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Rory Waterman
- About
- Reviews
- Awards
Rory Waterman was born in Belfast in 1981, grew up in rural Lincolnshire, and lives in Nottingham, where he is Senior Lecturer in English at Nottingham Trent University. His first collection of poetry, Tonight the Summer's Over, was a Poetry Book Society Recommendation and was shortlisted for the Seamus Heaney Prize. His second, Sarajevo Roses, was shortlisted for the Ledbury Forte Prize for second collections. He is also the editor of W.H. Davies, The True Traveller and the author of several books on modern poetry. You can find out more about Rory and his work at www.rorywaterman.com.
'Rory Waterman's three collections, from Tonight the Summer's Over, through Sarajevo Roses and on to Sweet Nothings, demonstrate the progressive strengthening and broadening of his writing (a development without renunciation of previous work) alongside the absorbing of influences into a method and approach that are unique in contemporary UK poetry. His achievement has been to take two terms - belonging and estrangement - that had highly personal ramifications, and expand them into a coherent and cohesive vision, inviting his readers to ponder their own roles in their lives. This is a poet who's approaching the height of his powers.'
Matthew Stewart, Wild Court
'Very few poets can bring to the lives of others the same devout attention we tend to bestow upon ourselves: Rory Waterman is just such a poet. Whether their site of meditation is an abandoned colliery or a much-marketed urban vista, the exquisite lyrics of Sarajevo Roses are imbued with mindfulness. Suppleness of poetic line matches suppleness of spirit.'
Judges, Ledbury Forte Poetry Prize for Second Collection
'Waterman's work extends out and beyond any dangerously neat equations or notions of 'home' and 'self'; with him, it is in the settings of Europe's past and future. The reader visits Iceland, Palma's Bellver Castle, Venice, Krujë, the Italian ghost-town Craco, St Peter's Basilica in Vatican City, and in all the travellings we become more and more aware of the precarious fragility of human 'settlements' in all senses.'
Peter Carpenter, Under The Radar
'Waterman is a fine craftsman and this is a thing most needful in the collection's journeyings through 'industrial dereliction' and the painful re-calibrations of a 'post empire' experience. Re-imaginings of spaces for leisure are met by a poet who is at home with formal variations, rhyme and meter.'
Peter Carpenter, Under the Radar
'The collection is marked by a sense that the world is indifferent to us, both as species and individuals, that time is slippery and fast-moving...For all his often regular metrics and traditional craft, these are not conservative poems... It's a consistently 'political' book.' Declan Ryan, Poetry London
'The world is a slightly better place for the existence of this book. I do not write that lightly.' Peter Pegnall, Ploughshares
'Waterman is at once restrained and assured. He has a fine eye for a poem's architecture, playing with symmetry, taking pleasure in the shape of the page, and he demonstrates a remarkably good ear.'
John Greening
'By just picking his words with an almost scientific exactitude he makes a poem that is meditative and unforced.' The Irish Examiner
'Rory Waterman writes poems of the kind there'll always be a need for poems that require skill to make but don't insist on it, that combine keen-eyed observation and immediately graspable shades of feeling in a memorable way. Waterman's is a very appealing voice, laconic, unillusioned and vulnerable. His world is a recognisable and convincing one, his rueful, sometimes harsh sincerity is palpable, and he deserves to be read by anyone to whom these things still matter.' Alan Jenkins
Awards won by Rory Waterman
Short-listed, 2014 Seamus Heaney Award (Tonight the Summer's Over)
Commended, 2014 Poetry Book Society Recommendation (Tonight the Summer's Over)
Short-listed, 2019 The Ledbury Forte Poetry Prize for Second Collections (Sarajevo Roses)
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