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Tripping Over Clouds

Lucy Burnett

Cover of Tripping Over Clouds by Lucy Burnett
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This title is available for academic inspection (paperback only).
Paperback
ISBN: 978 1 784107 43 7
Categories: 21st Century, British, Scottish, Women
Imprint: Northern House
Published: June 2019
216 x 135 x 9 mm
108 pages
Publisher: Carcanet Press
Also available in: eBook (Kindle), eBook (EPUB), eBook (PDF)
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  • Tripping Over Clouds issues a bold challenge to Ezra Pound’s maxim to ‘go in fear of abstractions’. Underpinning this is a re-imagining of abstraction as a prior state of possibility and potential from which the world and ourselves are constantly re-emerging – as abstraction to, not from. Both philosophical and fresh, the poetry trips off and back onto the page, like the fellrunner in its opening section: ‘to talk about / the pleasure principle / of falling downhill fastly’. Lucy Burnett’s second collection explores how we fetch up with the world in all its variety, difficulty and beauty, ranging across encounters with mountains, love, contemporary politics and visual art. Ultimately this is a poetry which asserts hope, and playfulness, as strategies for navigating an inherently changeable sense of now.
    Lucy Burnett is from south-west Scotland, and in recent years has been based in the north of England. She currently lives in Cockermouth, where she gets out in the fells at every opportunity, and works as Senior Lecturer in Creative Writing at the University of Cumbria. Previously she has worked at ... read more
    'Lucy Burnett's poems involve us in a vivid experience of the self in landscape and language, moving playfully but with an intensity that at times leaves us breathless and amazed.'
    Grevel Lindop
     'There is something of Dylan Thomas in the exuberant wordplay and feeling for place, and something of W.S. Graham in her exploration of language and landscape as the twin territories within which we live... Burnett's subjects are serious ones, but her poems are joyful to read, revelling in the endless possibilities of language and of the world itself, "in whatever colour you might come".'
    Helen Tookey
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