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Opening with a death in winter, this is a tender work of mourning which is wonderfully moving but never dispiriting. Elaine Feinstein uses the remembered words of a much-loved husband - sometimes affectionate, sometimes querulous - to invoke his solid presence; it is the man rather than her grief which is the centre of the book. Many lyrics recall the closeness of their last months together; others confess the ambivalence of a long marriage. Theirs was never an easy relationship, and she is not afraid to register the differences between them. With wry humour, she questions her own life before their meeting, and looks steadily at a future without him. As she imagines that future, she confronts the myths of an afterlife, a belief in God, her debts to other poets and her dependence on friends and children. Always in complete control of rhythm and tone, these beautiful lyrics explore the most intimate thoughts with a clarity and tenacity Ted Hughes once described as 'unique'. It is Elaine Feinstein's most passionate book of poetry.
'Talking to the Dead is arguably Elaine Feinstein's best collection. Beautifully crafted, deeply felt, totally earned, these poems of love and bereavement, and more, will expand her readership well beyond the readers and writers of contemporary poetry who have long loved and treasured her exemplary contribution to the art.' - CarolAnn Duffy
'These are more than elegies, they are alchemy; the emotional force of the book is so strong that the dead come walking out of the pages'. - Jo Shapcott
'Beautiful, generous, wonderfully intense poems ... Anyone who has ever felt comforted in grief by words, or who has lived through that tension between tenderness, longing and guilt, will recognize their precision and their truth ' - Ruth Padel
Praise for Elaine Feinstein: For more than 40 years, Feinstein has been writing intensely lyrical, finely crafted poems. Those in her latest collection [Talking to the Dead] are honest and moving, and are among her very best. No. 1 in 'The Ten Best New poetry collections' - the Independent, 2007
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