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an admirable concern to keep lines open to writing in Ireland, Scotland, Wales and America.
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RRP: GBP 7.95
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Price: GBP 7.16
Out of Print
ISBN: 978 0 192824 12 7
Imprint: Carcanet Poetry
Published: September 1999
197 x 130 x 11 mm
Publisher: Carcanet Press
This selection has been made by the poet himself from his eleven collections, published from 1959 in Australia, and then since 1980 by Oxford University Press, up to the most recent title, Rungs of Time. He has chosen poems that still ‘work’ for his readers, and which bear witness to past selves.
Wallace-Crabbe lives in Melbourne, where he holds a Personal Chair in the Department of English at the University of Melbourne.
Cover illustration by Stephen Raw.
Awards won by Chris Wallace-Crabbe Short-listed, 2019 Kenneth Slessor Prize for Poetry in the NSW Premier's Literature Awards (Rondo)
Praise for Chris Wallace-Crabbe 'One constant of Chris Wallace-Crabbe's poetry has been his lexical range, his zest for injecting the demotic into his work. Wallace-Crabbe's poetry gambols about in the whole gamut of language's expressive possibilities'
Mark Prendergast, Tears in the Fence, no.70, 2019. pp. 132-137
'Wallace-Crabbe may be in love with language, especially the colloquial, the quirky and the idiosyncratic, but he also has "something to say". Rondo is rich in elegy and acknowledgement.'
Geoff Page, Sydney Morning Herald
'Prefacing one of his new poems, Wallace-Crabbe quotes D. H. Lawrence: "You just walk out of the world and into Australia." Here it is the other way round. You walk out of a Wallace-Crabbe poem and into the world.'
Alastair Niven 'A witty, endearingly slangy, yet unostentatiously philosophical Australian poet'.
Times Literary Supplement 'His allies are words and he uses them with the care of a surgeon and the flair of a conjuror.'
Peter Porter 'Wallace-Crabbe engages the most serious subjects in a frame of mind at once vulnerable and humorous. His personae may be shackled to the mast of slang, conceit, and bathos, but the song of the Siren is nevertheless nobly clear in these poems.'
Mary Kinzie, Poetry (Chicago) 'There is certainly an immense and joyous energy in the book and it mixes intellectual experience of excitement and doubt with personal experience of exaltation tinged by reminders.. of mortalily.'
Martin Duwell, The Australian '...in his valuing of both the aesthetic and the ordinary as the realms of humanity, he always reminds us - despite what the end has to offer us all - of a different kind of weather, one where, even as darkness is falling, ''the lit clouds yet / sail sweetly over us / inhabiting a daylight of their own''.'
David McCooey, Sydney Morning Herald '...in his valuing of both the aesthetic and the ordinary as the realms of humanity, he always reminds us - despite what the end has to offer us all - of a different kind of weather, one where, even as darkness is falling, ''the lit clouds yet / sail sweetly over us / inhabiting a daylight of their own''.'
David McCooey, Sydney Morning Herald
We thank the Arts Council England for their support and assistance in this interactive Project.
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