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Mina Gorji

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Books by this author: Art of Escape
  • About
  • Reviews
  • Mina Gorji was born in Tehran and grew up in London. She lives in Cambridge where she is a lecturer in the English Faculty, Cambridge and a fellow of Pembroke College. Her published work includes a study of John Clare, and essays on awkwardness, mess, weeds and rudeness. Her poems have appeared, among other places, in Magma, PN Review, London Magazine and The International Literary Quarterly.
    Praise for Mina Gorji 'With these luminous, tender, yet tough poems and prose pieces Mina Gorji is building a place of safety - for herself, her family, her readers, and all those who are wandering and uprooted; her poetic methods take their cue from the many marvellous creatures she evokes and the multiple protective measures they adopt - nests, camouflage, mimicry, display. Above all, language can help create shelter. As she writes in the poem called 'Kamasutra (the subsidiary arts)', skills with words are 'arts of love'.'
    Marina Warner
    'Here are poems of unsparing clarity, inward, unflinching, each one an acute canticle of remembrance. Together, they form a choral work magnifying the small and the seemingly insignificant, whether that is the lives of insects and plants, or in another key, the emigrant's journey from Iran to England, all are brought into intense focus. These mighty little songs, not at ease with the ongoing injustices of our imperial culture, refuse despair. They refuse by inventing forms of escape. The collection affirms the imagination is the place of moral grace. Art of Escape marks the beginning of a splendid new voice in British poetry.'
    Ishion Hutchinson
    'Mina Gorji's poems take small, careful steps over a treacherous terrain, securing their meanings with steady intent. 'When danger looms / it imitates the reeds' she says of the bittern. Deceptively straightforward statement mingles with natural lore and observation to create complex, delicate structures. Her creatures are too autonomous to be parables and yet they share a threatened exilic space with human culture. Protective coloration, ink, quill, spine and 'armament of shell': the poems themselves assume the curious shapes necessary for their survival.'
    Jamie Mckendrick
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