Carcanet Press - Quick Question

Description
Author
Contents
Reviews

In Quick Question John Ashbery extends an invitation to readers to accompany him into the extraordinary worlds of the everyday, experienced through the box of tricks that is language. He revels in twist and transformation, the constant mutability of words and things: ‘Whatever stops playing is the enemy of the incomplete’. He can stop us in our tracks with the accuracy of his perception: ‘Somewhere in America someone is trying to figure out / how to pay for this’. Aware of the paradoxes of his own writing, he teases us with questions: ‘Is it all doggerel and folderol?’ ‘Would I lie to you?’ Either way, his invitation is irresistible: come in, see what happens.

'Quick Question, with the hushed intensity of its music and great lyric beauty, could only be Ashbery.'
Ian Thomson, Financial Times

WORDS TO THAT EFFECT
QUICK QUESTION
THE SHORT ANSWER
CROSS ISLAND
THE ALLEGATIONS
REST AREA
RECENT HISTORY
A VOICE FROM THE FIREPLACE
IN DREAMS I KISS YOUR HAND, MADAME
THE NEW CROWD
IN A LONELY PLACE
MORE RELUCTANT
UNLIKE THE CAMELOPARD
RESISTING ARREST
WHO WERE THOSE PEOPLE
DOUBLE WHOOPEE
LIKE ANY LEAVES
THE COST OF SLEEP
ABSENT AGENDA
UNFIT TO STAND TRIAL
HOW I MET YOU
LAUGHING CREEK
THE QUEEN’ S APRON
HOMELESS HEART
GILDERSLEEVE ON BROADWAY
AUBURN-TINTED FENCES
THIS ECONOMY
FALSE REPORT
NORTHEAST BUILDING
ELECTIVE INIFNITIES
SUBURBAN BURMA
ETUDES SECOND SERIES
PUFF PIECE
SAPS AT SEA
TANGO AND SCHOTTISCHE
THE FOP'S TALE
A MODERN INSTANCE
BELLS II
FEEL FREE
FAR HARBOR
THE BICAMERAL EYEBALL
POEM BEGINNING WITH A LINE
FROM GAMMER GURTON'S NEEDLE
NOT BEYOND ALL CONJECTURE
INSTEAD OF LOSING
LAUNDRY LIST
PALMY
YOU WHAT?
SILENT AUCTION
CARD OF THANKS
MARI VAUDAGE
MARINE SHADOW
"BEYOND ALBANY AND SYRACUSE..."
NEVER TWO WITHOUT THREE
MABUSE'S AFTERNOON
THE RETURN OF FRANK JAMES
FIVE O’CLOCK SHADOW
THE FUTURE OF THE DANCE
WITHAL
IPHIGENIA IN SODUS
BACON GRABBERS
VIEWERS WILL RECALL
POSTLUDE AND PREQUEL
[UNTITLED: "CAN WE START AGAIN?"]

John Ashbery is the author of more than twenty books of poetry, most recently Quick Question (January 2013). He is the recipient of many honours, including the Pulitzer Prize, the National Book Award, and a MacArthur ‘genius’ award. Born in Rochester, New York, he was educated at Harvard and Columbia. In ... read more

Praise for John Ashbery 'Praised as a magical genius, cursed as an obscure joker, John Ashbery writes poetry like no one else.' The Independent 'Great poetry, as T.S. Eliot said, can communicate before it is understood: Ashbery communicates in a way that both pays homage to language and transcends it at the same time.' The Guardian 'John Ashbery's Collected Poems 1956-1987, edited by Mark Ford (Carcanet), was a book I found inexhaustible. Possibly the greatest living English-speaking poet and one of the most prolific, Ashbery takes language to its limits, so that words serve as pointers to shifting experiences that elude description. Containing his masterpiece 'Self-Portrait In A Convex Mirror', one of the most penetrating 20th-century meditations on what it means to be human, this collection succeeded in stirring my thoughts as well as delighting me.' John Gray The Guardian Books Of The Year 2010 'The language of [John Ashbery's] books is informed by his roving enthusiasms for particular composers. His tastes are both eclectic and out-of-the-way.'- Michael Glover, 'A blue rinse for the language,' The Independent, 13 November, 1999 'The careering, centrifugal side of Girls on the Run is one of its most effective tools in creating its special ainbience of good-humoured menace ... Ashbery has made the slush of signification, the realm where words slip, slide, perish and decay, uniquely his own.' - David Wheatley, Times Literary Supplement, 30 June, 2000 'In his seventies John Ashbery offers a sprightly and energetic alternative. Instead of being sluggish he demands that the self must be even more alert, more vigilant, more attentive to the world around it, not indifferent to and weary of it. Alert, vigilant, attentive ... Wakefulness, the brilliantly evocative title of Ashbery's collection.' - Stephen Matterson, 'The Capacious Art of Poetry,' Poetry Ireland Review 62, 114 'Harold Bloom regards [John Ashbery] as something akin to a genius...' - Michael Glover, 'The poet as frustrated composer,' Book and Poetry Review section, The Independent, 14 August, 1998 '...Ashbery is still exuberantly dedicated to the truthful rendering of experience as a flow of sensations that defy interpretation. Consciousness is not so much a stream as a series of jump-cuts from one haunting or zany impression to the next. His best poems have a weirdly, intriguingly satisfying quality.' - Alan Brownjohn, 'Creating a sensation,' Book and Poetry Review section, The Sunday Times, 10 January, 1999

'Stemming in part from Mallarme and in part from Whitman, Ashbery's work creates a tension in which the fine networks of linguistic reverie are balanced by the strong sense of American tradition.'- Peter Ackroyd, 'Books of the Year,' The Times Literary Supplement, 4 December, 1992 '...an Ashbery [poem] does not stand on its own but floats off into the reader's limitless consciousness like a balloon. Balloons can be very beautiful, inspire longing and also make you smile.'- Grey Gowrie, 'Where the commonplace is wonderful,' Book and Poetry Review section, The Daily Telegraph, 5 October, 1996 'John Ashbery's distinctiveness as a poet paradoxically resides in his ability to evade all single identities; like Whitman, he feels most fully himself when he contains multitudes ... [Ashbery] deploys a staggering variety of dictions, ranging from fragments of novelettish narratives to lyrical dream-visions, from the cliché of public speech to scraps of surrealist collage...'- Mark Ford, 'Free-wheeling towards the abyss,' Times Literary Supplement, 27 December, 1991 'Notoriously hard to characterise, Ashbery's poetry has been likened to many things - a spiritual experience or an animated cartoon ... No poet's lines are more accommodating to other voices and idioms ... Like restless guests, his subjects arrive and mingle, don unlikely disguises and abruptly announce they are "off on some expedition"...Such poise lends authority to his "positive melancholy," makes even his excesses ... masterly, and ensures that The Ashbery remains the destination of choice, the place "where everything gets unravelled just right."'- Julian Loose, Book and Poetry Review section, The Guardian, 3 November, 1992 'The Mooring of Starting Out is filled with illustrations glimpsed through luminous, funny, formidably intelligent and often heartbreaking poems.'- Andrew Zawacki, 'A wave of music,' Times Literary Supplement, 12 June, 1998 'John Ashbery is probably the most highly regarded living poet in America ... The "story" element in Ashbery comes over in fragmented and non-consequential ways, but the fragments have a strong power of visual evocation, and a startling precision of outline ... His focus is on a bravura artifice, a depersonalised surface crackling with "possibility," a brilliant randomness in which analogy with Action Painting asserts itself with special force...'- Claude Rawson, 'A poet in the postmodern playground,' Times Literary Supplement, 4 July, 1986

Although John Ashberry is perhaps best known for writing some of the twentieth century's greatest long poems - 'The Skaters', 'Fragment' and 'Self-Portrait in a Convex Mirror', to name only three - in recent years America's most capacious poet has worked on a smaller scale, and with a different set of tools; in place of expansive, freewheeling digressions, we are treated to highly charged miniatures typically composed of scraps of everyday speech, reconstituted cliches and allusions to a dizzying array of recondite sources.� read more

With its exhilarating changes in register, its elusive journeys, ambitious vocabulary and, more than anything else, its intoxicating sense of fun, there's a renewed vigour to this latest offering from one of America's most accomplished poets. read more

Quote of the Day Devotedly, unostentatiously, Carcanet has evolved into a poetry publisher whose independence of mind and largeness of heart have made everyone who cares about literature feel increasingly admiring and grateful. Andrew Motion Home Authors Titles Paperback Hardback Limited Edition Journal CD eBook Imprints Aspects of Portugal Audio Books Carcanet Fiction Carcanet Film Carcanet Poetry Comma Press FyfieldBooks Lintott Press Lives and Letters Northern House OxfordPoets PN Review Sheep Meadow Press Information About Us Academic Enquiries Authors For Events Catalogue Contact Us Copyright and Permissions Join Our Mailing List Opportunities at Carcanet Press Enquiries PN Review Shopping Guide Stocklist Submission Guidelines Trade Information Resources Audio Interviews Gallery Reviews Video
Book Search Search > advanced search Subscribe to our mailing list Submit
Quick Question John Ashbery RRP: GBP£ 9.95 Discount: 10% You Save: GBP£ 0.99 Price: GBP£ 8.96 Available Paperback ISBN: 978 1 847772 28 2 Categories: 21st Century, American Imprint: Carcanet Poetry Published: January 2013 88 pages Publisher: Carcanet Press Description Author Contents Reviews In Quick Question John Ashbery extends an invitation to readers to accompany him into the extraordinary worlds of the everyday, experienced through the box of tricks that is language. He revels in twist and transformation, the constant mutability of words and things: ‘Whatever stops playing is the enemy of the incomplete’. He can stop us in our tracks with the accuracy of his perception: ‘Somewhere in America someone is trying to figure out / how to pay for this’. Aware of the paradoxes of his own writing, he teases us with questions: ‘Is it all doggerel and folderol?’ ‘Would I lie to you?’ Either way, his invitation is irresistible: come in, see what happens. '*Quick Question, with the hushed intensity of its music and great lyric beauty, could only be Ashbery.' Ian Thomson, Financial Times* WORDS TO THAT EFFECT QUICK QUESTION THE SHORT ANSWER CROSS ISLAND THE ALLEGATIONS REST AREA RECENT HISTORY A VOICE FROM THE FIREPLACE IN DREAMS I KISS YOUR HAND, MADAME THE NEW CROWD IN A LONELY PLACE MORE RELUCTANT UNLIKE THE CAMELOPARD RESISTING ARREST WHO WERE THOSE PEOPLE DOUBLE WHOOPEE LIKE ANY LEAVES THE COST OF SLEEP ABSENT AGENDA UNFIT TO STAND TRIAL HOW I MET YOU LAUGHING CREEK THE QUEEN’ S APRON HOMELESS HEART GILDERSLEEVE ON BROADWAY AUBURN-TINTED FENCES THIS ECONOMY FALSE REPORT NORTHEAST BUILDING ELECTIVE INIFNITIES SUBURBAN BURMA ETUDES SECOND SERIES PUFF PIECE SAPS AT SEA TANGO AND SCHOTTISCHE THE FOP'S TALE A MODERN INSTANCE BELLS II FEEL FREE FAR HARBOR THE BICAMERAL EYEBALL POEM BEGINNING WITH A LINE FROM GAMMER GURTON'S NEEDLE NOT BEYOND ALL CONJECTURE INSTEAD OF LOSING LAUNDRY LIST PALMY YOU WHAT? SILENT AUCTION CARD OF THANKS MARI VAUDAGE MARINE SHADOW "BEYOND ALBANY AND SYRACUSE..." NEVER TWO WITHOUT THREE MABUSE'S AFTERNOON THE RETURN OF FRANK JAMES FIVE O’CLOCK SHADOW THE FUTURE OF THE DANCE WITHAL IPHIGENIA IN SODUS BACON GRABBERS VIEWERS WILL RECALL POSTLUDE AND PREQUEL [UNTITLED: "CAN WE START AGAIN?"] John Ashbery is the author of more than twenty books of poetry, most recently Quick Question (January 2013). He is the recipient of many honours, including the Pulitzer Prize, the National Book Award, and a MacArthur ‘genius’ award. Born in Rochester, New York, he was educated at Harvard and Columbia. In ... read more Praise for John Ashbery 'Praised as a magical genius, cursed as an obscure joker, John Ashbery writes poetry like no one else.' The Independent 'Great poetry, as T.S. Eliot said, can communicate before it is understood: Ashbery communicates in a way that both pays homage to language and transcends it at the same time.' The Guardian 'John Ashbery's Collected Poems 1956-1987, edited by Mark Ford (Carcanet), was a book I found inexhaustible. Possibly the greatest living English-speaking poet and one of the most prolific, Ashbery takes language to its limits, so that words serve as pointers to shifting experiences that elude description. Containing his masterpiece 'Self-Portrait In A Convex Mirror', one of the most penetrating 20th-century meditations on what it means to be human, this collection succeeded in stirring my thoughts as well as delighting me.' John Gray The Guardian Books Of The Year 2010 'The language of [John Ashbery's] books is informed by his roving enthusiasms for particular composers. His tastes are both eclectic and out-of-the-way.'- *Michael Glover, 'A blue rinse for the language,' The Independent, 13 November, 1999* 'The careering, centrifugal side of Girls on the Run is one of its most effective tools in creating its special ainbience of good-humoured menace ... Ashbery has made the slush of signification, the realm where words slip, slide, perish and decay, uniquely his own.' - *David Wheatley, Times Literary Supplement, 30 June, 2000* 'In his seventies John Ashbery offers a sprightly and energetic alternative. Instead of being sluggish he demands that the self must be even more alert, more vigilant, more attentive to the world around it, not indifferent to and weary of it. Alert, vigilant, attentive ... Wakefulness, the brilliantly evocative title of Ashbery's collection.' - *Stephen Matterson, 'The Capacious Art of Poetry,' Poetry Ireland Review* 62, 114** 'Harold Bloom regards [John Ashbery] as something akin to a genius...' - *Michael Glover, 'The poet as frustrated composer,' Book and Poetry Review section, The Independent, 14 August, 1998* '...Ashbery is still exuberantly dedicated to the truthful rendering of experience as a flow of sensations that defy interpretation. Consciousness is not so much a stream as a series of jump-cuts from one haunting or zany impression to the next. His best poems have a weirdly, intriguingly satisfying quality.' - *Alan Brownjohn, 'Creating a sensation,' Book and Poetry Review section, The Sunday Times, 10 January, 1999* 'Stemming in part from Mallarme and in part from Whitman, Ashbery's work creates a tension in which the fine networks of linguistic reverie are balanced by the strong sense of American tradition.'- *Peter Ackroyd, 'Books of the Year,' The Times Literary Supplement, 4 December, 1992* '...an Ashbery [poem] does not stand on its own but floats off into the reader's limitless consciousness like a balloon. Balloons can be very beautiful, inspire longing and also make you smile.'*- Grey Gowrie, 'Where the commonplace is wonderful,' Book and Poetry Review section, The Daily Telegraph, 5 October, 1996* 'John Ashbery's distinctiveness as a poet paradoxically resides in his ability to evade all single identities; like Whitman, he feels most fully himself when he contains multitudes ... [Ashbery] deploys a staggering variety of dictions, ranging from fragments of novelettish narratives to lyrical dream-visions, from the cliché of public speech to scraps of surrealist collage...'*- Mark Ford, 'Free-wheeling towards the abyss,' Times Literary Supplement, 27 December, 1991* 'Notoriously hard to characterise, Ashbery's poetry has been likened to many things - a spiritual experience or an animated cartoon ... No poet's lines are more accommodating to other voices and idioms ... Like restless guests, his subjects arrive and mingle, don unlikely disguises and abruptly announce they are "off on some expedition"...Such poise lends authority to his "positive melancholy," makes even his excesses ... masterly, and ensures that The Ashbery remains the destination of choice, the place "where everything gets unravelled just right."'*- Julian Loose, Book and Poetry Review section, The Guardian, 3 November, 1992* 'The Mooring of Starting Out is filled with illustrations glimpsed through luminous, funny, formidably intelligent and often heartbreaking poems.'*- Andrew Zawacki, 'A wave of music,' Times Literary Supplement, 12 June, 1998* 'John Ashbery is probably the most highly regarded living poet in America ... The "story" element in Ashbery comes over in fragmented and non-consequential ways, but the fragments have a strong power of visual evocation, and a startling precision of outline ... His focus is on a bravura artifice, a depersonalised surface crackling with "possibility," a brilliant randomness in which analogy with Action Painting asserts itself with special force...'*- Claude Rawson, 'A poet in the postmodern playground,' Times Literary Supplement, 4 July, 1986* Although John Ashberry is perhaps best known for writing some of the twentieth century's greatest long poems - 'The Skaters', 'Fragment' and 'Self-Portrait in a Convex Mirror', to name only three - in recent years America's most capacious poet has worked on a smaller scale, and with a different set of tools; in place of expansive, freewheeling digressions, we are treated to highly charged miniatures typically composed of scraps of everyday speech, reconstituted cliches and allusions to a dizzying array of recondite sources.� read more With its exhilarating changes in register, its elusive journeys, ambitious vocabulary and, more than anything else, its intoxicating sense of fun, there's a renewed vigour to this latest offering from one of America's most accomplished poets. read more You might also be interested in: PLACE Jorie Graham Odd Blocks Kay Ryan Between Two Windows Oli Hazzard	Share this... Quick Links Aspects of Portugal Audio Books Carcanet Fiction Carcanet Film Carcanet Poetry Comma Press FyfieldBooks Lintott Press Lives and Letters OxfordPoets PN Review Sheep Meadow Press The Carcanet Blog Book Launch: Distance and Memory by Peter Davidson read more Sam Ruddock: Bibliodiversity read more Lucy Burnett: An Eco-poetic Sensibility read more Chris Beckett: Looking for Abebe, the cook's son read more Richard Price: A Month in Portugal read more Let's Gimbal! read more
We thank the Arts Council England for their support and assistance in this interactive Project.
Privacy Statement Sitemap RSS Feeds Home Authors Titles Imprints Information Resources This website ©2000-2013 Carcanet Press Ltd