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Gabriel Josipovici

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  • Gabriel Josipovici was born in Nice in 1940 of Russo-Italian, Romano-Levantine parents. He lived in Egypt from 1945 to 1956, when he came to Britain. He read English at St Edmund Hall, Oxford, graduating with a First in 1961. From 1963 to 1998 he taught at the University of Sussex. He is the author of sixteen novels, three volumes of short stories, eight critical works, and numerous stage and radio plays, and is a regular contributor to the Times Literary Supplement. His plays have been performed throughout Britain and on radio in Britain, France and Germany, and his work has been translated into the major European languages and Arabic. In 2001 he published A Life, a biographical memoir of his mother, the translator and poet Sacha Rabinovitch (London Magazine editions). His most recent works are Two Novels: 'After' and 'Making Mistakes' (Carcanet), What Ever Happened to Modernism? (Yale University Press) and Heart's Wings (Carcanet, 2010)

    Carcanet publish his novels and fictions Contre-Jour (1986), In the Fertile Land (1987), Steps (1990), The Big Glass (1991), In a Hotel Garden (1993) and Moo Pak (1995) and his essays Text and Voice (1993). His most recent novels are Goldberg: Variations (Carcanet, 2001) and Only Joking (Zweitausendeins, Germany, 2005). In 2006 Carcanet published a collection of his essays, The Singer on the Shore and his novel Everything Passes.


    'Gabriel Josipovici is one of the outstanding writers and critics of the post-war period.'
    David Herman, The Jewish Chronicle
    'Josipovici's best fiction has always been able to turn silence and reticence into powerful emotions, producing stories of pain and sadness. Contre-Jour is Josipovici at his very best.'
    David Herman, The Jewish Chronicle
      'The Cemetery in Barnes, though outwardly modest, expands in the mind and then lingers there - a tribute to its author's rejection of the need to explain, his willingness to hint at all the ways in which life is a "labyrinth" without trying to say the last word about any of them.'
    Leo Robson, The New Statesman
    'The Cemetery in Barnes is a subtle, disturbing meditation on death and desire, on murder, suicide and arson glimpsed, as it were, out of the corner of the eye; an examination of a life lived in three locations and told - the cue being taken from Monteverdi's Orfeo - in three interweaving voices, whose total effect has the disturbing power of a bad dream.'
    Nick Lezard, Goldsmiths Prize Judge
      'I do not think there is any writer working in English at present who is more subtly inventive and more original.'
    Tales from the Reading Room
    'One of the very best writers now at work in the English language.'
    Guardian
     'I am a constant admirer of his talent and intellect.' Dame Muriel Spark
    Awards won by Gabriel Josipovici Long-listed, 2019 The Republic of Consciousness Prize (The Cemetery in Barnes) Short-listed, 2018 The Goldsmiths Prize (The Cemetery in Barnes)
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