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Then draws on Alison Brackenbury’s lifetime’s experience of rural England, its people and its ways, and the threats to its survival. From the lapwings of her childhood Lincolnshire to the recurrent floods in Gloucestershire, where she has lived for many years, the poems reach urgently to both past and future, finding connections and disconnections. The signs of a changing climate are emblematic of larger erasures. The poems keenly focus the beauty and the harshness of the natural world. They remind us of our own fragility, and our responsibility: ‘We are made of water. But we forgot.’

'Alison Brackenbury loves, lives, hymns and rhymes the natural world and its people like no other poet.'
Gillian Clarke

Alison Brackenbury was born in Lincolnshire in 1953.�She is descended from generations of skilled farm workers, including a dynasty of prize-winning shepherds. She won a scholarship to Oxford and left with a First in English. She then married and moved to a small town�in Gloucestershire, where she combined writing with horse-keeping, ... read more

Praise for Alison Brackenbury 'Brackenbury's range as a poet continues to grow, just as her stanza forms become simpler and more pared-down. A growing engagement with inherited English culture allows her to question unspoken and given assumptions.'
M.C. Caseley, Agenda
'Brackenbury conjures a poetry that brings those frightening things into plain daylight, a poetry of the active life, of thrift and graft, of spirits that when pressed resort to sanity.'
John Bevis
'Brackenbury makes rhyming seem easy in work that is clever, controlled, eccentric and thoroughly British in both subject matter and tone.'
David Starkey, Santa Barbara Independent
'Brackenbury is a poet of strong feeling, deeply involved with her subject matter. That the work is cast with such craft and needs to do so little to draw attention to itself makes it all the more pleasurable.'
Jonathan Davidson, Poetry Review 'Alison Brackenbury's ninth collection of poems is a humble, often humorous, celebration of the everyday and the privileges of age.' - Harriet Barker, TLS 'It is her immediate response to the natural world happenings, the seasons, family and memories, and all life's incidentals that make her poems so easy to relate to.' - D. A. Prince, The North 'Filigreed with images of light and dark throughout, it's evocative, amusing and utterly compelling.'
Frances Lass, Radio Times 'Glorious'
Gillian Reynolds, Daily Telegraph 'Enchants'
The Times 'Alison Brackenbury loves, lives, hymns and rhymes the natural world and its people like no other poet.'
Gillian Clarke, National Poet of Wales

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Then Alison Brackenbury RRP: GBP 9.95 Available from: Buy now from Amazon eBook (Kindle) ISBN: 978 1 847777 72 0 Categories: 21st Century, British, Women Imprint: Carcanet Poetry Published: April 2013 96 pages (print version) Publisher: Carcanet Press Also available in: eBook (EPUB), Paperback, eBook (PDF) Spend GBP 15 or more and receive a free Carcanet tote bag. Available internationally while stocks last. Find out more. Description Author Reviews Then draws on Alison Brackenbury’s lifetime’s experience of rural England, its people and its ways, and the threats to its survival. From the lapwings of her childhood Lincolnshire to the recurrent floods in Gloucestershire, where she has lived for many years, the poems reach urgently to both past and future, finding connections and disconnections. The signs of a changing climate are emblematic of larger erasures. The poems keenly focus the beauty and the harshness of the natural world. They remind us of our own fragility, and our responsibility: ‘We are made of water. But we forgot.’ 'Alison Brackenbury loves, lives, hymns and rhymes the natural world and its people like no other poet.' Gillian Clarke Alison Brackenbury was born in Lincolnshire in 1953.�She is descended from generations of skilled farm workers, including a dynasty of prize-winning shepherds. She won a scholarship to Oxford and left with a First in English. She then married and moved to a small town�in Gloucestershire, where she combined writing with horse-keeping, ... read more Praise for Alison Brackenbury 'Brackenbury's range as a poet continues to grow, just as her stanza forms become simpler and more pared-down. A growing engagement with inherited English culture allows her to question unspoken and given assumptions.' M.C. Caseley, Agenda 'Brackenbury conjures a poetry that brings those frightening things into plain daylight, a poetry of the active life, of thrift and graft, of spirits that when pressed resort to sanity.' John Bevis 'Brackenbury makes rhyming seem easy in work that is clever, controlled, eccentric and thoroughly British in both subject matter and tone.' David Starkey, Santa Barbara Independent 'Brackenbury is a poet of strong feeling, deeply involved with her subject matter. That the work is cast with such craft and needs to do so little to draw attention to itself makes it all the more pleasurable.' Jonathan Davidson, Poetry Review 'Alison Brackenbury's ninth collection of poems is a humble, often humorous, celebration of the everyday and the privileges of age.' - Harriet Barker, TLS 'It is her immediate response to the natural world happenings, the seasons, family and memories, and all life's incidentals that make her poems so easy to relate to.' - D. A. Prince, The North 'Filigreed with images of light and dark throughout, it's evocative, amusing and utterly compelling.' Frances Lass, Radio Times 'Glorious' Gillian Reynolds, Daily Telegraph 'Enchants' The Times 'Alison Brackenbury loves, lives, hymns and rhymes the natural world and its people like no other poet.' Gillian Clarke, National Poet of Wales	Share this... Quick Links Jubilee Bundles Carcanet Celebrates 50 Years! Anvil Press Poetry Aspects of Portugal Audio Books Carcanet Classics Carcanet Fiction Carcanet Film Carcanet Poetry FyfieldBooks Lintott Press Little Island Press Lives and Letters OxfordPoets PN Review Sheep Meadow Press The Carcanet Blog Songs We Learn From Trees: Chris Beckett read more Carcanet and Covid-19 read more PN Review 252: Editorial read more Happy International Women's Day 2020! read more Angular Desire: Graziano Krtli read more Riddle Me: John Gallas read more
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