Carcanet Press

Description
Excerpt
Author
Contents
Reviews
Audio

It's midnight. She enters the water
the forest of sharp-bladed coral
the fruit which is not what it seems.
It's midnight she's leaving
she's leaving the Hotel of Dreams.

from 'Juliet' by Jane Draycott

Over, Jane Draycott's third book, takes its title from a sequence of twenty-six poems based on the international phonetic alphabet: Alpha, Bravo, Charlie, Delta... In these and other pieces Draycott creates a world of echoing voices and reflections. She evokes the mirrors and doorways, dreams and night-time journeys that transform the familiar: entrances into a different reality. Over explores liminal places where ocean meets land, land drops to ravine, lives intersect in piazzas. The poems cross thresholds between what is finished and what is 'not over yet', between present and past and, in an extract from her new translation of the medieval dream-vision Pearl, between a sunlit garden and the mysterious landscape of the world to come.

Contents

Sky man
The Square
The Girls' Book of Model-Making
In the same way
Pass
We would like you to listen
Concourse
The Longest Day
Ashburnham House
Turquoise
After the Meal
All this was fields
Night Museum
The Fair Miles
Mass Observation
Quay Street
Island
Opera Express
Eldorado
The Funeral of Queen Victoria
Lookout Mountain
All that we have
from Pearl
Return to Relleu
Picnic
Technique
Door
Wayzgoose
The Hired Boat

Over

Alpha
Bravo
Charlie
Delta
Echo
Foxtrot
Golf
Hotel
India
Juliet
Kilo
Lima
Mike
November
Oscar
Papa
Quebec
Romeo
Sierra
Tango
Uniform
Victor
Whiskey
X-ray
Yankee
Zulu

Jane Draycott was born in London in 1954 and studied at King’s College London and Bristol University. Her first full collection, Prince Rupert’s Drop (Carcanet/Oxford Poets ), was shortlisted for the Forward Prize for Best Collection in 1999. In 2002 she was the winner of the Keats-Shelley Prize for Poetry and ... read more

Praise for Jane Draycott 'A host of subtle and spellbinding effects, testament to Dryacott's skill as a poet as well as her grasp of grief's physcological realities'
Theophilus Kewk, The North

'Draycott uses the language of dreams to make the quotidian illusionary, like a vapour captured in lexicon. Sleeplessness haunts the collection... Homeliness is pushed, just, over to Freud's unhomely conclusions. The dream world, enticing and enlightening as he might have it to be, proves no more accommodating than our own.'
Lucy Cheseldine, STAND
'Her searching curiosity and wonderful assurance make her an impeccable and central poetic intelligence.'
Penelope Shuttle, Manhattan Review 'When Jane Draycott read, for the first time, sections of her exquisitely modulated translation of the 'Pearl' poem, its echoing character seemed to transport me from one cultural space to another... I came as close to hearing the 'Pearl' poet's voice as I am ever likely to be.' - Stella Halkyard, PN Review 'Draycott's version is compellingly human.'
Lachlan Mackinnon, Times Literary Supplement
'I've waited some time to read something this intelligent, this sensuous and this crystalline. In fact The Night Tree is the finest collection I've read for ages.'
Guardian
'The language is marvellously modulated yet stirringly wild. Draycott has carried over into our tamer, tired world a strong, strange sense of how original, gorgeous and natural this old poem can be.'

David Morley, Poetry Review

'Draycott's version is compellingly human.'
Lachlan Mackinnon, Times Literary Supplement
'Draycott's version is compellingly human.'
Lachlan Mackinnon, Times Literary Supplement
'When Jane Draycott read, for the first time, sections of her exquisitely modulated translation of the 'Pearl' poem, its echoing character seemed to transport me from one cultural space to another... I came as close to hearing the 'Pearl' poet's voice as I am ever likely to be.' - Stella Halkyard, PN Review 'Draycott's version is compellingly human.'
Lachlan Mackinnon, Times Literary Supplement
'The language is marvellously modulated yet stirringly wild. Draycott has carried over into our tamer, tired world a strong, strange sense of how original, gorgeous and natural this old poem can be.' - David Morley, Poetry Review
'When Jane Draycott read, for the first time, sections of her exquisitely modulated translation of the 'Pearl' poem, its echoing character seemed to transport me from one cultural space to another... I came as close to hearing the 'Pearl' poet's voice as I am ever likely to be.' - Stella Halkyard, PN Review 'Draycott's version is compellingly human.'
Lachlan Mackinnon, Times Literary Supplement

Jane Draycott reads 'The Longest Day' (1:00 min) Jane Draycott discusses the title Over (1:10 mins) Jane Draycott reads 'Pass' at Poets and Players (1:44 mins)

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Over Jane Draycott 10% off Paperback Categories: 21st Century, Medieval Imprint: OxfordPoets Publisher: Carcanet Press Available as: Paperback (80 pages) (Pub. Apr 2009) 9781903039922 £9.95 £8.96 eBook (EPUB) Needs ADE! (Pub. Apr 2009) 9781847779373 £9.95 eBook (Kindle) (Pub. Apr 2009) 9781847779380 £9.95 To use the EPUB version, you will need to have Adobe Digital Editions (ADE) installed on your device. You can find out more at https://www.adobe.com/uk/solutions/ebook/digital-editions.html. Please do not purchase this version if you do not have and are not prepared to install, Adobe Digital Editions. Or, buy the Kindle version directly from Amazon Description Excerpt Author Contents Reviews Audio It's midnight. She enters the water the forest of sharp-bladed coral the fruit which is not what it seems. It's midnight she's leaving she's leaving the Hotel of Dreams. from 'Juliet' by Jane Draycott Over, Jane Draycott's third book, takes its title from a sequence of twenty-six poems based on the international phonetic alphabet: Alpha, Bravo, Charlie, Delta... In these and other pieces Draycott creates a world of echoing voices and reflections. She evokes the mirrors and doorways, dreams and night-time journeys that transform the familiar: entrances into a different reality. Over explores liminal places where ocean meets land, land drops to ravine, lives intersect in piazzas. The poems cross thresholds between what is finished and what is 'not over yet', between present and past and, in an extract from her new translation of the medieval dream-vision Pearl, between a sunlit garden and the mysterious landscape of the world to come. Contents Sky man The Square The Girls' Book of Model-Making In the same way Pass We would like you to listen Concourse The Longest Day Ashburnham House Turquoise After the Meal All this was fields Night Museum The Fair Miles Mass Observation Quay Street Island Opera Express Eldorado The Funeral of Queen Victoria Lookout Mountain All that we have from Pearl Return to Relleu Picnic Technique Door Wayzgoose The Hired Boat Over Alpha Bravo Charlie Delta Echo Foxtrot Golf Hotel India Juliet Kilo Lima Mike November Oscar Papa Quebec Romeo Sierra Tango Uniform Victor Whiskey X-ray Yankee Zulu Jane Draycott was born in London in 1954 and studied at King’s College London and Bristol University. Her first full collection, Prince Rupert’s Drop (Carcanet/Oxford Poets ), was shortlisted for the Forward Prize for Best Collection in 1999. In 2002 she was the winner of the Keats-Shelley Prize for Poetry and ... read more Praise for Jane Draycott 'A host of subtle and spellbinding effects, testament to Dryacott's skill as a poet as well as her grasp of grief's physcological realities' Theophilus Kewk, The North 'Draycott uses the language of dreams to make the quotidian illusionary, like a vapour captured in lexicon. Sleeplessness haunts the collection... Homeliness is pushed, just, over to Freud's unhomely conclusions. The dream world, enticing and enlightening as he might have it to be, proves no more accommodating than our own.' Lucy Cheseldine, STAND 'Her searching curiosity and wonderful assurance make her an impeccable and central poetic intelligence.' Penelope Shuttle, Manhattan Review 'When Jane Draycott read, for the first time, sections of her exquisitely modulated translation of the 'Pearl' poem, its echoing character seemed to transport me from one cultural space to another... I came as close to hearing the 'Pearl' poet's voice as I am ever likely to be.' - Stella Halkyard, PN Review 'Draycott's version is compellingly human.' Lachlan Mackinnon, Times Literary Supplement 'I've waited some time to read something this intelligent, this sensuous and this crystalline. In fact The Night Tree is the finest collection I've read for ages.' Guardian 'The language is marvellously modulated yet stirringly wild. Draycott has carried over into our tamer, tired world a strong, strange sense of how original, gorgeous and natural this old poem can be.' David Morley, Poetry Review 'Draycott's version is compellingly human.' Lachlan Mackinnon, Times Literary Supplement 'Draycott's version is compellingly human.' Lachlan Mackinnon, Times Literary Supplement 'When Jane Draycott read, for the first time, sections of her exquisitely modulated translation of the 'Pearl' poem, its echoing character seemed to transport me from one cultural space to another... I came as close to hearing the 'Pearl' poet's voice as I am ever likely to be.' - Stella Halkyard, PN Review 'Draycott's version is compellingly human.' Lachlan Mackinnon, Times Literary Supplement 'The language is marvellously modulated yet stirringly wild. Draycott has carried over into our tamer, tired world a strong, strange sense of how original, gorgeous and natural this old poem can be.' - David Morley, Poetry Review 'When Jane Draycott read, for the first time, sections of her exquisitely modulated translation of the 'Pearl' poem, its echoing character seemed to transport me from one cultural space to another... I came as close to hearing the 'Pearl' poet's voice as I am ever likely to be.' - Stella Halkyard, PN Review 'Draycott's version is compellingly human.' Lachlan Mackinnon, Times Literary Supplement Jane Draycott reads 'The Longest Day' (1:00 min) Jane Draycott discusses the title Over (1:10 mins) Jane Draycott reads 'Pass' at Poets and Players (1:44 mins) You might also be interested in: The Invisible Kings David Morley	Share this... Quick Links Carcanet Celebrates 50 Years! Anvil Press Poetry Aspects of Portugal Carcanet Classics Carcanet Fiction Carcanet Film Carcanet Poetry FyfieldBooks Lintott Press Little Island Press Lives and Letters OxfordPoets PN Review Sheep Meadow Press The Carcanet Blog A Homeric Convention: Robert Wells read more Forty Names: Parwana Fayyaz read more Gregory Woods: Under the Bonnet read more PNR 259: Editorial read more Emily Skillings: Wicked Weather read more About Mother Muse: Lorna Goodison read more
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