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Oli Hazzard

A portrait photo of Oli Hazzard
Books by this author: Blotter Between Two Windows
  • About
  • Reviews
  • Oli Hazzard is the author of Between Two Windows, for which he received the Michael Murphy Memorial Prize and a 2013 Eric Gregory Award. He teaches at the University of St Andrews.
    Praise for Oli Hazzard 'He has a musical ear, so there's randomness in the generation, but its composition bears careful listening to.'
    Jeremy Noel-Tod, The Sunday Times, Twelve poets to read now

    '€˜A beautiful, bracing book of surprising, absorbing itineraries, Blotter takes brilliant soundings of linguistic pools and discursive surrounds. These astonishing, seductive sequences explore "€œhow time is layered / into the paint"€. Hazzard is a formidably inventive poet; he is also a generous, playful, inviting one. He abolishes the distance between the conceptual and the lyrical, updating Wordsworth'€™s "€œselection of the real language of men"€ for our GPS moment. His sequences bespeak their compositional procedures but also something irreducibly else: the poet in and of the hinge, the gap, the step, the scroll, the click, the synapse -€” a shaping and shaped tender intelligence. Like the most ambitious works of any era, Hazzard’s poems create their own occasions and terms. They invite us to enter new fields, to go skying toward new horizons, to sense a lover’s touch, to hear both "€œa lullaby"€ and "€œthe shocking truth"€.'€™
    Maureen N. McLane
    'Haunting, hilarious, exquisitely inventive, Between Two Windows is a brilliant first collection by one of the brightest young stars in the poetic firmament.'
    Mark Ford
     'Oli Hazzard brilliantly conveys the experience of experiencing; although his observations are hyper-real, he seems always to be questioning -- and to be making us question -- whether they are sufficiently 'like' ... His work perfectly exemplifies Touchstone's saying that the truest poetry is the most feigning.'
    Jane Griffiths
    'Between Two Windows by Oli Hazzard is impressive in its formal assuredness and confidence of tone, all the while questioning what poetry is and does.'
    Adam Newey, Guardian
    'Hazzard's gift lies in making the unusual seem aphoristic, turning words on their heads to shock an unsuspecting reader.'
    The Economist
    '...both funny and touching. It is his flair for phrases that catch one's breath that has stood Oli Hazzard in good stead.' The Literateur 'Reminiscent of early, difficult Auden... [Hazzard] belies the notion that today's young poets are working in a cutesy, self-contained bubble.'
    Dai George, Poetry Wales
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