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The Windows of Graceland
New and Selected Poems
RRP: GBP 12.99
You Save: GBP 1.30
Price: GBP 11.69
This title is available for academic inspection (paperback only).
ISBN: 978 1 784102 76 0
Categories: 21st Century, Irish, Women
Imprint: Carcanet Poetry
Published: May 2016
216 x 138 mm
Publisher: Carcanet Press
Also available in: eBook (Kindle), eBook (EPUB), eBook (PDF)
Digital access available through Exact Editions
The Windows of Graceland gathers the cream of the crop from Martina Evans’s five previous collections of poetry, brought up to date by a selection of new and unpublished work. The earliest poems date back to 1998 and Evans’s expatriation from Ireland. A complex nostalgia for her Catholic childhood establishes a central and enduring thread in the writing, the bloody shadow of sectarian conflict commingling with a child’s pastoral of pleated mustard kilts and corduroy paisley dresses, the ‘sighing country roads’, the ‘blue Burnfort evening’. The later poems, written from London, develop a fascination with Americana as the poet’s own cultural displacement takes on substitute forms, the Irish traveller Elvis O’Donnell finding his unlikely double in that other Elvis, of Graceland. Early poems on childhood come full-circle across the selection’s twenty-five year span in more recent poems on motherhood. When the poet’s teenage daughter returns home missing a shoe, ‘I don’t share her grief. / I feel relief / as if the shoe is a coin / paid to the wild / for her safe return.’ From story-teller to free-verse fili, memoirist to satirist, daughter to mother, The Windows of Graceland distils Evans’s full poetic range and power.
Awards won by Martina Evans Winner, 2011 Premio Ciampi Internazionale di Poesia (Ciampi International Poetry Prize) (Facing the Public)
'a subtle, challenging writer with a wonderfully destructive approach to the pieties she describes.'
John McAuliffe, Irish Times Praise for Martina Evans 'Evans manages in this collection, like a great filmmaker or novelist, to gift the audience (and I use the word "audience" deliberately) with immersion into a world so real and complete we have to reluctantly drag ourselves back to our fictional lives.'
Anne Tannam, The Dublin Review of Books
'Full of insight and humour...Evan's ability to choose just the right word is unerring.'
Suzanne O'Sullivan, The Observer
'I loved everything about this book'
Kate Kellaway, The Observer
'Evans's ear for speech suits the monologue, and the monologues - talky, jumpy, Gothic - are intensely atmospheric, claustrophobic pieces... Here, and throughout, Evans catches the nightmarish powerlessness of living close to historical changes.'
John McAuliffe, The Irish Times
'Her ability to replicate on the page colloquial Irish rhythms and phrasing has been commented on before, and it draws the reader in from the beginning... Each poem is, in a sense, akin to a chapter of a novel, and there is narrative drive both within the poems and between them, but as they are poems, i.e. stand-alone entities and in this sense equally analogous to paintings, they serve as much as windows onto moments, thoughts, memories and feelings as narrative blocks.'
Chris Edgoose, Wood Bee Poet
'Evans' verse is tightly packed with images, but loose enough in its metre to read naturally. One can take the book at a running pace and enjoy a story with deep emotional beats, or slow the pace and reflect on the careful choice of wording.'
Joe Darlington, Manchester Review of Books
The admired vernacular brilliance of Martina Evans's poetry is applied here to her most ambitious work to date, bringing to vivid life one of the most terrible periods of Irish history from the Troubles around 1920 to the Civil War, as witnessed and experienced by two generations of women ... No other poet currently writing in Britain and Ireland can rival Evans's ability to represent the impact of the political on the personal without easy histrionics. This is a remarkable document, a major work.
Bernard O'Donoghue 'Evan's great skill is in knowing how much to put into a poem. She has a talent for selecting only the most resonant memories, for not over-icing the cake of sentiment. [...] Above all, Evans puts the right words in the right order, a dictum whose simple phrasing embodies its demands.'
Michael Duggan, PN Review 'These look like easy, anecdotal poems but they bite.'
Alan Brownjohn, Sunday Times 'A deceptively casual and enjoyable collection.'
Irish Times 'Martina Evans [is] brazenly humorous [...] with her dizzyingly wacky free-verse tale-telling.'
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