Quote of the Day
Carcanet has always been the place to look for considerations of purely literary and intellectual merit. Its list relies on the vision and the faith and the energy of people who care about books, and values. It is thus as rare as it is invaluable.
Subscribe to our mailing list
Edited by Merle Bachman and Anthony Rudolf
RRP: GBP 12.99
You Save: GBP 1.30
Price: GBP 11.69
New Release Available
This title is available for academic inspection (paperback only).
ISBN: 978 1 784106 75 1
Categories: 20th Century, British, Jewish, Scottish
Imprint: Northern House
Published: October 2018
216 x 135 x 10 mm
Publisher: Carcanet Press
Also available in: eBook (Kindle), eBook (EPUB), eBook (PDF)
Nameless Country gathers poems by the Scottish-Jewish poet Arthur ‘A.C.’ Jacobs, whose work, somewhat critically neglected in the past, has gained new resonance for twenty-first-century readers. Writing in the shadow of the Holocaust, Jacobs in his poems confronts his complex cultural identity as a Jew in Scotland, as a Scot in England, and as a diaspora Jew in Israel, Italy, Spain and the UK.
A self-made migrant, Jacobs was a wanderer through other lands and lived in search, as he puts it, of the ‘right language’, which ‘exists somewhere / Like a country’. His poems are attuned to linguistic and geographic otherness and to the lingering sense of exile that often persists in a diaspora. In his quiet and philosophical verse we recognise an individual’s struggle for identity in a world shaped by migration, division and dislocation.
'Jacobs's poetry is far too good to be pigeonholed in the way he himself did so self-deprecatingly.'
Mark Glanville, The Jewish Chronicle
'His unassuming, deliberately prosaic style itself seems a kind of resistance to all forms of grandiloquence and conceit, and it provides the ideal vehicle for his stubborn, Forster-like affirmations of the validity of small private tragedies, measured against the din of history.'
Times Literary Supplement Praise for Anthony Rudolf 'His poems are charged with the love of beauty: in paint, in the poetry he admires, and in women. His longing is almost impersonal in its intensity.'
Elaine Feinstein, JQ
'It moves us through time and space to the long view of a life's work...European Hours is an open book of secrets, and the remarkable intimacy Rudolf has spun through it that binds the reader to the poems.'
Paul Pines, American Book Review
'For Rudolf, writing and painting especially, but also music, are exploratory tools that enable him to probe more deeply into his own self, his relationships, as well as all those other selves that are not ''himself.'' For he is obviously also par excellence a poet and an intellectual attracted to otherness, to what he is not.'
'Every poem like a new geometry - of surprises. A strange voice of cat's cradles in a Kafkaesque half-light - very strange and unpredictable.'
The Carcanet Blog PN Review 244: 'Perhaps only bad Poets become poets' read more Notes from the Dream House: 'The Shining' Review read more Judith Willson: Colour Standards read more Moser - PN Review read more Jane Draycott and Jenny Lewis: Recalibrating the Classics read more W.S Graham: Lives & Letters read more
We thank the Arts Council England for their support and assistance in this interactive Project.
This website ©2000-2018 Carcanet Press Ltd