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A Woman Without a Country
Categories: 21st Century, Irish, Women
Imprint: Carcanet Poetry
Publisher: Carcanet Press
Paperback (80 pages)
(Pub. Sep 2014)
eBook (EPUB) Needs ADE!
(Pub. Jan 2014)
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He starts with the head, cutting in
To the line of the cheek, finding
The slope of the skull, incising
The shape of a face that becomes
A foundry of shadows...
from ‘A Woman Without a Country’
The poems in Eavan Boland’s new collection consider questions of inheritance and identity, of what is handed down and what is lost. Boland's poems are acts of preservation: they are aware of the significance of objects, memories, words, in keeping alive what we would otherwise 'lose / without thinking'. At the same time, they are a holding to account, addressing the damage wrought by that other inheritance, the 'art of empire', the 'business ... of colony'. In the title sequence, Boland seeks to restore voice and place to those who, like her grandmother, lived and died 'outside history', skilled in ... silence'.
Awards won by Eavan Boland Winner, 2020 Costa Poetry Award
(The Historians) Winner, 2017 Bob Hughes Lifetime Achievement Award
Praise for Eavan Boland
'...She has a dazzling gift for marrying the poem's narrative to its underlying considerations and themes, her carefully enacted restraint heightening the impact of the frequently stunning closing image.''The poems, all of them, have that familiar, spare, feel to them - the clarity of cold water, the measured cadence, the plain diction and the leaping insight so characteristic of her mature work - but there is grief here of a depth and of a kind that chills the heart... against the darkness that eddies and gathers in this, the last book we will have from her hand, there is indeed redemptive light'
Maya C. Popa, Poetry Review
Theo Dorgan, Dublin Review of Books
'This is a fitting tribute to a poet whose work has revised history as we know it and whose talent will be much missed.''The first poem in Boland's book, The Fire Gilder, is one of the best Irish poems of the past half-century.'
Poetry Book Society Winter Bulletin
Colm Tóibín, The Irish Times
'Truly consumable, enjoyable and emotive... all the things that great poetry should be.'
Jasmine Reads, YouTube
'[The Historians] zooms in with characteristic musicality and intelligence on what the stories that are often overlooked - those of women'
Rishi Dastidar, The Guardian Poetry Books of the Year 2020
'It is, as came to be expected from Boland, filled with stories of ordinary Irish women, sensitively rendered in her understated verse. In revisiting the otherwise erased experiences of her subjects, Boland asks us to reconfigure our own understanding of the past, though she acknowledges the difficulties of that, too'
The New Statesman
'There's a poignancy here that is hard to avoid... This modest collection is welcome and those who have not read Boland - few though they may be - will find here at least an introduction to her always-potent art. For others, it will serve as a coda to a poetic life well lived.'
Books Ireland Magazine
'It feels, reading it in the wake of her death, to be unsettlingly prophetic, a fitting close to the life's work of a great poet'
Seán Hewitt, The Irish Times
'... a rich, unsettling moral adventure in memory and responsibility.'
Eavan Boland's A Journey with Two Maps: Becoming a Woman Poet contains essays both personal and public written in a tone urgent and wise, with astute observations on her own trajectory as a poet and the work of Elizabeth Bishop, Sylvia Plath and Paula Meehan, among others.
Colm Toibin, The Irish Times, Our Favourite Books of 2011
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