Carcanet Press - Sasha Dugdale

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Sasha Dugdale has published six collections with Carcanet. The Strongbox is her most recent book (May, 2024).

Her fifth collection Deformations was shortlisted for the 2020 T. S. Eliot Prize and Derek Walcott Prize. Joy (2017) was a Poetry Book Society Choice and the title poem was awarded the Forward Prize for Best Single Poem 2016.

Her recent translations for theatre include Bad Roads and The Grainstore by Ukrainian playwright Natalya Vorozhbit, for production by the Royal Court Theatre and Royal Shakespeare Company.

She has published numerous translations of Russian-language women’s writing. The most recent of these, Maria Stepanova’s novel In Memory of Memory (Fitzcarraldo, 2021), was shortlisted for the International Booker Prize, the Weidenfeld Prize, Warwick Prize for Women in Translation and the James Tait Black Memorial Prize. Dugdale won the MLA Lois Roth Award for this translation. A new collection by Maria Stepanova Holy Winter is forthcoming from Bloodaxe (UK) and New Directions (US) in 2023.

She is former editor of Modern Poetry in Translation, and a Fellow of the Royal Society of Literature.

'I found myself transported, buttonholed by a series of narrators as compelling as any Ancient Mariner... How to show a fight without being drawn into fighting and taking sides is one of the questions posed by The Strongbox. How to write about violence and conflict, especially in war? Weakening dualities through a process of dispersal - splitting and multiplying examples of abduction, for example (the figure of Helen/not Helen, hints of Persephone, and at the end (more hopeful), a version of Europa) - could be one strategy. Another could be to draw attention to the odd ones out.'

Anna Reckin, Long Poem Magazine

'Such philosophical questions can only be asked sparingly. Another poet might have tried to unify the disparate parts of this collection by deploying more of them, but it's good that Dugdale didn't. There can only be a few echoes before a poem becomes lost in its own reverberating cave. It's this restraint and carefulness that makes Dugdale's work as strong as its title.'

Lucy Thynne, The Telegraph

'Dugdale is the real thing.'

Tristram Fane Saunders, Telegraph

'Addictive writing, compelling and tender.'
Malika Booker

Awards won by Sasha Dugdale Short-listed, 2021 The Derek Walcott Poetry Prize
(Deformations) Short-listed, 2020 T.S. Eliot Prize (Deformations) Winner, 2017 The Poetry Book Society Winter Choice Award (Joy) Winner, 2017 SOA Cholmondeley Award Winner, 2016 Forward Prize for Best Single Poem (for 'Joy') Winner, 2003 Eric Gregory Award

Sasha Dugdale (5 March 2012)
From Five Carcanet Poets reading at Shakespeare and Company, Paris (5 March 2012)

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Sasha Dugdale Books by this author: The Strongbox Deformations Joy Red House The Estate Notebook About Reviews Awards Gallery Sasha Dugdale has published six collections with Carcanet. The Strongbox is her most recent book (May, 2024). Her fifth collection Deformations was shortlisted for the 2020 T. S. Eliot Prize and Derek Walcott Prize. Joy (2017) was a Poetry Book Society Choice and the title poem was awarded the Forward Prize for Best Single Poem 2016. Her recent translations for theatre include Bad Roads and The Grainstore by Ukrainian playwright Natalya Vorozhbit, for production by the Royal Court Theatre and Royal Shakespeare Company. She has published numerous translations of Russian-language women’s writing. The most recent of these, Maria Stepanova’s novel In Memory of Memory (Fitzcarraldo, 2021), was shortlisted for the International Booker Prize, the Weidenfeld Prize, Warwick Prize for Women in Translation and the James Tait Black Memorial Prize. Dugdale won the MLA Lois Roth Award for this translation. A new collection by Maria Stepanova Holy Winter is forthcoming from Bloodaxe (UK) and New Directions (US) in 2023. She is former editor of Modern Poetry in Translation, and a Fellow of the Royal Society of Literature. 'I found myself transported, buttonholed by a series of narrators as compelling as any Ancient Mariner... How to show a fight without being drawn into fighting and taking sides is one of the questions posed by The Strongbox. How to write about violence and conflict, especially in war? Weakening dualities through a process of dispersal - splitting and multiplying examples of abduction, for example (the figure of Helen/not Helen, hints of Persephone, and at the end (more hopeful), a version of Europa) - could be one strategy. Another could be to draw attention to the odd ones out.' Anna Reckin, Long Poem Magazine 'Such philosophical questions can only be asked sparingly. Another poet might have tried to unify the disparate parts of this collection by deploying more of them, but it's good that Dugdale didn't. There can only be a few echoes before a poem becomes lost in its own reverberating cave. It's this restraint and carefulness that makes Dugdale's work as strong as its title.' Lucy Thynne, The Telegraph 'Dugdale is the real thing.' Tristram Fane Saunders, Telegraph 'Addictive writing, compelling and tender.' Malika Booker Awards won by Sasha Dugdale Short-listed, 2021 The Derek Walcott Poetry Prize (Deformations) Short-listed, 2020 T.S. Eliot Prize (Deformations) Winner, 2017 The Poetry Book Society Winter Choice Award (Joy) Winner, 2017 SOA Cholmondeley Award Winner, 2016 Forward Prize for Best Single Poem (for 'Joy') Winner, 2003 Eric Gregory Award Sasha Dugdale (5 March 2012) From Five Carcanet Poets reading at Shakespeare and Company, Paris (5 March 2012) Sasha Dugdale (5 March 2012) From Five Carcanet Poets reading at Shakespeare and Company, Paris (5 March 2012)	Share this... Quick Links Carcanet Poetry Carcanet Classics Carcanet Fiction Carcanet Film Lives and Letters PN Review Video Carcanet Celebrates 50 Years! The Carcanet Blog Why Are You Shouting?: James Womack read more Sidetracks: Bei Dao, translated by Jeffrey Yang read more Polkadot Wounds: Anthony (Vahni) Capildeo read more Ambush at Still Lake: Caroline Bird read more On a New Blue Poets Plaque: E.J. Scovell by Michael Schmidt read more Mary O'Malley: The Shark Nursery read more
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