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Categories: 21st Century, BAME, Women
Imprint: Carcanet Poetry
Publisher: Carcanet Press
Paperback (72 pages)
(Pub. Oct 2019)
eBook (EPUB) Needs ADE!
(Pub. Oct 2019)
(Pub. Oct 2019)
To use the EPUB version, you will need to have Adobe Digital Editions (ADE) installed on your device. You can find out more at https://www.adobe.com/uk/solutions/ebook/digital-editions.html. Please do not purchase this version if you do not have, or are prepared to install, Adobe Digital Editions.
A 2019 Poetry Book Society Winter Wild Card
A Sunday Times Book of the Year 2019
Ever since her first Carcanet book, In White Ink (1991), Mimi Khalvati has been drawn to the sonnet form. In Afterwardness its pull became irresistible. She has created in this unprogrammatic series, mixing memory, history, daily life, all her intersecting geographies and cultures, a self-portrait in all her moods, anxieties and delights. The sonnet form is stretched in all sorts of fruitful directions. Just as she adapted the ghazal form to English use, here she puts the Petrarchan sonnet to striking, unfamiliar use, widening the possibilities of the form. The poems are rich with Khalvati's personal history, her Iranian origins, her long years in Great Britain. The poems play between cultures, ancestral and acquired.
Awards won by Mimi Khalvati Winner, 2019 Poetry Book Society Winter Wild Card (Afterwardness) Winner, 2014 Poetry Book Society Recommendation (The Weather Wheel) Winner, 2011 Poetry Book Society Special Commendation (Child) Short-listed, 2007 The T.S. Eliot Prize (The Meanest Flower)
'What I find remarkable is how little ego there is in this exploration, how sensitively and empathetically Khalvati looks out to the experience of other people, mixing hers with theirs so that the two often become indistinguishable'
Edmund Prestwich, The North
'This collection has so many layers and cross-currents. There are rich memories hiding here'
D A Powell, Under the Radar
'Poetry of the highest order'
John Wheway, The High Window
'Khalvati's method is never formulaic and is always open to experience.'
W S Milne, Agenda
'What is particularly striking throughout the collection is how the poems are able to move through time in relation to one's age, life or nationality.''In so many of these poems, the images frame and enunciate the character of an exiles life with tremendous resonance. The recurrent, deeply traditional formal design of the Petrarchan sonnet grounds the collection and provides a containing experience of consistency and reliability that contrasts with all the disorientation, the displacement, the endless efforts to make a new home that never quite yield a secure sense of belonging....This is a collection in which I have been grateful to immerse myself.'
Anthony Anaxagorou, PBS Winter Selection 2019
John Wheway, The High Window
'This book feels a little like an act of self-haunting ... like tender postcards from afar, addressed to the poet herself'
Michael Glover, The Tablet
'Colour combines with contemplation [...] The symmetry is elegant, and the collection is a sophisticated, original exploration of a self made in and by the new language'
Fiona Sampson, The Guardian
'I found these sonnets to be exquisite and remarkable, not only for Mimi Khalvati's formal virtuosity but also for her bold and brilliant charting of new ground, in exploring the energies of absence, silence and unknowing. The poet's ear in these poems is attuned not to obvious noise but to night sounds, faint traces, on those whose lives lack narrative or 'underscript'. These poems are playful, moving and brimming with a fierce intelligence., and in this collection, her ninth, Mimi Khalvati is writing at the very height of her lyric power.'
'Poems of extraordinary rigour and sensitivity. I know of no other contemporary poet who combines, so consistently and so deftly, the formal requirements of metre and rhyme, with the poets' demand for truth-to-experience expressed in natural, unaffected speech.'
Praise for Mimi Khalvati This brilliant poet's crab-apple tree imparts the same kind of gorgeous and devastating self-knowledge granted Eve by the biblical Tree of Life.
Rafel Campo, Boston Review
This open and generous readiness to engage with all realities and see their worth gives Khalvati her power... graceful accomplishment is always in the service of a fundamental seriousness.
Bernard O'Donoghue, Poetry London
A lovely book, so accomplished, various, comprehensive and abundant. The poems are quick and touching, joyfully and sorrowfully open to the phenomena of the real world, they say what it feels like being human, the good and the ill of it, with passion, tact and lightness.
David Constantine Khalvati's writing draws on diverse worlds and poetic traditions, and enriches the dominant culture of British poetry...Intricate, sensuous and vulnerable...Mimi Khalvati's work will endure.
Moniza Alvi, Poetry Wales
Mimi Khalvati is one of the most poignant and graceful poets writing in England currently. The Meanest Flower speaks often of grief and loss but also of great pleasure in the world, in gardens, in loves, in other people. Under the lyricism there is an iron control that achieves its grace through subtlety. There reader is aware one is in the presence of a mind, a heart and an ear that has been schooled in depth, that finds it as naturally as do the flowers of the title.
Khalvati writes exquisitely nuanced lyrics of love and loss, which draw on childhood, motherhood and the natural world. These [The Meanest Flower] are tender poems in the English Romantic tradition.
No. 3 in 'The Ten Best New poetry collections' - Independent, 2007
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