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Eternal MomentSelected PoemsSandor WeoresTranslated by Edwin Morgan and William Jay Smith![]()
Imprint: Anvil Press Poetry
Publisher: Carcanet Press Available as: Paperback (152 pages) (Pub. Sep 1997) 9780856461866 Out of Stock Hardback (152 pages) (Pub. Sep 1997) 9780856461859 Out of Stock
Awards won by Edwin Morgan
Winner, 2000 Queen's Gold Medal for Poetry
Praise for Edwin Morgan
'Edwin Morgan's experimental and science fiction poems often imply joyful adventure, boundless optimism.'
Carol Rumens, The Guardian where 'A Little Catechism' was Poem of the Week 'distinctly and excitingly nonconformist [...] they stunningly convey the poet's love for Glasgow. The traditional structure is interjected with Scottish language and anecdotes, making it a thought-provoking read.' Scottish Field 'A broad celebration of one of the most lively and creative writers of his time' Mike Ferguson, Stride Magazine 'For readers new to Morgan, it forms a perfect introduction, showcasing his fearless experimentation... For those who already know Morgan's work, this selection is a welcome romp of rediscovery. It offers a reminder that he masters every form - from sonnets to strict rhyme schemes with free rhythm to the disintegrating word curtains of some of his early concrete poems - and gilds them all with the humour and humanity that infuse his own effervescent voice.... He never shrinks from the darkness but the shimmering beauty of his words somehow makes it more bearable.' Fiona Rintoul, The Herald 'Thank God, thank whatever all-seeing quick-witted deity you like, we have Edwin Morgan to show us how to live, and keep living..."pleasure" is nowhere strong enough to convey the joyous energy of his work.' Kathleen Jamie 'Edwin Morgan's translation of twenty-five poems into Scots, now reissued after almost half a century, finesses one difficulty by substituting another. Wi Haill Voice gives Mayakovsky a shout from the streets without making him a Dickensian exercised in dialect - Scots provides the necessary sense of estrangement.' William Logan, The New Criterion |
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