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Skin Can Hold
RRP: GBP 9.99
Not Yet Available This title is available for academic inspection (paperback only).
ISBN: 978 1 784107 31 4
Categories: 21st Century, Black and Asian, British, Caribbean, Latin American, Women
Imprint: Carcanet Poetry
Published: May 2019
216 x 135 mm
Publisher: Carcanet Press
Vahni Capildeo, author of Measures of Expatriation (Forward Prize, 2016), returns with her third Carcanet collection, Skin Can Hold. The collection marks an experimental departure for a traditionally pen-and-paper poet as she explores embodied practice—theatre, dance, and experimental performance. These texts are the fruit of those experiments and collaborations, drawing on her sporadic training in the techniques of burlesque and mime and, going further back, on her childhood fascination with Caribbean masquerade and French theatre.
The poems take various forms, from soliloquy to prose. They are astir with voices and bodies usually kept ‘between the lines’ of poetry: someone weeping outside the decorum of a lyric; polyglot workmen along an ivory-tower-city road. Commemorating the First World War, a rondeau threads the language of flowers with the language of the ‘field postcard’, in which national security required soldiers to communicate by crossing out options and adding nothing else.
Awards won by Vahni Capildeo Short-listed, 2018 The Forward Prize for Best Collection (Venus as a Bear) Winner, 2018 Poetry Book Society Summer Choice (Venus as a Bear) Short-listed, 2016 T.S. Eliot Prize (Measures of Expatriation) Winner, 2016 Poetry Book Society Choice (Measures of Expatriation) Winner, 2016 Forward Prize for Best Collection
(Measures of Expatriation)
Praise for Vahni Capildeo
'In Venus as a Bear, Vahni Capildeo succeeds at revealing and stretching the potential of contemporary poetry with a dynamic selection of poems that demonstrate time and again their widely varied interests, knowledge, and all-round poetic skills.'
Helena Fornells, The Scores Poetry Journal
Kate Wakeling, The Morning Star
'Capildeo's subjects - sculptures, moss, sugar, roses, birds and pet cats - create counternarratives to the grammar of empire and the sentences of the state. Words themselves denature and
Sandeep Parmar, The Guardian
'Capildeo creates poems like spyglasses, like fully-equipped decks of observation, so that we might be present and entranced, hooked in the startling, surefooted immediacy of the worlds these poems invoke...It is through work such as this that we find ourselves revivified to a thousand electric possibilities'
Shivanee Ramlochan, Carribbean Beat
'These poems offer a glimpse of radical innocence, earning that innocence because they don't take their eye off the experience on which it depends.'
Jack Belloli, Review 31
'With a glassmith's unerring skill, Capiledo stays at the fixed point between the conceptual barrier and the breaking point. It is a sensitivity that shapes her poetic technique in turn.'
Jade Cuttle, Brixton review of Books
'At their essence, these are poems that explore how we relate to both each other and the 'other'. Venus as a Bear is well worth the time and effort to walk around the poems and then to step outside them, following where they lead.'
Kim Moore, Poetry London Issue 91
'The volume resists any easy form of categorisation, but overall, the word that came to mind is 'proximity', and how a dynamic measure of nearness shapes out relationships with objects, animals, language, and place.'
Emily Kate Timms, Stand Volume 16 (3)
'The book is studded with startling images and linguistic strings which embroil and surprise the reader.'
Martyn Crucefix, Magma 71 Online Review
Vahni Capildeo has a gift for examining the lives of others, whether they are distanced by species, era of divinity. Her tender tone makes it all the more jarring when compassion is cut with sudden brutality.'
Maria Crawford, The Financial Times
'The book is bursting with ideas, every line bringing something new to puzzle, excite, amuse and delight'
Chris Edgoose, Wood Bee Poet
'The words' play with each other, their transfer of symbol, their passing-across of meaning and connotation creates a surreal and abstract imagery that could inspire multiple understandings.'
Chris Edgoose, Wood Bee Poet
'More than any collection I've read, this is one whose language is a tool for transformation, a means by which things are revealed...We are shown things clearly and newly because Capildeo's language works to bring them out of themselves.'
Chris Edgoose, Wood Bee Poet
'...Among other things it is a bestiary from the poets travels: "a fade of rabbits", a bulls swaying haunches like "a big black valentine", The Magnificent Pigs of Thetford". Roll over, Ted Hughes.'
Jeremy Noel-Tod, The Sunday Times
'It generates constant energy... The flurry of excitement, the sheer bounce of words on the line and off the page, captures at first the essence of affable, tail-wagging pet-dogginess and, later on, the dog's liberating, unleashed flight from domestic obedience.'Carol Rumens, The Guardian, on 'They (may forget (their names (if let out)))' from Venus as a Bear - poem of the week 21st May 2018
'A bald enumeration of Capildeo's influences, subjects, travel destinations and poetic forms might give an impression of dizzying multifariousness.... But the essential remains the same throughout. Capildeo, it is only fair to acknowledge, is a demanding writer, someone who stretches the conventions of the lyric poem in unprecedented ways; but Venus as a Bear demands nothing from its readers that it does not also repay generously. She is, among much else, a direct and sensual poet, warmly intimate and very funny.'
David Wheatley, The Guardian
'Capildeo remains a sui generis talent... Much like its predecessor, Venus as a Bear is 100-plus pages of constant self-reinvention'
The Telegraph, Poetry Book of the Month May 2018
'This is a book to last, and one that I will keep reading. It is a collection in which new threads appear in every reading: a tapestry that refuses to be frozen.'
'This is a highly original collection in form and content, with blunted messages and sharp polished undertones. One to read slowly and savour.'
Poetry Salzberg Review on Measures of Expatriation
'So much of the world has been rendered familiar by the industries of interpretation (including the literary) that it takes a genius to recover its real intransigence. It is like being brought up hard against an unmoveable rock amidst all the torrents of counterfeited poetry when you catch hold of any poem by Capildeo.'
Rod Mengham 'Vahni Capildeo's Measures of Expatriation is a work that amazes. We found a vertiginous excitement in the way in which the book grasps its subject: the sense of never quite being at home. This is poetry that transforms. When people in the future seek to know what it's like to live between places, traditions, habits and cultures, they will read this. Here is the language for what expatriation feels like.'
Malika Booker, Chair of the 2016 Forward Prize judging panel
'The writing is done from word to word, following images, sounds, movement and sense-associations relentlessly, shifting focus every few words, heading for an unforeseen ending.'
Peter Riley, Fortnightly Review
'Tumbling, polyglottal collection of poems and prose-poems, Measures of Expatriation, tells stories of exile and migration by turns playful and ferocious.'
Horatia Harrod, Financial Times
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