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Gilgamesh Retold

Jenny Lewis

Cover of Gilgamesh Retold by Jenny Lewis
RRP: GBP 12.99
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This title is available for academic inspection (paperback only).
Paperback
ISBN: 978 1 784106 14 0
Categories: 21st Century, British, Medieval, Translation, Women
Imprint: Carcanet Classics
Published: October 2018
216 x 135 x 11 mm
136 pages
Publisher: Carcanet Press
Also available in: eBook (Kindle), eBook (EPUB), eBook (PDF)
  • Description
  • Author
  • Reviews
  • Jenny Lewis relocates Gilgamesh to its earlier, oral roots in a Sumerian society where men and women were more equal, the reigning deity of Gilgamesh’s city, Uruk, was female (Inanna), only women were allowed to brew beer and keep taverns and women had their own language – emesal. With this shift of emphasis, Lewis captures the powerful allure of the world’s oldest poem and gives it a fresh dynamic while creating a fastpaced narrative for a new generation of readers.
    Jenny Lewis is an Anglo-Welsh poet, playwright, songwriter, children’s author and translator who teaches poetry at Oxford University. She trained as a painter at the Ruskin School of Art before reading English at St Edmund Hall, Oxford. She has worked as an advertising copywriter and a government press officer for, among ... read more
    'Gilgamesh Retold is terrific - and very beautiful. It is the fullest version I have ever read, and the richest. It has the immediacy of dream. I've never felt from other versions just how precious the life is which Gilgamesh longs to keep.'
    Alison Brackenbury
    'Gilgamesh Retold by Jenny Lewis rings with the strength of the original texts and sings with its own poetic originality.'
    Fran Hazelton, author of Stories from Ancient Iraq (2010) and Three Kings of Warka, Myths from Mesopotamia (2012)
    'While bringing back to life Gilgamesh and the immense cultural heritage of Mesopotamia-Iraq, Jenny Lewis also proves to us that poetry is, as it always has been, the best way to rekindle the past while capturing the essence of the times we live in.'
    Adnan al-Sayegh
    'Jenny Lewis's Gilgamesh Retold is not simply a retelling of the ancient epic; it is the spirited 'response' of a contemporary poet to the original legend. Using a variety of lively metrical forms and expanding the material where appropriate - notably regarding the goddess Inanna - Gilgamesh Retold is a vivacious reanimation of a timeless narrative for today's readers.'
    Theodore Ziolkowski, author of Gilgamesh Among Us: Modern Encounters with the Ancient Epic
     
    'Jenny Lewis's Gilgamesh Retold is not simply a retelling of the ancient epic; it is the spirited 'response' of a contemporary poet to the original legend. Using a variety of lively metrical forms and expanding the material where appropriate - notably regarding the goddess Inanna - Gilgamesh Retold is a vivacious reanimation of a timeless narrative for today's readers.'
    Theodore Ziolkowski, author of Gilgamesh Among Us: Modern Encounters with the Ancient Epic
     
    'Jenny Lewis's Gilgamesh Retold is not simply a retelling of the ancient epic; it is the spirited 'response' of a contemporary poet to the original legend. Using a variety of lively metrical forms and expanding the material where appropriate - notably regarding the goddess Inanna - Gilgamesh Retold is a vivacious reanimation of a timeless narrative for today's readers.'
    Theodore Ziolkowski, author of Gilgamesh Among Us: Modern Encounters with the Ancient Epic
    Praise for Jenny Lewis 'Taking Mesopotamia is a stunning collection, one that sticks to you like a burr after you've read it. It is as if in writing it, Jenny Lewis has stumbled across one of the marvels contained within the Epic of Gilgamesh, one of its groves of jewels - and laid it out across the page for us to look at.'
    Laura Scott, The North
    'Jenny Lewis' Taking Mesopotamia is a brilliantly conceived and executed, very moving book... This is a modernist route - we will see more poetry collections built on these lines.'
    Dilys Wood, Artemis
    'In this haunted and haunting collection, intuition leads cognition in a pas de deux of great power and beauty.'
    Jon Stallworthy, Oxford Times
    'Her poems delve into her own past, recalling with powerful specificity...'
    Sarah Crown, Guardian
     'Taking Mesopotamia is easily the best collection of poetry I've read so far this year.'
    Gareth Prior
    'Taking Mesopotamia -- a brilliantly ironic title for our times -- controls its anger through an accomplished and flexible technique in verse and prose. It is [...] an eloquent rejoinder to those who say poetry can't, or shouldn't, concern itself with public matters.'
    Bernard O'Donoghue
     'Taking Mesopotamia is a truly memorable piece of work. Lewis is an acutely attentive observer, but this is more than a poetic documentary - it lives as much in the ear as in the imagination, so well acoustically arranged that we cannot forget any of the voices in it.'
    Jane Draycott
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