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Joy

Sasha Dugdale

Sasha Dugdale Joy
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This title is available for academic inspection (paperback only).
Paperback
ISBN: 978 1 784105 03 7
Categories: 21st Century, British, Women
Imprint: Carcanet Poetry
Published: November 2017
216 x 135 x 6 mm
64 pages
Publisher: Carcanet Press
Also available in: eBook (EPUB), eBook (Kindle), eBook (PDF)
  • Description
  • Author
  • Awards
  • Reviews
  • Winner of the 2017 Poetry Book Society Winter Choice Award.
    Contains the poem 'Joy' - Winner of the 2016 Forward Prize for Best Single Poem.

    Sasha Dugdale’s fourth Carcanet collection, Joy, features the poem of that title which received the 2016 Forward Prize for Best Single Poem. ‘Joy’ is a monologue in the voice of William Blake’s wife Catherine, exploring the creative partnership between the artist and his wife, and the nature of female creativity. The Forward judges called it ‘an extraordinarily sustained visionary piece of writing’.

    The poems in Joy mark a new departure for Dugdale, who expresses in poetry a hitherto ‘silent’ dialogue which she began as an editor of Modern Poetry in Translation with writers such as Don Mee Choi, Kim Hyesoon, Maria Stepanova and Svetlana Alexeivich. Dugdale combines an open interest in the historical fate of women and in the treacherous fictional shaping of history. In the abundant, complex and not always easy range of voices in Joy she attempts to redress the linear nature of remembrance and history and restore the ‘maligned and misaligned’.
    Sasha Dugdale is a poet, translator and playwright. She has published four collections of poetry with Carcanet, Notebook, The Estate, and Red House . In 2017 she was awarded a Cholmondeley Prize. Between 2012 and 2017 she was editor of Modern Poetry in Translation . She is co-director of ... read more
    Awards won by Sasha Dugdale Winner, 2017 The Poetry Book Society Winter Choice Award (Joy) Winner, 2017 SOA Cholmondeley Award Winner, 2016 Forward Prize for Best Single Poem (for 'Joy') Winner, 2003 Eric Gregory Award
     'Joy... is a free-wheeling and beautifully sustained portrait of grief and the truths it can convey.'
    Sarah Westcott, Artemis Poetry
    'Dugdale's skill at form is directed at containing the uncontainable death and absence which allows us to handle them, like examining insects trapped in amber'

    Lisa Kelly, Magma Poetry Review 71

    'These compelling stories of strange happenings in an almost imperceptibly strange style make your mind understand foreignness as our process. Sasha Dugdale is a wise bard and her book is a civilising read.'
    Claire Crowther in The Poetry Review
     'The categories of age, empire and (particularly) gender are shown to set unjust limits on human flourishing, and on what histories can be told. Yet Dugdale emphasises that, when oppressed subjects are allowed to express themselves, their stories might still be of willed sacrifice and genuine happiness.'
    Poetry London
       'Sometimes you read a work that is so clearly deserving of the accolades it's received that it restores your faith in things. Sasha Dugdale's 'Joy' is such a work.'
    The Poetry School
    Praise for Sasha Dugdale '...a beguiling and unusual debut, its best poems at once elusive, satisfying and likely to go on being read.'
    Sean O'Brien, Times Literary Supplement
     My favourite collection this year is Sasha Digdale's 'Red House' (Carcanet Oxford Poets). I like how she has infused her British sensibility with the passion and abandon of Russian poets like Anna Akhmatova and Marina Tssvetaeva, whom she has previously translated.
    Kathryn Maris, Timeout Magazine Best of 2011
    'The sensibility The Estate reveals is intelligent and wry - as well as highly original'
    Fiona Sampson, Tower Poetry
    'Notebook is a beguiling and unusual debut, its best poems at once elusive, satisfying and likely to go on being read.'
    Times Literary Supplement
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The Carcanet Blog 'In the Mind's Own Sun': Editing Charles Tomlinson read more Sasha Dugdale on WS Graham read more PN Review 244: 'Perhaps only bad Poets become poets' read more Notes from the Dream House: 'The Shining' Review read more Judith Willson: Colour Standards read more Moser - PN Review read more
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