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Ford Madox Ford (1873 - 1939)
- About
- Reviews
Ford Madox Ford (the name he adopted in 1919: he was originally Ford Hermann Hueffer) was born in Merton, Surrey, in 1873. His mother, Catherine, was the daughter of the Pre-Raphaelite painter Ford Madox Brown. His father, Francis Hueffer, was a German emigré, a musicologist and music critic for The Times. Christina and Dante Gabriel Rossetti were his aunt and uncle by marriage. Ford published his first book, a children’s fairytale, when he was seventeen. He collaborated with Joseph Conrad from 1898 to 1908, and also befriended many of the best writers of his time, including Henry James, H.G. Wells, Stephen Crane, John Galsworthy and Thomas Hardy. He is best known for his novels, especially The Fifth Queen (1906–8), The Good Soldier (1915) and Parade’s End (1924–8). He was also an influential poet and critic, and a brilliant magazine editor. He founded the English Review in 1908, discovering D.H.Lawrence, Wyndham Lewis and Ezra Pound, who became another close friend. Ford served as an officer in the Welch Regiment 1915–19. After the war he moved to France. In Paris he founded the transatlantic review, taking on Ernest Hemingway as a sub-editor, discovering Jean Rhys and Basil Bunting, and publishing James Joyce and Gertrude Stein. In the 1920s and 1930s he moved between Paris, New York, and Provence. He died in Deauville in June 1939. The author of over eighty books, Ford is a major presence in twentieth-century writing.Of his novels, Carcanet publish The Good Soldier, Parade's End, The Rash Act and Ladies Whose Bright Eyes. Carcanet also publish The English Novel, The Ford Madox Ford Reader, A History of Our Own Time and Selected Poems, War Prose, Return to Yesterday, and other titles. Some of these have been released as part of The Millennium Ford series, which aims to bring all his major work back into circulation.
Praise for Ford Madox Ford (1873 - 1939)
'Of the various demands one can make of the novelist, that he show us the way in which a society works, that he show an understanding of the human heart, that he create characters whose reality we believe and for whose fate we care, that he describe things and people so that we feel their physical presence, that he illuminate our moral consciousness, that he make us laugh and cry, that he delight us by his craftsmanship, there is not one, it seems to me, that Ford does not completely satisfy. There are not many English novels which deserve to be called great: Parade's End is one of them.'
W.H.Auden, 1961
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