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The Culture of My Stuff
RRP: GBP 10.99
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Price: GBP 9.89
New Release Available
This title is available for academic inspection (paperback only).
ISBN: 978 1 784109 51 6
Categories: 21st Century, British, First Collections, Humour, Irish, Language
Imprint: Carcanet Poetry
Published: May 2020
216 x 135 x 8 mm
Publisher: Carcanet Press
Also available in: eBook (Kindle), eBook (EPUB), eBook (PDF)
Digital access available through Exact Editions
The Culture of My Stuff is a collection of sonnets, prose and political nonsense rhymes. Light-footed and light-fingered, the poems piece the stuff of their culture into surreal polemic and elegy, compressing and exploding their 'various vocabularies'. Brexit, Trump, Northern Ireland, Komodo dragons, the male gaze, Leonard Cohen, lapsed Protestantism, David Bowie, horror cinema and typos are considered from a distance that's swiftly diminished by complicity, sorrow and self-critique. Unable to transcend the consumerist violence of the world they confront and embrace, the poems nonetheless strive for emotional accuracy and lyric depth, giving form to a voice that revels in contradiction, excess, mischief and music.
Awards won by Adam Crothers Winner, 2017 The Seamus Heaney Centre for Poetry First Collection Prize (Several Deer) Winner, 2017 The Shine/Strong Award
'Crothers' lyrical wordplay is a joy to read... subjects are too multifarious to be constrained by definition. All is driven onwards by an impeccable sense of rhythm'
Poetry Book Society Summer Bulletin 2020
A poet of the new post-Troubles era, who, unmistakably assembled on Ulster soil, has been given a metallic spray-job in some garage near the English fens.
Linguistic pirouetting, few-pints-deep wordplay and joyful disruptions of phonetics and etymology and aphorism. A poet who wields line breaks like a matadorâs cape.
A joybomb of wit, play, sass and Heideggerian thinginess. This book is what might happen if Paul Muldoon and Alan Gillis wrote a rap album. Buy it, bitches.
Praise for Adam Crothers
'Adam Crothers's Several Deer is a pun-tastic prick-tease for any reader who likes their poems with a slice of straightforward emotional narrative...It's equal parts delightful and infuriating: a highly charged word-drunk ride across time, art and idiomatic expression.'
Chrissy Williams, Poetry London
'Wild and weird'
John McAuliffe, The Irish Times
'The poems are ingenious and sonorous and will spin your mind like a record, baby.'
Rob A. Mackenzie, Magma Poetry
'This is poetry at its most playful, sonorous and broad but also technical and intricately textured. It is poetry that compels itself forward with a terrific energy born out of appearing as though it might at any moment fall flat on its face.'
Nathan Ellis, The London Magazine
'Never was so much meaning packed into small verses; pour the oils of reading on almost anything in this collection and whole worlds mushroom. It is annoyingly impressive and, I must say, I hate this young fellow whatever club he's playing at tonight...Several Deer is such a mixture of irony and malaprop, of MacNeice splendour and Audenesque knowingness, that it will annoy as many readers as it thrills. But I'm in Crothers' fan club, I have to say, and I would never want to refute a poet like this, a poet of the new post-Troubles era, who, unmistakably assembled on Ulster soil, has been given a metallic spray-job in some garage near the English fens.'
Thomas McCarthy, Trumpet 'Adam Crothers' Several Deer is that rare thing, a genuinely enjoyable poetry collection. It is also, in places, very funny. His register is that of the misheard or misremembered, of "pussy rot" or "the unquiet gravy". Sources as disparate as The Sensations and Robert Herrick get mashed together into goofball sonnets and villanelles. And yet for all its wit and brio, there is great seriousness to his work. Crothers is a worthy addition to yet another nouvelle vague of brilliant young poets from Northern Ireland.'
'This is a collection that shows intellectual force and ambition, its language always taut and lively and fun for the reader. Nightmare whispers, musical echoes, emotional truths, collide; the poems have each their own stance, and the book opens on an ocean of voices.'
Eileán Ní Chuilleanáin
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