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Amalgamemnon

Christine Brooke-Rose

Amalgamemnon
10% off
Imprint: Carcanet Fiction
Publisher: Carcanet Press
Available as:
Paperback (144 pages)
(Pub. Sep 2004)
9781857548150
£14.95 £13.45
  • Description
  • Author
  • Reviews
  • A woman about to lose her job as a professor of literature and history delivers a passionate, witty and word-mad monologue in this inventive novel, which was called 'brilliant' (The Listener), 'dazzling' (The Guardian), 'elegant, rueful and witty' (The Observer) upon its original publication in England in 1984.

    History and literature seem to be losing ground to the brave new world of electronic media and technology, and battle lines are being drawn between the humanities and technology, the first world and the third world, women and men. Narrator Mira Enketei erases those boundaries in her punning monologue, blurring the texts of Herodotus with the callers to a talk-radio program, and blending contemporary history with ancient: fairy tale and literal / invented people (the kidnappers of capitalism, a girl-warrior from Somalia, a pop singer, a political writer), connected by an elaborate mock-genealogy stretching back to the Greek gods, move in and out of each other's stories. The narrator sometimes sees herself as Cassandra, condemned by Apollo to prophesy but never to be believed, enslaved by Agamemnon after the fall of Troy. Brooke-Rose amalgamates ancient literature with modern crises to produce a powerful novel about the future of culture.


    Christine Frances Evelyn Brooke-Rose was a British writer and literary critic, known principally for her later, experimental novels. Christine Brooke-Rose was born in Geneva, Switzerland to an English father and American-Swiss mother. She was brought up mainly in Brussels, and educated there, at Somerville College, Oxford and University College, London. ... read more
    Praise for Christine Brooke-Rose If we are ever to experience in English the serious practice of narrative as the French have developed it over the last few years, we shall have to attend to Christine Brooke-Rose.
    Frank Kermode on Thru
    If we are ever to experience in English the serious practice of narrative as the French have developed it over the last few years, we shall have to attend to Christine Brooke-Rose.
    Frank Kermode on Thru
    Out represents quite a new departure in Miss Brooke-Rose's work... a splendid achievement...
    Isobel English
    Such is a runaway success for her original technique... funny, painful, exciting, haunting...
    Elizabeth Smart
    Her finest novel completely succeeds because subject and language are one.
    Angus Wilson on Between
    If we are ever to experience in English the serious practice of narrative as the French have developed it over the last few years, we shall have to attend to Christine Brooke-Rose.
    Frank Kermode on Thru
    Out represents quite a new departure in Miss Brooke-Rose's work... a splendid achievement...
    Isobel English
    Such is a runaway success for her original technique... funny, painful, exciting, haunting...
    Elizabeth Smart
    Her finest novel completely succeeds because subject and language are one.
    Angus Wilson on Between
    Her finest novel completely succeeds because subject and language are one.
    Angus Wilson on Between
    Such is a runaway success for her original technique... funny, painful, exciting, haunting...
    Elizabeth Smart
    Out represents quite a new departure in Miss Brooke-Rose's work... a splendid achievement...
    Isobel English
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