Carcanet Press - Critical Essays

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Max Saunders

Praise for Ford Madox Ford 'what Ford conveys above all is less his particular preference than his radical passion for the novel as an instrument and what can be done with it.'
C.H. Sisson 'It displays Ford's dedication to his art; it demonstrates, also, the possibilities of English prose in the hands of a master.'
Peter Ackroyd, The Sunday Times 'The Rash Act ought to be bought and read by all interested in the novel as an art form... The action takes place in the French South which Ford loved, but man no longer sustains the tradition of myth and history which that region once represented... Here in The Rash Act we have the death of morality and responsibility - a forbidding theme, but, in the paradox of art, it is made to serve a tapestry of rich colour and galloping vivacity.'
Anthony Burgess, Observer 'No Enemy is Ford Madox Ford's little-known First World War novel, musing and reflective, published for the first time in Britain by Carcanet and ably edited by Paul Skinner. Congratulations to them both.'
Alan Judd, Sunday Telegraph, Sunday 30th June 2002 'Of the various demands... that he show us the way in which a society works, that he show an understanding of the human heart, that he create characters in whose reality we believe and for whose fate we care, that he describe things and people so that we feel their physical presence, that he illuminate our moral consciousness, that he make us laugh and cry, that he delight us by his craftmanship, there is not one, it seems to me, that Ford does not completely satisfy.'
W. H. Auden

'Ford Madox Ford's Parad's End, arguably the most sophisticated British fiction to come out of that war. Carcanet's reissue of the first volume, Some Do Not (£18.95), is the first reliable text, reconstructing Ford's dramatic original ending. Brilliantly edited by Max Saunders and now to be filmed (scripted by Tom Stoppard), it deserves to be and will be better known.'

Alan Judd, Books of the Year 2010, The Spectator.

'Of the various demands one can make of the novelist, that he show us the way in which a society works, that he show an understanding of the human heart, that he create characters whose reality we believe and for whose fate we care, that he describe things and people so that we feel their physical presence, that he illuminate our moral consciousness, that he make us laugh and cry, that he delight us by his craftsmanship, there is not one, it seems to me, that Ford does not completely satisfy. There are not many English novels which deserve to be called great: Parade's End is one of them.'
W.H.Auden, 1961

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Critical Essays Ford Madox Ford Edited by Max Saunders 10% off all versions Series: Lives & letters: the Ford programme Imprint: Publisher: Carcanet Press Available as: eBook (EPUB) Needs ADE! 9781847776921 £14.95 £13.45 eBook (Kindle) 9781847776938 £14.95 £13.45 To use the EPUB version, you will need to have Adobe Digital Editions (ADE) installed on your device. You can find out more at https://www.adobe.com/uk/solutions/ebook/digital-editions.html. Please do not purchase this version if you do not have, or are prepared to install, Adobe Digital Editions. Or, buy the Kindle version directly from Amazon Editor Reviews Max Saunders ... read more Praise for Ford Madox Ford 'what Ford conveys above all is less his particular preference than his radical passion for the novel as an instrument and what can be done with it.' C.H. Sisson 'It displays Ford's dedication to his art; it demonstrates, also, the possibilities of English prose in the hands of a master.' Peter Ackroyd, The Sunday Times 'The Rash Act ought to be bought and read by all interested in the novel as an art form... The action takes place in the French South which Ford loved, but man no longer sustains the tradition of myth and history which that region once represented... Here in The Rash Act we have the death of morality and responsibility - a forbidding theme, but, in the paradox of art, it is made to serve a tapestry of rich colour and galloping vivacity.' Anthony Burgess, Observer 'No Enemy is Ford Madox Ford's little-known First World War novel, musing and reflective, published for the first time in Britain by Carcanet and ably edited by Paul Skinner. Congratulations to them both.' Alan Judd, Sunday Telegraph, Sunday 30th June 2002 'Of the various demands... that he show us the way in which a society works, that he show an understanding of the human heart, that he create characters in whose reality we believe and for whose fate we care, that he describe things and people so that we feel their physical presence, that he illuminate our moral consciousness, that he make us laugh and cry, that he delight us by his craftmanship, there is not one, it seems to me, that Ford does not completely satisfy.' W. H. Auden 'Ford Madox Ford's Parad's End, arguably the most sophisticated British fiction to come out of that war. Carcanet's reissue of the first volume, Some Do Not (£18.95), is the first reliable text, reconstructing Ford's dramatic original ending. Brilliantly edited by Max Saunders and now to be filmed (scripted by Tom Stoppard), it deserves to be and will be better known.' Alan Judd, Books of the Year 2010, The Spectator. 'Of the various demands one can make of the novelist, that he show us the way in which a society works, that he show an understanding of the human heart, that he create characters whose reality we believe and for whose fate we care, that he describe things and people so that we feel their physical presence, that he illuminate our moral consciousness, that he make us laugh and cry, that he delight us by his craftsmanship, there is not one, it seems to me, that Ford does not completely satisfy. There are not many English novels which deserve to be called great: Parade's End is one of them.' W.H.Auden, 1961	Share this... Quick Links Carcanet Celebrates 50 Years! Anvil Press Poetry Aspects of Portugal Audio Books Carcanet Classics Carcanet Fiction Carcanet Film Carcanet Poetry FyfieldBooks Lintott Press Little Island Press Lives and Letters OxfordPoets PN Review Sheep Meadow Press The Carcanet Blog New Poetries VIII: Sinad Morrissey on Conor Cleary read more The Earliest Witnesses: G.C. Waldrep read more Conor Cleary: NPVIII: Meet the Contributor read more New Poetries VIII: Tara Bergin on Suzannah V. Evans read more Suzannah V. Evans: NPVIII: Meet the Contributor read more New Poetries VIII: Andrew Wynn Owen on Tristram Fane Saunders read more
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Critical Essays

Ford Madox Ford

Edited by Max Saunders