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Kei Miller

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  • Kei Miller was born in Jamaica in 1978. He read English at the University of the West Indies and completed an MA in Creative Writing at Manchester Metropolitan University. His work has appeared in The Caribbean Writer, Snow Monkey, Caribbean Beat and Obsydian III. His first collection of short fiction, The Fear of Stones, was short-listed in 2007 for the Commonwealth Writers First Book Prize. His first poetry collection, Kingdom of Empty Bellies, was published in March 2006 by Heaventree Press; his second, There Is an Anger That Moves, was published by Carcanet in October 2007. He is also the editor of Carcanet's New Caribbean Poetry: An Anthology. He has been a visiting writer at York University in Canada, the Department of Library Services in the British Virgin Islands and a Vera Ruben Fellow at Yaddo, and currently teaches Creative Writing at the University of Glasgow.


     

    Kei Miller has a page on the Poetry Archive website, where you can listen to recordings of his poetry and access other useful resources. Click here.


    The title poem of A Light Song of Light , Kei Miller's third poetry colelction begins: A light song of light is not sung In the light; what would be the point? read more
    Like The Last Warner Woman , Miller's third poetry collection is comprised of a rich mix of voicings and testimonies. read more
    For a shot of good cheer you can't do better than the poems of Kei Miller. read more
    At first glance, a collection which manically riffs on light and songs and songs of light doesn't seem terribly appealing. read more
    In the Jamaican poet Kei Miller’s second collection, published since his move to the UK, the first and strongest sequence, ‘In This New Country’, is a tribute to the strangeness of arriving in a Britain already colonised by Jamaicans ‘in reverse’ (the term is Louise Bennett’s): ‘Walking through Peckham / in London, West Moss Road in Manchester, / you pass green and yellow shops / where tie-headwomen bargain over the price / of dasheen’. read more
    In the Jamaican poet Kei Miller’s second collection, published since his move to the UK, the first and strongest sequence, ‘In This New Country’, is a tribute to the strangeness of arriving in a Britain already colonised by Jamaicans ‘in reverse’ (the term is Louise Bennett’s): ‘Walking through Peckham / in London, West Moss Road in Manchester, / you pass green and yellow shops / where tie-headwomen bargain over the price / of dasheen’. read more
    In the Jamaican poet Kei Miller’s second collection, published since his move to the UK, the first and strongest sequence, ‘In This New Country’, is a tribute to the strangeness of arriving in a Britain already colonised by Jamaicans ‘in reverse’ (the term is Louise Bennett’s): ‘Walking through Peckham / in London, West Moss Road in Manchester, / you pass green and yellow shops / where tie-headwomen bargain over the price / of dasheen’. read more
    In the Jamaican poet Kei Miller’s second collection, published since his move to the UK, the first and strongest sequence, ‘In This New Country’, is a tribute to the strangeness of arriving in a Britain already colonised by Jamaicans ‘in reverse’ (the term is Louise Bennett’s): ‘Walking through Peckham / in London, West Moss Road in Manchester, / you pass green and yellow shops / where tie-headwomen bargain over the price / of dasheen’. read more
    Vahni Capildeo on New Caribbean Poetry , ed. read more
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