize Judges

''I wouldn't think to hide in such a lumpish vessel/ as the moon jar, is hemispheres of bright clay joined/ for the storage of rice, soy sauce and alcohol.' And with this, the final poem in Growlery, Horrex provides us with a perfect metaphor to describe what is contained within the pages of her first collection. The book, a moon jar, crafted carefully together and filled with precious, delicious morsels. Each poem navigating the precision of language in stanzas that feel like raindrops, each one falling after the next, tumbling down the page. This precision could fool you into thinking that this is a book of simple poems, but with this precision, Horrex pays such close attention to detail that the images shine.'

Manuela Moser, The Friday Critique, Seamus Heaney Centre

'[an] impressive first collection'

Carol Rumens, The Guardian, where her poem 'Grey Natural Light' was Poem of the Week on May 3rd

'Horrex has an imagination that's both wayward and precise, matched by the way she uses words: every line feels unpredictable yet somehow inevitable. None of her poems sound like anyone else's: things open up when she writes about them. This is more than a matter of skill - it's about the rigour with which this poet sees her feelings and her ideas through into language.'
Patrick McGuinness 'A remarkably self-assured first collection, enjoying all the usual Carcanet virtues of precision, subtlety and understatement'
Andy Croft, The Morning Star
'One of the most striking characteristics of Katherine Horrex's poems is the eccentric angle from which their carefully calibrated observations are made: cinematic both in their intimacies and in their occasionally disorienting, zoomed-out distances. She has a visual artist's alert eye for the material detritus of contemporary life and a hand deft enough not to force the inevitable political and environmental conclusions down her readers' throats. The subjects of her poems (inter alia, a millennial's experience of suburban desertification; Chinese sculpture; the post-industrial landscapes of the north of England; a gynaecological scan; Brexit) may be startlingly contemporary but she approaches them the way an anthropologist of the future might, with the same hallucinatory descriptive clarity and eerie estrangement. If, as Pound asserted, poetry is 'news that stays news' then Katherine Horrex's is unmistakeably the voice of now: uneasy, ironic, apocalyptic.'
Caitriona O'Reilly

Quote of the Day I'm filled with admiration for what you've achieved, and particularly for the hard work and the 'cottage industry' aspect of it. Fleur Adcock Home Events Authors Titles Paperback Hardback Limited Edition Journal CD eBook Audiobook Exact Editions Imprints Anvil Press Poetry Aspects of Portugal Audio CDs Carcanet Classics Carcanet Fiction Carcanet Film Carcanet Poetry FyfieldBooks Lintott Press Little Island Press Lives and Letters Northern House OxfordPoets PN Review Sheep Meadow Press Information About Us Carcanet Celebrates 50 Years! Academic Enquiries Authors for Events Catalogue Contact Us Copyright and Permissions Join Our Mailing List Opportunities at Carcanet Press Enquiries PN Review PN Review Creative Writing Prize Returns Policy Shopping Guide Stocklist Submission Guidelines Trade Information Resources Audio Gallery Reading Group Guides Video
Book Search Search > advanced search Subscribe to our mailing list
Growlery Katherine Horrex 10% off Paperback Categories: 21st Century, British, First Collections, Women Imprint: Carcanet Poetry Publisher: Carcanet Press Available as: Paperback (64 pages) (Pub. Aug 2020) 9781784109899 £10.99 £9.89 eBook (EPUB) Needs ADE! (Pub. Aug 2020) 9781800170537 £8.79 eBook (Kindle) (Pub. Aug 2020) 9781800170544 £8.79 Digital access available through Exact Editions To use the EPUB version, you will need to have Adobe Digital Editions (ADE) installed on your device. You can find out more at https://www.adobe.com/uk/solutions/ebook/digital-editions.html. Please do not purchase this version if you do not have and are not prepared to install, Adobe Digital Editions. Or, buy the Kindle version directly from Amazon Description Author Awards Reviews Shortlisted for the Seamus Heaney First Collection Poetry Prize 2021 Growlery conjures a place haunted by flooded villages, broken ankles, ovarian health and factories. It dwells on a world of civic tensions, in the twilit zone between city and country, the human and the natural. Here, Brexit is a city with streets 'worn into themselves like grafted skin', corpse flowers bloom in America, and urban foundations crumble into cisterns. Horrex - whose poems found an enthusiastic readership via Carcanet's New Poetries series - unpicks the illusion that order upholds society and reveals the true ramshackle complexion of things. Her debut collection reimagines the 'growlery' of Dickens' Bleak House by looking at the concept of internal space in a twenty-first century which is both connected and disjointed. Katherine Horrex has worked as a processing clerk in a bank, a mail sorter, a book reviewer, an assistant editor, and a proof reader of forms filled out by mystery shoppers.� She now runs a small business making and selling ceramics, online and at markets.� Her poems have appeared in PN ... read more Awards won by Katherine Horrex Short-listed, 2021 The Seamus Heaney First Collection Poetry Prize (Growlery) 'Growlery shows a unique poet whose imagination can go anywhere. There is a darkness under dailiness and Horrex exposes it in unexpected but impeccable diction and brilliant imagery. Her muses include quarries, power plants, steel works. Her stringent perception and tonal confidence are rare to find in a debut collection.' Nick Laird, Chair of the Seamus Heaney Centre First Collection Poetry Prize Judges ''I wouldn't think to hide in such a lumpish vessel/ as the moon jar, is hemispheres of bright clay joined/ for the storage of rice, soy sauce and alcohol.' And with this, the final poem in Growlery, Horrex provides us with a perfect metaphor to describe what is contained within the pages of her first collection. The book, a moon jar, crafted carefully together and filled with precious, delicious morsels. Each poem navigating the precision of language in stanzas that feel like raindrops, each one falling after the next, tumbling down the page. This precision could fool you into thinking that this is a book of simple poems, but with this precision, Horrex pays such close attention to detail that the images shine.' *Manuela Moser, The Friday Critique, Seamus Heaney Centre* '[an] impressive first collection' *Carol Rumens, The Guardian, where her poem 'Grey Natural Light' was Poem of the Week on May 3rd* 'Horrex has an imagination that's both wayward and precise, matched by the way she uses words: every line feels unpredictable yet somehow inevitable. None of her poems sound like anyone else's: things open up when she writes about them. This is more than a matter of skill - it's about the rigour with which this poet sees her feelings and her ideas through into language.' Patrick McGuinness 'A remarkably self-assured first collection, enjoying all the usual Carcanet virtues of precision, subtlety and understatement' Andy Croft, The Morning Star 'One of the most striking characteristics of Katherine Horrex's poems is the eccentric angle from which their carefully calibrated observations are made: cinematic both in their intimacies and in their occasionally disorienting, zoomed-out distances. She has a visual artist's alert eye for the material detritus of contemporary life and a hand deft enough not to force the inevitable political and environmental conclusions down her readers' throats. The subjects of her poems (inter alia, a millennial's experience of suburban desertification; Chinese sculpture; the post-industrial landscapes of the north of England; a gynaecological scan; Brexit) may be startlingly contemporary but she approaches them the way an anthropologist of the future might, with the same hallucinatory descriptive clarity and eerie estrangement. If, as Pound asserted, poetry is 'news that stays news' then Katherine Horrex's is unmistakeably the voice of now: uneasy, ironic, apocalyptic.' Caitriona O'Reilly	Share this... Quick Links Carcanet Celebrates 50 Years! Anvil Press Poetry Aspects of Portugal Carcanet Classics Carcanet Fiction Carcanet Film Carcanet Poetry FyfieldBooks Lintott Press Little Island Press Lives and Letters OxfordPoets PN Review Sheep Meadow Press The Carcanet Blog PN Review 260: Editorial read more A Homeric Convention: Robert Wells read more Forty Names: Parwana Fayyaz read more Gregory Woods: Under the Bonnet read more PNR 259: Editorial read more Emily Skillings: Wicked Weather read more
We thank the Arts Council England for their support and assistance in this interactive Project.
Privacy Statement Sitemap RSS Feeds Home Events Authors Titles Imprints Information Resources This website ©2000-2021 Carcanet Press Ltd