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A Travelling Man: Eighteenth Century BearingsDonald Davie
Edited with an introduction by Doreen Davie
Donald Davie was a great critic of the eighteenth century, its literature, its religion and politics, its culture in the broadest sense, because he took his creative bearings from it. This is what makes him such an unusual poet; and this is why, when he writes about Berkeley, or Swift, or Goldsmith, Smart, Cowper, Doctor Johnson, the Augustan Lyric, the hymn writers, the Dissenters, diction and irony, he holds our attention the way a great teacher (which he was) can do. For him the act of critical engagement is a challenge to all the vigours of the mind and spirit, and he makes accessible areas of our culture which Romanticism and lazy reading have fenced off as dull, closed areas. The fact is that Romanticism draws its energies not only from reaction against the eighteenth century, but also from a deep engagement with it. Many of his earliest essays, especially those written in Dublin, the city of Berkeley, Goldsmith and Swift, were rooted in the eighteenth century and its abiding gifts.
Praise for Donald Davie
'From the publication of his debut collection of poems in 1955 until his passing in 1995, Donald Davie enjoyed a doubly excellent reputation as a critic and a poet... Sinéad Morrissey's Selected Poems gives an admirably rounded picture of his work and guides the reader through the editor's well-judged inclusions with a succinct introduction.'
N.S. Thompson, The TLS 'This is very unusual, essential and distinctive poetry of a kind we so often don't see. Davie had a well developed sense of his own outlook and it does come through in quite complex and multifaceted ways.' Clark Allison, Stride Magazine 'This is a sampler of one of the major poets of the last generation that has been assembled by leaning into the proclivities of one of the major poets of our own... if you have read none of Davie's poetry before, you have a small, perfectly formed, ever-expanding universe to explore.' Rory Waterman, The Friday Poem 'This is an accessible exploration of Davie's work. And it makes me want to read more, so this taster selection clearly works. It is an important reminder of the great writer he was, and how relevant he still is, nearly thirty years after his death. Morrissey's introduction is clear-eyed and intelligent, a perfect primer' James Nash, Everybody's Reviewing 'He has drawn a map of modernism, starting with Hardy and Pound, that remains one of the definitive outlines of twentieth-century experiment in form and language. The mapmaker, in this case,is a notable locus on the map.' Helen Vendler `These poems thrive on the restless energy that drives their author on from form to form and place to place. Few poets are more likely than Davie to persuade new readers that poetry can still be a matter of concern and pleasure.' Martin Dodsworth, The Guardian 'In his criticism, he has drawn a map of modernism, starting with Hardy and Pound, that remains one of the definitive outlines of twentieth-century experiment in form and language.' Helen Vendler |
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