Quote of the Day
Carcanet Press is our most courageous publisher. When you look at what they have brought out since their beginnings, it makes so many other houses seem timid or merely predictable.
Subscribe to our mailing list
New Selected Poems
Edited by Rebecca Watts
RRP: GBP 12.99
You Save: GBP 1.30
Price: GBP 11.69
This title is available for academic inspection (paperback only).
ISBN: 978 1 784108 65 6
Categories: 20th Century, 21st Century, British, Catholic, Women
Imprint: Carcanet Classics
Published: November 2019
216 x 135 x 17 mm
Publisher: Carcanet Press
Also available in: eBook (Kindle), eBook (EPUB), eBook (PDF)
Spend GBP 15 or more and receive a free Carcanet tote bag. Available internationally while stocks last.
Find out more.
Elizabeth Jennings (1926-2001) is one of the twentieth century's best-loved and bestselling poets. As the author and editor of almost fifty books of poetry, criticism and theology, she received numerous awards, including the W.H. Smith Prize for her 1986 Collected Poems.
This New Selected Poems comes forty years on from her first Carcanet Selected, which it honours by retaining her original choices while adding a substantial number of poems from her several later collections.
Edited by Rebecca Watts, whose debut poetry collection was shortlisted for the 2017 Seamus Heaney Prize, this book is a new take on a poet whose human sympathy and religious faith are transferable and timeless.
Awards won by Rebecca Watts Short-listed, 2017 The Seamus Heaney Centre for Poetry First Collection Prize (The Met Office Advises Caution )
Praise for Elizabeth Jennings 'Anyone who likes poetry will love it if you get them Carcanet's Collected Poems of Elizabeth Jennings. It costs a bit but you do get well over 1,000 poems, with barely a duff one; heck, you could even give it to someone who doesn't like poetry, and suggest it will change their mind.'
Nicholas Lezard, the Guardian, 1st December, 2012
'But there is no sterility here: I defy you to read "A Living Death" and not be on the verge of tears by the end of it ("I am caught up / Within a death that does not die") This is a supremely dippable-into book. Its bulk is liberating, not intimidating.'
Nicholas Lezard, The Guardian, Tuesday 3rd April, 2012.
'it contains some of the finest lyric poetry of the 20th century'
Anne Stevenson, The Sunday Times, September 14th 1986
Praise for Rebecca Watts 'The title poem gently alerts us to the shared vulnerability of man, creature and environment. Brief encounters and deep connections with animals are perceptively drawn while the weaker links between people are pinpointed with needle-sharp satire.'
Financial Times Best Books of 2016 'The Met Office Advises Caution is, without doubt, a deft take on nature poetry, but we would be remiss to read it simply as that. Watts has not only begun reworking the tradition for the present era, but has also started to fill it with a life and range that helps us make new sense of the past.'
The London Magazine 'Well edited, deceptively simple, quietly shrewd. [A] truly lovely group of articulate, intelligible, clean, clear-sighted poems, which despite their unassuming exteriors, belie the scuttle of enigmatic presences beneath.'
Will Barrett, The Poetry School Books of the Year 2016
'Humour, philosophy, feminism and the natural world might not necessarily make for comfortable poetry bedfellows, but [Watts] has them fitting together perfectly. The contents of wheelie bins, Zen trees, a suffragette audaciously mounting a penny farthing bicycle, athletic tracks and the fate of country moles - the poems offer levity and depth, always revealing a ''clear hard road, made for going along''.'
Sarah Hall, Guardian Best Books of 2016
'Rebecca Watts's poems adopt strange and illuminating vantage points - the bird's-eye view of a hawk, or a Victorian lady surveying a street from a penny-farthing - to do poetry's work of telling the truth, but telling it slant. Watts is particularly attuned to those points where human and non-human creatures meet and interact, and writes with intelligence and incision.'
We thank the Arts Council England for their support and assistance in this interactive Project.
This website ©2000-2019 Carcanet Press Ltd