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Matthew Welton

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  • Matthew Welton's poems take a playful approach to language and often blur the boundaries between poetry and other forms, such as fiction, music and visual art.

    His three previous Carcanet books are: The Book of Matthew (2003), We needed coffee but we'd got ourselves convinced that the later we left it the better it would taste, and, as the country grew flatter and the roads became quiet and dusk began to colour the sky, you could guess from the way we retuned the radio or unfolded the map and commented on the view that the tang of determination had overtaken our thoughts, and when, fidgety and untalkative but almost home, we drew up outside the all-night restaurant, it felt like we might just stay in the car, listening to the engine and the gentle sound of the wind (2009) and The Number Poems (2016).

    Matthew Welton was born in Nottingham, lives in Nottingham, and teaches creative writing at the University of Nottingham.


    Author photo credit: Jack Tinney
    Praise for Matthew Welton 'There's a melancholy undertow to his humour: taken together, these poems come to feel like glimpses into the Eleanor Rigby-ish private lives of all the lonely people, as they sit at home, playing with peanut shells, drawing on the walls, lost in tangled thoughts, doing nothing.'

    Tristram Fane Saunders, The Telegraph

    'Welton's tuning-fork sentences make small things sing with precise beauty'
    Jeremy Noel-Tod, The Sunday Times
    'I'm also eagerly awaiting the publication of The Book Of Matthew by Matthew Welton but I'll have to wait until September. He's a poet who has consistently (but slowly) produced some stunningly beautiful work - but this is his first complete book.'
    Dave Gorman, The Observer
    'I think this is the first poetry book I've recommended, but it's just stunning and deserves far wider recognition. While there's a playfulness and a lightness of touch to the writing it also left me feeling that every single word was in exactly the right place. Beautiful.'
    Dave Gorman
    'It arrives with a unique and distinct sensibility; his poems create their own evocative and elusive worlds. There is a kind of relaxed quizzical sensuality running throughout, an easy, compelling confidence.'
    Guardian
    'It arrives with a unique and distinct sensibility; his poems create their own evocative and elusive worlds. There is a kind of relaxed quizzical sensuality running throughout, an easy, compelling confidence.'
    The Guardian
    'You're unlikely to read anything like it . . . poems are rarely so curious, precise and committed to their enquiry.'
    Jack Underwood
     'A poet who has consistently produced some stunningly beautiful work.'
    Dave Gorman, the Observer

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