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Trouble Came to the Turnip
ISBN: 978 1 857548 87 7
Imprint: Carcanet Poetry
Published: September 2006
216 x 135 x 10 mm
Publisher: Carcanet Press
Also available in: eBook (EPUB), eBook (Kindle)
When trouble came to the village
I put my love in the cabbage-cart
and we rode wrapped in cabbage
to the capital.
from 'Trouble Came to the Turnip'
Following Looking Through Letterboxes, her first collection (2002), Caroline Bird was acclaimed as a vivid and precocious new talent. Trouble Came to the Turnip confirms her originality as she strikes out again in new directions, taking nothing for granted. Her poems are ferociously vital, fantastical, sometimes violent, almost always savagely humorous and self-mocking. Caroline Bird's world is inhabited by failed and (less often) successful relationships, by the dizzying crisis of early adulthood, by leprechauns and spells and Miss Pringle's seven lovely daughters waiting to spring out of a cardboard cake. And the turnip.
Trouble Came to the Turnip
The World is not Made for Frogs
Our Lollipop Lady
This Time Last Week
An Opera in One Act
Put Your Earmuffs on Your Eyes
Love Has Arrived
The Softness of the Morning
The Leprechaun Thinks It Matters
A Gentlewoman’s Pornography
Good Friday Outside Barcelona Cathedral
My Love Made Me a Hat
Sugar Pot Shakedown
Shortfall of Water
Let the People Starve
My Lovely Legless Acrobat
Mermaids in My Coffee
The Choirboy Brothers
The Fairy Is Bored with Her Garden
Chant and be Happy
Talent to Talent
The Lady with the Lamp
And a Touch of Dried Peppermint
Moving on a Midnight Train
Let’s Write Another Poem
It Will Come to Pass
Not Like This
A Seasonal Surprise for Miss Pringle
This Bar Is Full of Octopuses
The Mistress of the House
Not a Raindrop
Extracts from an Archive Recently Discovered in a School Wastepaper Bin
Where is all the Mist?
Ode to a Cubicle
I Fell in Love with a Crooner
Chaining Bikes To This Girl Is Strictly Prohibited
A Bewitchment to Revive a Lustreless Relationship.
You Had a Latin Lesson
All Things Yellow
A Sunny Day on Earth
Awards won by Caroline Bird Commended, 2004 Christopher Tower Poetry Prize Winner, 2000 Simon Elvin Young Poet of the Year Award Winner, 1999 Simon Elvin Young Poet of the Year Award Winner, 2002 Eric Gregory Award Winner, 2004 Peterloo Poets Competition (16-19 year-olds) Winner, 2003 Peterloo Poets Competition (16-19 year-olds) Winner, 2002 Peterloo Poets Competition (16-19 year-olds) Short-listed, 2001 Geoffrey Dearmer Prize Short-listed, 2008 Dylan Thomas Prize for young writers
Praise for Caroline Bird 'Her poems burst with linguistic energy.'
Stephen Knight, Times Literary Supplement 'An astonishingly assured piece of work.'
Ruth Padel, Financial Times 'What an original captivating and spellbinding voice. Bird is fearless like 'the girl who dropped her ice-cream down a volcano and leaped in after it'. Sheâs dangerous and witty too with a rare quality of imagination. This is a wonder, a beautifully written book of poems.'
'A carnival of characters spills out of these poems, chased by paparazzi, doing somersaults and cartwheels with language... Caroline Bird puts us on the inside looking deeper in, under the glittering skin to the place where laughter begins, where mothers are children, where people feel pain and speak in tongues, where tongues are knives and "Someone still has to stay here and die".'
Imtiaz Dharker 'Caroline Bird has always written wise, bitterly funny and intellectually bracing poems.What has developed over the course of four collections is a voice heartbreaking in vision while simultaneously consoling in its constant and inspired invention.'
Luke Kennard 'Bird is irrepressible; she simply explodes with poetry. The work erupts, spring-loaded, funny, sad, deadly - you don't know if a bullet will come out of the barrel or a flag with the word BANG on it.'
Simon Armitage 'Her poems burst with linguistic energy, and the book is profligate with striking lines and images.'
Times Literary Supplement
'The tone fuses knowing innocence and integrity; some poems are faux naif with a ballad lilt, others are sad, funny surreal; all are studded with fresh imaginative insights.'
Ruth Padel, Financial Times
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