Carcanet Press - Sasha Dugdale

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Sasha Dugdale is a poet and translator. She has published five collections with Carcanet. Deformations, her most recent collection, was shortlisted for the 2020 T. S. Eliot and Derek Walcott Prizes. Joy (2017) was a Poetry Book Society Choice and the title poem was awarded the Forward Prize for Best Single Poem of 2016. Her sixth collection The Strong Box is forthcoming from Carcanet. Her translations for theatre include Bad Roads by Ukrainian Natalya Vorozhbit, produced by the Royal Court Theatre in 2017, and The Grainstore by Natalya Vorozhbit, produced by the Royal Shakespeare Company in 2009. She has published numerous translations of Russian women’s writing. The most recent of these, Maria Stepanova’s novel In Memory of Memory (Fitzcarraldo, 2021), was shortlisted for the International Booker Prize, the Weidenfeld Prize, Warwick Prize for Women in Translation and the James Tait Black Memorial Prize. Dugdale won the MLA Lois Roth Award for this translation. She is former editor of Modern Poetry in Translation and a Fellow of the Royal Society of Literature

'The brutality and the beauty are left to stand in uncomfortable juxtaposition in poems which repeatedly situate themselves in scenes of ambiguous feeling... This is the poetry of "endless small tracks", richly attuned to balance alternative perspectives and reconcile contrarious trajectories in its tiniest details'

Joseph Turner, Oxford Review of Books

'Dugdale is the real thing.'

Tristram Fane Saunders, Telegraph

'Deformations has the ability to change the landscape of how we talk about abuse and trauma'

Rachel Long, Observer Books of the Year 2020

'With it's spare, muscular language, Deformations views our distorting predilection for myth-making with no nonsense clarity'

John Field, T.S. Eliot Prize

'This is sly, subtle, elliptical work, entrapping both subject and reader in something queasily human [...] It's the sign of a poet utterly in control of her gifts. This may seem a strange thing to say about a book so filled with unreliable narrators, but in Deformations Dugdale proves hers is a voice you can trust.'

Tristram Fane Saunder, The Telegraph, where Deformations was Poetry Book of the Month (September 2020)

'This is writing that flows with many voices, with uncompromising acts of ethical energy, with writing that turns on itself and offers up for display its own protocols, gifts and virtù with astonishing and intricate candour and difficulty, and yet communicated in this tour de force plainstyle that judges its signifying powers to represent at the same time as breaking through, by way of its very deformation of tradition and assumption, to a moving communicableness of shared witness'

Adam Piette, Blackbox Manifold

'Joy... is a free-wheeling and beautifully sustained portrait of grief and the truths it can convey.'
Sarah Westcott, Artemis Poetry

'Dugdale's skill at form is directed at containing the uncontainable death and absence which allows us to handle them, like examining insects trapped in amber'

Lisa Kelly, Magma Poetry Review 71

'These compelling stories of strange happenings in an almost imperceptibly strange style make your mind understand foreignness as our process. Sasha Dugdale is a wise bard and her book is a civilising read.'
Claire Crowther in The Poetry Review
'The categories of age, empire and (particularly) gender are shown to set unjust limits on human flourishing, and on what histories can be told. Yet Dugdale emphasises that, when oppressed subjects are allowed to express themselves, their stories might still be of willed sacrifice and genuine happiness.'
Poetry London
'Sometimes you read a work that is so clearly deserving of the accolades it's received that it restores your faith in things. Sasha Dugdale's 'Joy' is such a work.'
The Poetry School
'...a beguiling and unusual debut, its best poems at once elusive, satisfying and likely to go on being read.'
Sean O'Brien, Times Literary Supplement 'Addictive writing, compelling and tender.'
Malika Booker My favourite collection this year is Sasha Digdale's 'Red House' (Carcanet Oxford Poets). I like how she has infused her British sensibility with the passion and abandon of Russian poets like Anna Akhmatova and Marina Tssvetaeva, whom she has previously translated.
Kathryn Maris, Timeout Magazine Best of 2011
'The sensibility The Estate reveals is intelligent and wry - as well as highly original'
Fiona Sampson, Tower Poetry 'Notebook is a beguiling and unusual debut, its best poems at once elusive, satisfying and likely to go on being read.'
Times Literary Supplement

Awards won by Sasha Dugdale Short-listed, 2021 The Derek Walcott Poetry Prize
(Deformations) Short-listed, 2020 T.S. Eliot Prize (Deformations) Winner, 2017 The Poetry Book Society Winter Choice Award (Joy) Winner, 2017 SOA Cholmondeley Award Winner, 2016 Forward Prize for Best Single Poem (for 'Joy') Winner, 2003 Eric Gregory Award

Sasha Dugdale (5 March 2012)
From Five Carcanet Poets reading at Shakespeare and Company, Paris (5 March 2012)

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Sasha Dugdale Books by this author: The Strongbox Deformations Joy Red House The Estate Notebook About Reviews Awards Gallery Sasha Dugdale is a poet and translator. She has published five collections with Carcanet. Deformations, her most recent collection, was shortlisted for the 2020 T. S. Eliot and Derek Walcott Prizes. Joy (2017) was a Poetry Book Society Choice and the title poem was awarded the Forward Prize for Best Single Poem of 2016. Her sixth collection The Strong Box is forthcoming from Carcanet. Her translations for theatre include Bad Roads by Ukrainian Natalya Vorozhbit, produced by the Royal Court Theatre in 2017, and The Grainstore by Natalya Vorozhbit, produced by the Royal Shakespeare Company in 2009. She has published numerous translations of Russian women’s writing. The most recent of these, Maria Stepanova’s novel In Memory of Memory (Fitzcarraldo, 2021), was shortlisted for the International Booker Prize, the Weidenfeld Prize, Warwick Prize for Women in Translation and the James Tait Black Memorial Prize. Dugdale won the MLA Lois Roth Award for this translation. She is former editor of Modern Poetry in Translation and a Fellow of the Royal Society of Literature 'The brutality and the beauty are left to stand in uncomfortable juxtaposition in poems which repeatedly situate themselves in scenes of ambiguous feeling... This is the poetry of "endless small tracks", richly attuned to balance alternative perspectives and reconcile contrarious trajectories in its tiniest details' Joseph Turner, Oxford Review of Books 'Dugdale is the real thing.' Tristram Fane Saunders, Telegraph 'Deformations has the ability to change the landscape of how we talk about abuse and trauma' *Rachel Long, Observer* Books of the Year 2020** 'With it's spare, muscular language, Deformations views our distorting predilection for myth-making with no nonsense clarity' John Field, T.S. Eliot Prize 'This is sly, subtle, elliptical work, entrapping both subject and reader in something queasily human [...] It's the sign of a poet utterly in control of her gifts. This may seem a strange thing to say about a book so filled with unreliable narrators, but in Deformations Dugdale proves hers is a voice you can trust.' *Tristram Fane Saunder, The Telegraph, where Deformations was Poetry Book of the Month (September 2020)* 'This is writing that flows with many voices, with uncompromising acts of ethical energy, with writing that turns on itself and offers up for display its own protocols, gifts and virtù with astonishing and intricate candour and difficulty, and yet communicated in this tour de force plainstyle that judges its signifying powers to represent at the same time as breaking through, by way of its very deformation of tradition and assumption, to a moving communicableness of shared witness' Adam Piette, Blackbox Manifold 'Joy... is a free-wheeling and beautifully sustained portrait of grief and the truths it can convey.' Sarah Westcott, Artemis Poetry 'Dugdale's skill at form is directed at containing the uncontainable death and absence which allows us to handle them, like examining insects trapped in amber' Lisa Kelly, Magma Poetry Review 71 'These compelling stories of strange happenings in an almost imperceptibly strange style make your mind understand foreignness as our process. Sasha Dugdale is a wise bard and her book is a civilising read.' Claire Crowther in The Poetry Review 'The categories of age, empire and (particularly) gender are shown to set unjust limits on human flourishing, and on what histories can be told. Yet Dugdale emphasises that, when oppressed subjects are allowed to express themselves, their stories might still be of willed sacrifice and genuine happiness.' Poetry London 'Sometimes you read a work that is so clearly deserving of the accolades it's received that it restores your faith in things. Sasha Dugdale's 'Joy' is such a work.' The Poetry School '...a beguiling and unusual debut, its best poems at once elusive, satisfying and likely to go on being read.' Sean O'Brien, Times Literary Supplement 'Addictive writing, compelling and tender.' Malika Booker My favourite collection this year is Sasha Digdale's 'Red House' (Carcanet Oxford Poets). I like how she has infused her British sensibility with the passion and abandon of Russian poets like Anna Akhmatova and Marina Tssvetaeva, whom she has previously translated. Kathryn Maris, Timeout Magazine Best of 2011 'The sensibility The Estate reveals is intelligent and wry - as well as highly original' Fiona Sampson, Tower Poetry 'Notebook is a beguiling and unusual debut, its best poems at once elusive, satisfying and likely to go on being read.' Times Literary Supplement Awards won by Sasha Dugdale Short-listed, 2021 The Derek Walcott Poetry Prize (Deformations) Short-listed, 2020 T.S. Eliot Prize (Deformations) Winner, 2017 The Poetry Book Society Winter Choice Award (Joy) Winner, 2017 SOA Cholmondeley Award Winner, 2016 Forward Prize for Best Single Poem (for 'Joy') Winner, 2003 Eric Gregory Award Sasha Dugdale (5 March 2012) From Five Carcanet Poets reading at Shakespeare and Company, Paris (5 March 2012) Sasha Dugdale (5 March 2012) From Five Carcanet Poets reading at Shakespeare and Company, Paris (5 March 2012)	Share this... Quick Links Carcanet Poetry Carcanet Classics Carcanet Fiction Carcanet Film Lives and Letters PN Review Video Carcanet Celebrates 50 Years! The Carcanet Blog Sea-Fever: John Masefield read more Poems, Stories and Writings: Margaret Tait read more Selected and New Poems: John F. Deane read more Child Ballad: David Wheatley read more Hell, I Love Everybody: James Tate read more PN Review 273: Editorial read more
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